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Meditating upon the night waves. A being possessed by the storm upon the cliffs as heavy fog rolls over the jagged rock. The ethereal skin pierced and opened as portals to a time forgotten. The lone wolf binding these nexus walls and setting alight the new age of man. Dance in it's ashes and levitate without chains between the hands of time. Majestic raw Black Metal darkness from the ocean beaten cliffs of Kernow. CD limited to 300 copies.

CD limited to 300 copies.

CD limited to 300 copies.
Track 1 is taken from the 3 way split with Nihasa & Possession Ritual.
Track 2 & 6 from the split with Lone Suffer.
Track 3 from the split with Eternum.
Track 4 & 7 from the split with Empire Of Tharaphita.
Track 5 from the split with Sargeist.
Track 8 is a bonus unreleased track.

CD limited to 300 copies.
This CD is a compilation of three demos; "Diabolical Winter Spells", "Rise of the Black Serpent" & "Lost Kingdoms of a Dark Age".
 

“Forbidden Doctrine of the Youthful Gate Demo 3” and “Shade of Darkness Casting… Demo 4” on one LP.

In the late 1980′s and early 1990′s, Brazil was like a Petri dish upon which grew, with bacterial rapidity, a particularly virulent strain of Deathrash that ushered in the first manifestations of South American Black Metal. In the early to mid-1980’s bands like Vulcano, Sarcofago, and Sepultura began to define a sound that has come to be distinctly associated with Brazil. Within the span of just a few years, a nucleus of bands playing this style quickly emerged, with each providing a variant on the bestial and primitive sound at the core of the Brazilian underground. As this rotten music festered in the sick corners of Brazil, it began to draw the attention of the international underground as bands such as Holocausto, Sextrash, Insulter, Chakal, and others unleashed their own warfare noise and a scene began to coalesce around them.
In 1987, a dark entity known as Necrofago was summoned into existence via the ominous incantations of vocalist/guitarist Deathvomit in association with Rotten on bass, Rotten Corpse on drums, and later joined by Post Mortem on guitar. Not to be confused with various other bands of the same name, this band came from Minas Gerais, Brazil. (Most notably, the Necrofago from Sau Paulo responsible for the “Desire for Blood” demo is often, despite the obvious sonic differences, mistakenly associated with the one from Minas Gerais.)
The entirety of Necrofago’s recorded legacy is encapsulated in their activities during the years 1897 and 1988 with the most important piece being their 1987 demo entitled “Brutal Mutilation.” One of the most unique sounding recordings to have come from the Brazilian scene, “Brutal Mutilation” exemplifies, unlike any other recording, the emphasis those bands placed upon harsh aggression and raw recording techniques. The demo sounds like the result of the potent collision of immense quantities cheap alcohol and inhalants in brains already awash in adrenaline and youthful testosterone. Lacking in nearly every category of technical proficiency, Necrofago focused their entire effort into creating a monument to savagery.
While the apparent ineptness of the playing may initially be off-putting to some listeners, those capable of suspending their need to generate order out of the chaos of the recording will find some of the most truly evil tracks committed to tape in the 1980’s. Even at the time of its release, the demo was well-received and found its way into the hands of some of the more legendary figures in the underground. When asked about Necrofago, Laruent Remadier of Decibel of Death Zine/Snakepit Magazine responded with the following: “Oh man! I recall Necrofago. I recall being in Morbid Angel house back in ’87 and having David mentioning them non-stop like Sarcofago.”
The guitars on the demo are brittle and sordid and rest uneasily atop the drums. The entire cacophonous mixture teeters on the brink of total collapse throughout each of the three tracks as the repetitious riffs, at times almost hypnotic, roil and churn. Deathvomit’s menacing vocals fill out the sound and add to the grotesque character of the music. Aside from the “Brutal Mutilation” demo, only a 1988 rehearsal demo and live recording from the same year exist to affirm the existence of Necrofago. These recordings are more obscure and ridden with even more impenetrable sound quality. Nonetheless, the vitriolic and intense nature of the playing is captivating.
Although these tracks have been bootlegged several times throughout the years, the band’s existence is still often overlooked, and, yet, their influence in the Brazilian scene was immense. This vinyl release marks the first time that these recordings have been officially reissued and will allow new legions to breathe in the foul death-odor emitted by Necrofago.

Burning Winds is a highly productive solo Black Metal concern of one Necrodan, owner of Necromantic Productions. Burning Winds rose from the ashes of First of the Fallen in 1997 and released their demo tape in 1999 limited to only 66 copies. Influences include Kreator, Sodom, Venom, Bathory, Hellhammer, Beherit, Blasphemy, Necrovore, Profanatica. Altar of the Goat demo was released in 2001 recorded in 2 days on Necromantic Productions limited to 100 copies, Blessed by Hell demo was released in 2002 on Satan’s Millennium Records from the Netherlands limited to 200 copies recorded 10/13-31/01. Nocturnal Evil split 7″ EP from 2010 on Baphometal Productions limited to 300 copies is the only Burning Winds release that was recorded with 2 session members one being Nunrapist (Wind of the Black Mountains, Masochist) on drums and Lord Klopek (Vladislas) backing vocals. The Misanthropy/Burning Winds/Kerberos – Where Darkness Reigns 3 way Split pro-printed booklet & on-CD printing. Co-released by Goat Productions, Necromantic Productions & Satan’s Millennium Productions limited to 333 copies released in 2003. All releases are recorded using 1 microphone on a analog 4-track recorder using cassette tapes to keep the sound raw and underground the way Black Metal was meant to be.