Vinyl

Purple Marble Vinyl
Limited to 100 copies.

Side A - The Spell of Winter Holocaust Demo 2021
Side B - The Eternal Fires of Cleansing Demo 2021

Red Marble Vinyl
Limited to 100 copies.

Double Marbled Gold & Black Gatefold LP (Limited to 250 copies)

REQUIEM IN WHITE was a Gothic Rock-Opera group (1985-1994) with Lisa Hammer on vocals, Doc Hammer on guitars, bassist Chris Walsh (RIP) and Drummer Javier Madariaga (Reagan Youth). The band had a loyal cult following, influencing many of the Medieval/ Ethereal/ Gothic Rock groups after them.  They played with bands such as Type-O-Negative, Christian Death, Sex Gang Children and Biohazard.

The band formed in the summer of 1985 by core members Doc and Lisa Hammer and Chris Walsh in Boston, Massachusetts, United States.
At that time, in Boston there was no organized gothic scene. Any band with a dark image had to fend for itself. Strangely enough, Requiem in White‘s eclectic, dark and romantic sound and look was gaining more fans and attention than it even knew: they were being bootlegged, widely talked and written about, imitated, and even their humble demo tapes were being hunted down by fans.

By the time they relocated to New York City in 1989, there was a healthy gothic scene, and Requiem in White had achieved a level of status which placed them at the forefront of the gothic movement. Their refusal to ever grant an interview or any kind of publicity created such an air of mystery around them, that they attracted a loyal cult following, one that still grows to this day, even after the break-up.

By 1994 the band was playing to thousands of fans at places like the Limelight, CBGB, Danceteria and the Ritz, headlining or opening up for bigger bands like Type-O Negative, Sex Gang Children, Christian Death and Biohazard. They were constantly in the fanzines, on the internet, on compilations and bootlegs, videos, stickers and on the backs of fans’ jackets. Theirs was truly a “grass roots” fame, of the sort which history has proven to be the most enduring.

The 1994 break-up was painful for all, and fans were devastated. They had seen Requiem in White as the “last original band” in a sea of “goth imitators” and “vapid drum machine clone bands”. Requiem in White had embodied the sound and image of their deepest romantic fantasies.

We are proud to announce that The Circle Music will release for first time “Hymnal of Remembrance” on vinyl, which includes the second album “Of The Want Infinite” (1994) together with the original recordings of the 2 Demos (“World Of Promise/Prodigal Son” (1987) & “Everlasting Piece” (1987)!!! “Hymnal of Remembrance” will also be released on CD in a special Luxurious Triple 7′ gatefold.

We want to sincerely thank everyone who helped find the songs from the 2 demos. We knew in advance that this would be extremely difficult, but after the public announcement of the search for the songs, many fans of Requiem In White came together and now we are delighted to announce that this very important & unique album will finally be released on vinyl after so many years!

• Follow up to 2020 collaboration album of death/doom metal titans and enigmatic PNW folk musician

• One of the doom metal triumphs of 2025

Gatefold cover - extended king size booklet - colored vinyl /// purple vinyl

Kanonenfieber's debut Menschenmühle has been one of the self-produced highlights of early 2021. With its mature songwriting and uncommon thematic approach, the album is intended to commemorate the countless victims of World War I.

Men were thrown into a differing reality where only survival would count. Death, fear and hunger as a steady companion in the waist-deep trenches filled with mud. One order transferred people into cannon fodder in the human mill - World War I. The lyrical background of Menschenmühle is based on factual reports, letters and other documents from the surviving and deceased soldiers. The album was written, recorded and produced by Kanonenfieber from September 2020 to January 2021 in the Noisebringer studio

Second press!! Gatefold sleeve, black ice vinyl

Mike Lamb (Sojourner) and Heike Langhans (Sojourner, ex-Draconian) are back with their personal gothic/doom project, Remina. The duo’s sophomore album, The Silver Sea, will follow their 2022 debut Strata and will be released on October 24th 2025 on CD and digital, once again via Avantgarde Music. Here follows the band’s statement.

The Silver Sea was written over the three year period following the release of our debut album Strata, and it is the product of the changes we experienced as both a band and on a personal level.

Remina took to the stage for the first time in 2023, and through this process we got to spend a lot of time in beautiful northern Italy bringing to life live versions of our songs with our excellent live lineup. The process of seeing how our sound translated to a live setting ultimately impacted how we approached this album. We didn't want to deviate from our vision for the band or the sound, but we did incorporate a much more musically 'direct' approach in the way the songs were written this time around. This was helped massively by the excellent drum tracking of Shayne Roos, who lifted our original ideas to an entirely new level. We are also honored to be joined by guest vocal spots from two musicians we greatly look up to, Mick Moss of Antimatter (Algol) and Tony Dunn of Sgàile (Vanta Ray).

On a personal level, we were dealing with the decision of having to uproot our lives in Europe and move back to New Zealand to be closer to family. The weight of the decision to move across the world, so far from the lives we had built, was reflected in the overarching themes and atmosphere of the album. While each song deals with its own subject matter, there is an overarching story running throughout as an invisible thread tying the album together. 

Gatefold Double LP with 12 pages booklet in vinyl size & UV spot laque

With their fourth full-length "Solastalgia", the German purveyors of soaring post metal work their way to their innermost core and deliver what is easily their most vulnerable and accessible record to date. "Solastalgia describes the grief over the loss of the natural world," the band explains. The very existence of such a term brutally exposes our alienation from this planet. While some of the albums’ songs deal with environmental issues, others focus on personal feelings and the challenges of human existence in a rapidly changing world. Heretoir has always been pure emotion. The pain of modern life set to music. And yet the desperate beauty of "Solastalgia" proves to be an unlikely source of comfort.
The joint songwriting of David, Matthias and Nils creates the new sound of Heretoir. After exploring their dark and grim side on "Nightsphere", Heretoir have gone in a different direction this time. The songs of "Solastalgia" cover a wide range of emotional and heavy music. From Modern Metal to Black Metal to Post Rock to maybe even Screamo. Whatever you want to call it: essentially, this is pure melancholy and a spark of hope in utter darkness.

Saint Vitus‘ album “Die Healing” is a masterpiece of doom metal that showcases the band’s ability to create a dark and powerful atmosphere. From the haunting guitar riffs to the thunderous drumming, every aspect of this album is designed to transport the listener to a gloomy and foreboding world.

One of the standout tracks on the album is “Dark World“, which features slow, crushing riffs that build tension and create a sense of impending doom. The vocals, delivered with raw intensity, add to the overall sense of despair and hopelessness that permeates the song. Another highlight of “Die Healing” is the track “Let the End Begin“, which showcases the band’s skill at creating a sense of dread and unease. The eerie guitar melodies combined with the powerful drumming create a sense of impending darkness that is hard to shake off.

Saint Vitus, a pioneering band in the doom metal genre, has been able to consistently deliver albums that are characterized by their dark and heavy sound. “Die Healing” is no exception, as it is a testament to the band’s ability to create music that is both heavy and atmospheric.

This album is re-released on vinyl with a triple Deluxe Gatefold cover, in two colors (Marbled Red / Marbled White), each edition is limited to 500 copies.

A Majestic Rebirth of a Nordic Masterpiece. With Origin, Borknagar strips back the layers of their cosmic black/progressive metal heritage to reveal something deeply organic, melodic, and profoundly atmospheric. Originally released as a bold acoustic statement, Origin stands as a testament to the band’s versatility, depth, and timeless songwriting – and now, it receives the deluxe vinyl treatment it truly deserves.

Sevan Mater presents this gem in a stunning new Triple Gatefold Edition, available in two strictly limited runs: 500 copies on Gold Vinyl and 500 copies on Red Vinyl. The Triple Gatefold packaging alone is a collector’s dream – beautifully designed, elegant, and immersive, perfectly echoing the rich natural textures and philosophical layers of the music within.

Musically, Origin is a journey through the soul of Borknagar – acoustic guitars, piano, flutes, and layered vocals flow like Nordic rivers through landscapes of introspection and grandeur. It’s both intimate and vast, a reflection of nature and spirit, myth and memory. The songs breathe, echoing ancient winds and the wisdom of the North. Tracks like “White” and “The Human Nature” reveal an emotional core often hinted at in Borknagar’s heavier works, now fully unmasked.

This album is not a detour – it is an essential chapter, perhaps one of the most sincere and poetic ever released in the metal world. Whether you’re a long-time fan or discovering this masterpiece for the first time, this limited edition reissue is not to be missed. A glowing tribute to one of the most daring and visionary bands in modern metal – this is Borknagar at their most elemental, and most profound.

A Monument of Epic Northern Majesty. Few albums have captured the essence of Norse grandeur and progressive black metal mysticism like Borknagar’s iconic The Olden Domain. Originally released in 1997, this milestone release marked a bold evolution in the band’s sound – an epic synthesis of ferocity and atmosphere, melody and might.

Now, thanks to Sevan Mater, this seminal album returns in a breathtaking deluxe edition, crafted with the reverence it deserves. This collector’s dream comes in a Triple Gatefold cover, rich with new visual and tactile depth – a true work of art that honors the spirit of the music inside.

Limited to only: 500 copies on Gold Vinyl and 500 copies on Red Vinyl. Each color captures the fire and blood of this album’s sonic journey – from the icy pulse of black metal to the warm, progressive textures that would come to define Borknagar’s identity.

The Olden Domain is more than an album – it’s a mythological voyage through time, nature, and existential reflection. Tracks like “The Eye of Oden”, “A Tale of Pagan Tongue”, and “Grimland Domain” remain towering achievements, combining intricate musicianship with visionary scope.

This was the moment Borknagar became something more – a band unafraid to expand black metal’s boundaries into untamed, poetic wilderness. With this deluxe Sevan Mater edition, The Olden Domain roars anew – raw, majestic, eternal. A must-have for fans of Scandinavian metal history and progressive extremity alike.

Black 12" vinyl (33 rpm) in gatefold with 2-page insert.
First pressing 350 copies worldwide.

Emerging from the Belgian underground in 1993, ENTHRONED have stood as one of black metal’s enduring forces, their legacy defined by uncompromising vision and ritualistic intensity. Over three decades, the band has refined their craft into an artform of esoteric violence and transcendence.
Their new opus ‘Ashspawn’ embodies six years of ritual creation and total artistic unity. Written in collaboration with occult author Gilles de Laval, the album charts a descent into spiritual death and a transformative rebirth, framed by a lyrical architecture of demonology, ritual praxis, and metaphysical calculus. Musically, it is ENTHRONED’s most ferocious and personal work to date: a relentless fusion of blast beats, oppressive mid-tempos, and solos oscillating between chaos and virtuosity. Tracks such as “Raviasamin”, “Ashspawn”, and “Ashen Advocacy” channel this doctrine into ritual soundscapes that convulse between violent catharsis and crushing introspection.
Every note and silence are deliberate; a weapon forged for transformation rather than entertainment. ‘Ashspawn’ is not an echo of past glories, but a culmination of ENTHRONED’s essence: dark, authentic, and absolute.

For fans of MARDUK, DARK FUNERAL, GORGOROTH, 1349.