Shop

This is the second chapter of the three cycle release FEUER‚ NACHT and TOD from the (DOLCH) collective...

NACHT feels like a very personal and intimate art of communication of sound and word to us. It can be read as an interpretation of a journey through the night, an urban trip we experienced while writing and recording this album in Seattle, Los Angeles and Berlin some time ago.

It can also be read as a display of the state of the mind and soul, feeling like being covered up by a dark night, floating between the spheres of euphoria and depression, between love and fear, light and darkness.

4-panel digipak with UV spot lacquer

Die-cut

Limited to 999 handnumbered copies

PLEASE NOTE: this item will be included in label Circle of Wax initiative/series (Bundle #4 - March/April 2022). If you subscribed to it or simply plan to purchase the current bundle please restrain from ordering a single copy here!

Galaxy effect, yellow with blue vinyl

Hymns from the deep is an exploration of the dark depths of Moria from J.R.R. Tolkien’s venerated The Lord of the Rings. The lyrics are one long epic poem written by Myrddin Evans, based on the chapter 'The Bridge of Khazad Dum' from The Fellowship of the Ring. This spans across the tracks of the album which musically draws influence from funeral doom, death metal, black metal and dark ambient. All music and instrumental performances come from Daniel Scrivener with Matthew Surry channeling the voice of the Balrog to complete the project. This is cavernous and foreboding funeral doom that is highly recommended to fans of EVOKEN, THE RUINS OF BEVERAST, ESOTERIC.

A CD that compiles all three demos by this obscure U.S. band. Cross Fade was formed in Mastic (Long Island, N.Y.) in March of 1991. Scot Trollan (vocals), John Tinger (guitars), Eric Rhodes (drums) and John Colucco (bass) would form one the most intense bands to ever rule a stage. Cross Fade was fortunate to have spawned and thrived in the primordial era of Long Island Death Metal, a force to be reckoned with amongst other global Metal sounds. And Cross Fade was there, absorbing it and spitting out their own unique brand of extreme music. A band with infinite potential, gaining speed and ferocity only to implode like a black star in 1994. A band whose live sound was 100 times more intense than on tape. Cross Fade looked to create fresh diverse extreme sounds, with various influences ranging from Pink Floyd and Primus to Deicide, Suffocation and Cannibal Corpse. A socially aware band, the lyrics dealt with subjects like religious falsehood, global colonialism, pollution and mental illness. A constant on the live front, Cross Fade played early backyard and legion hall shows with what would become and continue to be the core of LIDM (Internal Bleeding, Pyrexia and Suffocation), and would cut their teeth on the stages of infamous N.Y. clubs like L'Amour, Sundance, Sparks and The Roxy, sharing the large stage opening for bands such as Morbid Angel, Sorrow, Internal Bleeding and Pro-Pain. Cross Fade was prolific in the underground zine and trading scene, sending out hundreds of demos to fanzines and Metal fans at cost, as well as handing out hundreds of free demos at the many many live shows and events they did. With the release of the self-titled demo in January 1992, the band showed where both them and the extreme sounds of the next century were going. Releasing the infamous "Ruined" demo later that year, Cross Fade was quickly becoming recognized as a force in the underground. Ferocious, moving, intense, intelligent... The band had established its sound and started doing out of state shows. In 1993 the band continued to play, promote, create, write and record, but the cracks of doom started to show. Internal creative tensions, commitments to responsibilities, all the things that come with being in a real band, were starting to weigh, all the while making the sound sharper, maner, more complex, more musical. 1994 led to the very limited release of the "Untitled" demo. This one was barely promoted or handed out, and the pressures of recording were enough to drive a final wedge in the band and ultimately lead it to ruin. All songs restored and subtly remastered for a more pleasurable listening experience. Cover art and layout by Cesar Valladares. The 16-page booklet features lyrics, photos, bio and liner notes by Scot Trollan and John Colucco. Absolutely recommended to fans of spazztic yet catchy, ridiculously dynamic, highly original, fucked up Death Metal with a vocalist that sounds like a mentally deranged John Tardy on crystal meth.

US darkwave pioneers Lycia are back with a new 7’’ less than a year after the acclaimed Casa Luna EP. It appears Mike VanPortfleet, Tara Vanflower, John Fair and David Galas are living an extremely inspired new youth, as these two tracks convey very lively, spry vibes, yet in the usual dark, melancholic tones which are trademarks of the band. In a matter of minutes, Lycia are able to take you back four decades, to a time when 4AD was the coolest label on Earth, Clan Of Xymox delivered the best beats around and Cocteau Twins would nurture your dreams. Lycia shapeshifted once again, yet remaining perfectly recognizable.