Vinyl

Silver Vinyl

After a couple of silent years, MORAST are back with their third album called “FENTANYL”. Carried by grief, loss and the abyss of emotional pain, they have managed to turn this energy into a celebrating resurrection. Their urge to create a dark and sinister atmosphere is still inherent, but this time their approach seems more aggressive, ecstatic and raw. A six song trip to the bleakest corners of human existence. A monolith of abhorrence and filth.

ESKHATON is CYCLONIC DEATH METAL: absolute chaos and total death - psychotic, bestial, raw blistering ferocity and horror atmosphere - from Melbourne, Australia. ESKHATON means Total Death: the end of all things and time.

Formed by Invokocide (vocals/guitars) in 1999, with the addition of Whirwindead (guitars) in 2002, it was not until November 2008 when Hammerkill joined on drums that the lineup was able to record, with bass work done by Whirlwindead and Invokocide until a bassist could be found. Two albums and an EP were recorded and released between 2011 and 2014, with the EP being unreleased until 2018. The lineup changed in 2015 when Militiarkh was possessed to take hold of the drums, who later also did live shows for HOBBS ANGEL OF DEATH.

The saga of Italy’s DARK QUARTERER is one of the most unique around. The debut album, self-titled Dark Quarterer, would see release in 1987. A mix of DEATH SS, BLACK SABBATH, CANDLEMASS and 70s Metal.
Lots of epicness and drama.

SHADOW KINGDOM RECORDS is elated to reissue the seminal sophomore album of Italy’s BULLDOZER, The Final Separation, on CD, vinyl LP, and cassette tape formats.

Italy's BULLDOZER is a name that commands respect and awe. In the thrash and black metal underground of the 1980s, they were the uncompromising counterparts to legends like Venom and Motorhead. Known for their raw energy and wild performances, BULLDOZER carved their niche with ferocious anthems and a chaotic aesthetic. Their frontman, AC Wild, epitomized the band's untamed spirit. They were the definition of a cult band before the term became a staple in metal lore. Simply put, there was, and is, only one BULLDOZER.

The BULLDOZER saga continued with unrelenting force with the release of their second album, The Final Separation, in 1986. From the first explosive riffs of the title track, The Final Separation cements itself as a powerhouse of relentless thrash and blackened fury. The album is a maelstrom of aggressive riffs, thunderous drumming, and AC Wild's unmistakable snarls. With tracks like "Ride Hard - Die Fast" and "We are...Italian," BULLDOZER showcased their ability to blend high-speed ferocity with anthemic choruses, creating a sound that is both punishing and infectious.

The Final Separation is a testament to BULLDOZER's ability to evolve while retaining their core essence of unfiltered metal mayhem. The production is sharper, the musicianship tighter, but the spirit remains raw and rebellious. This is an album that captures the essence of 80s metal with its unapologetic attitude and unbridled energy.

And so, The Final Separation stands as a landmark in BULLDOZER's discography, a shining example of their indomitable spirit and musical prowess. SHADOW KINGDOM is honored to resurrect this classic, making it available once more in all its unrelenting glory across all formats.

Standard black vinyl.
Insert inside. Originally re-issue of the debut album (1997).

 tal Carter

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously. 

Chilean classic Death/Thrash Metal record finally available again! For all maniacs that are hungry for old school sonic violence and brutality!

From the depths of the world was born one of the most anti-Christian cults that marked these lands, from the seas of blood the bells will be required that will indicate the beginning of the end, the time of human tribulation has finally come. The time which the “Tribulated Bells” toll...

Considered as a cornerstone of Chilean Death Metal, Tribulated Bells has been valued by many as a great influence and a must! Killer riffs and drums with a technique rarely seen in those years mean that this full length has marked the before and after in the history of South American Death Metal scene.

Trivax, unleash as masterpiece of Eastern Death Black Magick in the form of Eloah Burns Out, the long-awaited second album and their first full-length recording since 2016.

Totalling 50 minutes, this monumental death-themed opus is the band’s most bold, sophisticated and high-quality work yet, showcasing the their monumental sonic evolution as well as a total conviction towards their craft and vision.

Formed by guitarist and vocalist Shayan, TRIVAX began life in the late 2000s in the unlikely location of Iran, a country whose laws regarding music – and especially black metal – have led to punishment, imprisonment and even death. Relocating to the UK, Shayan found a like-minded ally in bassist Sully, who had similarly left Syria due to facing jail for his metal associations. Completing this power trio was talented British native M. Croton, a drummer with many years of experience under his belt.

Following the 2022 EP The Serpent’s Gaze, this is the second Trivax release by Cult Never Dies. Eloah Burns Out features guest appearances from Wraath (Behexen, One Tail One Head, Beyond Man), Naut (Winterfylleth, Necronautical) and J.Wilcox (Funeral Throne, Master’s Call) and was created in the UK, Norway and Iran.

For fans of: Dissection, Bolzer, Watain, Celtic Frost, Melechesh and Behexen.

Gatefold sleeve, clear vinyl, limited 200

Nortt fifth album