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Trivax, unleash as masterpiece of Eastern Death Black Magick in the form of Eloah Burns Out, the long-awaited second album and their first full-length recording since 2016.

Totalling 50 minutes, this monumental death-themed opus is the band’s most bold, sophisticated and high-quality work yet, showcasing the their monumental sonic evolution as well as a total conviction towards their craft and vision.

Formed by guitarist and vocalist Shayan, TRIVAX began life in the late 2000s in the unlikely location of Iran, a country whose laws regarding music – and especially black metal – have led to punishment, imprisonment and even death. Relocating to the UK, Shayan found a like-minded ally in bassist Sully, who had similarly left Syria due to facing jail for his metal associations. Completing this power trio was talented British native M. Croton, a drummer with many years of experience under his belt.

Following the 2022 EP The Serpent’s Gaze, this is the second Trivax release by Cult Never Dies. Eloah Burns Out features guest appearances from Wraath (Behexen, One Tail One Head, Beyond Man), Naut (Winterfylleth, Necronautical) and J.Wilcox (Funeral Throne, Master’s Call) and was created in the UK, Norway and Iran.

For fans of: Dissection, Bolzer, Watain, Celtic Frost, Melechesh and Behexen.

The full album De Tyfus De Teerling by Dutch Necro-rockers Grafjammer!

Time To Kill Records together with the publishing house Hollow Press, specialized in publications "Dark Weird Fantasy" join forces to give birth to a collaboration for the release of the cyber game "Cyberflesh" where extreme music, horror comics and "dark Weird" experience merge.

Created by Simone Alberto Grifone (game designer), David Genchi (drawings) and Marco Taddei (texts), and published by Hollow Press with soundtrack of the masters of Italian death Fulci and the hypnotic sounds of Talpah.

This collaboration was born as a soundtrack for "Cyber Flesh", a comic that mixes elements of cyberpunk, science fiction and horror. Through the music of Talpah and the Fulci, the comic comes to life in a symphony of distorted sounds and horror visions, taking the listener on a sensory journey through the dark depths of the human mind and beyond.
 

German cult act Black Autumn & These Hands Melt proudly present "Zwischen Fernen Dunkeln" ("Between Distant Darkness").
Conceived during over a year of close creative collaboration between the band & the label, this compilation collects the series of EPs released by Black Autumn for the "Rauhnächte". The days inbetween the years, a period of silence made for contemplation and introspection.

“Invisible Threads” is a sonic assault that penetrates the darkest depths of existence. This album explores themes of human degradation, unspoken fears, and wars that ravage not only bodies but also minds. A fierce manifestation of death metal, “Invisible Threads” overwhelms the listener with a crescendo of sonic brutality and raw emotions—an unrelenting frontal impact from the first to the last track, destined to leave a lasting mark.

MURDERWORKS is the third full album of Rotten Sound and is also considered as the stepping stone for the band, which also got us finally touring internationally. We had been doing more crusty stuff at first on Under Pressure and earlier releases. Then we added elements of death metal on Drain and finally started blasting more than ever on Murderworks.
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Murderworks was created mostly during 2001, when Keijo already lived in Tampere while others still were based in Vaasa. Keijo had moved already in 1997, but on 2001 he was rehearsing more than before with others, who were also spending a lot of time together at the rehearsal place. That extensive rehearsing made the release and entire band tighter than before, which probably has a lot to do with how the album ended up being.

The album "Samnite Black Metal" delves into the dark and ancestral rites of the Samnites, an ancient warrior people of southern Italy.
Each track is a descent into a sonic abyss of primal fury, evoking the mysticism and brutality of their rituals tied to the forces of nature.
The dark and powerful soundscapes reflect the courage and rage of a people who fought to their last breath, invoking arcane deities and practicing ancient rites of war and sacrifice.

A sonic experience that blends the brutal ferocity of death metal with the occult atmosphere of black metal, where the line between life and death dissolves, and the Samnites rise as lords of a lost world steeped in magic and darkness.
 

28-page 8" Book + CD, ltd. 250 handnumbered copies

Stefano Gentile and Dirk Serries met almost thirty years ago when Stefano’s Amplexus label released Vidna Obmana’s seminal classic "The Transcending Quest" on a limited 3” CD. Fast forward twenty years later, after the ending of Dirk Serries’ critically acclaimed Vidna Obmana project, Stefano and Dirk, under his own name, regathered with another gem "The Devastation Chant", a limited 8” lathe cut and a 10” vinyl on Gentile’s new label Silentes/13 that featured Stefano’s own impressive collage artwork. Now again, after four years, Dirk Serries, fully operational under his own name as a free (jazz) improviser, frequently returns to his trademark ambient music while continuing to push himself as an artist and sound sculptor. THE DISINTEGRATION OF SILENCE is Dirk’s new album that, partially inspired by the melancholic collage artwork of Stefano Gentile, plays with the sounds he has been recognized and appreciated worlwide for almost four decades, while - so typical for Dirk’s ongoing knack for adventure - expanding the comfort of his ambience with alienating analog and real-time treatments. An album that has been performed solely on electric guitar in conjunction with plenty of pedal effects and absolutely no computers. Enjoy this breathtaking work of melancholy and introspection, marking it another milestone in the collaboration between Stefano Gentile and Dirk Serries

"Patterns and Mechanisms", Eraldo Bernocchi and Merzbow's first album together, was written and recorded during the lockdown. Both artists exchanged audio files and ideas fascinated by the phenomenon of urban wildlife where wild animals decide to relocate, or establish home in our cities, the album is just two long pieces.

Despite being dense and noisy, "Patterns and Mechanisms" has a 'melodic' approach to composition, with Merzbow's noise assault conjugating with Bernocchi's music.

The outcome is a sonic journey across concrete horizons, dystopian landscapes, and new species, all while being amazed by how nature reclaims her domain for good thorough a slow and persistent displacement of biological living organisms.

Published by the renowned Silentes in a special packaging conceived by Petulia Mattioli, it is limited to 300 copies.

On "Vetropaco"'s second album, we see once again Gianluca Favaron (Zbeen, Ab'SHE, etc.) and Andrea Bellucci (Red Sector A, Nerva, Dioide, etc.) joining their forces. The target of this new work is to further expand the concepts and themes touched upon in the first album, making this collaboration as homogeneous as possible. In "Subvoid", Favaron's sounds act like the main binding force on all the tracks and appear to be more in the foreground compared to the previous album. The project is enriched by new solutions where digital and analogue sounds melt together, searching for a form of expression that is both pleasant and engaging, and never taken for granted. Rhythm tracks take shape from Favaron's palette, whose sounds are bended and elaborated exactly to form a unique blend with Bellucci's textures, where they get lost and come to light again.