€0.00
Your cart is empty
Personalized search
Born and raised along the rural shores of the Danube river, the element of water has always had a shaping impact on Marrok's perception of nature and life in general. Throughout the new Anomalie album „Riverchild“ he drew a musical portrait of an entity still present around this immense stream which had always nurtured and taken lifes equally, a force able of spending hope and wisdom but also possesses the strength and wrath to destroy and destruct.Comparable to the multiple faces of a colossal river like the Danube, the music on „Riverchild“ provides a diverse range of facets taking the listener on a journey full of profound and honest emotions expressed through aggressive outbursts of pure Black Metal dissonance as well as fragile moments of introspectivecalmness. Anomalie once again asks for focus and patience, but offers a wider range of rewarding layers than ever before!
1000 Limited Edition - Double CD - Deluxe Edition
Special deluxe packaging: triple gatefold 7” format (18 cm x 18 cm)
deluxe Triple Gatefold silver vinyl
CD in Triple 7' Gatefold format
Naglfar have an high quality of their recordings, this is the fifth album by those Swedes, and are here again be able to keep up to their high recording standards of the previous albums and if their music would still reek of hatred, evil and suffering.
Naglfar is one of those bands that can effortlessly mix raw energy of black metal that we know from their first al- bums with the elements of melodic death metal introduced in their later releases.
This mix makes their songs memorable to a point that you can recognize them from the first riffs.
Traditionally of course, intensity mixes with atmospheric slower parts, melodic touches intertwine with ultra fast brutality, and in all that, solos, parts of keyboards or piano are thrown into as if into a twister of sickening sound.
Musically, the whole band shows us solid compositional skills, supported by technical in- strumentality and respectable experience.
Christopher Olivius spits out wicked lyrics, he sang with such passion and malice, that vocals added an extra level of brutality, vocals are very strong and solid.
Harvest is an inspired, interesting and originally diverse piece of work.
“Never Arrive, Never Return” marks a return to Cadaverous Condition‘s ferocious death metal roots. The album is a relentless assault on the senses, featuring a mix of epic tracks alongside haunting half-ballads, brutal eruptions and groove-laden songs interwoven with the band’s signature cryptic lyrics, all delivered with crisp production.
Formed in Austria during the early 90s, Cadaverous Condition carved a unique path in extreme metal. While their vocals remained rooted in death metal, they experimented with diverse influences, covering artists like The Sisters of Mercy and collaborating with acts like Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession) and Herr Lounge Corps. They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland. Despite these explorations, Cadaverous Condition never strayed from their core: extreme metal with a distinct and reflective style. They return in 2024 with “Never Arrive, Never Return“, a fitting title for a band known for their relentless sonic journey.
Red & Black Vinyl with printed inner sleeve (180 gr – 250 copies)
Crafted meticulously, it's a bold statement for those who dare to embrace their individuality and stand against the mainstream. This creation transcends the notion of good production or the fleeting trends that plague the music industry today. Instead, it serves to preserve and revitalize the raw, untamed spirit of a flame that once burned brilliantly.
Embrace the darkness and let the "Undying Order Of The Black Flames" guide you on a journey through the echoes of history, empowering you to keep alive the fire that has long been forgotten.
Join us and affirm your allegiance to the shadowy flames of defiance.
Baltic Black Metal, for fans of Vreid, Windir, Burzum...
Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss!
Gerzolth's aesthetic draws clear influence from the legendary BlazeBirth Hall scene, known for its frigid and bleak atmospheres. The album art also bears a striking resemblance to the cover of Krahnholm's latest release, further solidifying their connection to this style of black metal."