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After the big success of “Futile” in 1999, Rapture released the sophomore “Songs For The Withering”, following the path traced two years.

Austin Lunn from Panopticon would say on the album: “This album is for me, the joy and comfort in melancholy... The bittersweet sound track to autumn, the echoes of rainy days... Nostalgic yet relevant but above all, an honest and relatable glimpse into human sorrow.  It is a warm but wet blanket, reminding me of worse days and how I fucking made it through: One foot in front of the other, consoled by the honest and exposing lyrics, powerful melodies and crushing drums of Rapture’s unsung masterpiece. Before the last breath, inhaling. Before the final death, to exhale and never let hope die that I would one day conquer the great distance.”

Giving a follow up to a masterpiece like Black shining leatherà was hard, but C.F. confirms their unique class in creating a waird opus like this, true Black Metal.
 

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.

For fans of: Emperor, Dimmu Borgir (pre-2000), Dismal Euphony, Mactatus, Limbonic Art, Odium, Obtained Enslavement. 

Double LP, blue vinyls. One-off limited edition 300 copies

Avantgarde Music is pleased to present the third installment in the complete reissue of Nest discography. The Finnish neofolk band Released Trail Of The Unwary in 2007 on CD only, and the album has long since been out of print. Nineteen years later, in addition to a brand new CD edition, Trail Of The Unwary will be available on double vinyl for the very first time.

Included in both versions of the album will also be “Last Vestige Of Old Joy” was Nest’s contribution to the cult 2004 collaboration EP with Agalloch. “Haunted Birds”, the reinterpretation of Agalloch’s classic, will find its place on the vinyl version only. Trail Of The Unwary will be out in March via Avantgarde Music, and here follows a foreword by Nest mastermind, Aslak Tolonen himself.

Six panels digipak CD, one-off edition in 300 copies

Avantgarde Music is pleased to present the third installment in the complete reissue of Nest discography. The Finnish neofolk band Released Trail Of The Unwary in 2007 on CD only, and the album has long since been out of print. Nineteen years later, in addition to a brand new CD edition, Trail Of The Unwary will be available on double vinyl for the very first time.

Included in both versions of the album will also be “Last Vestige Of Old Joy” was Nest’s contribution to the cult 2004 collaboration EP with Agalloch. “Haunted Birds”, the reinterpretation of Agalloch’s classic, will find its place on the vinyl version only. Trail Of The Unwary will be out in March via Avantgarde Music, and here follows a foreword by Nest mastermind, Aslak Tolonen himself.

Limited edition - 50 copies printed 
Comes in 4 pages j-card and overall UV print on shell

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Six panels digipak CD

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Comes in a 4-panel digipack with a 16-page booklet. First batch comes in black polycarbonate CD.

Montreal's MISERERE LUMINIS have explored a stridently emotive and richly-layered strand of anguished Black Metal since their 2008 formation.

Extraordinary new album "Sidera" finds the band completing the journey set by 2023 predecessor, "Ordalie": weaving impassioned Black Metal, cinematic soundscapes and contemplative textures into a deeply moving set of songs which blend heartfelt sorrow with a fierce will to exist.