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The continuous accumulation, a society driven towards destruction, an increasingly extremist religiosity, a reality distorted by information. Misleading information, right and wrong words, non-communication between people except with false hatred or hypocritical love, the return to parochialism between states, false prophets and new dictators: the technological Middle Ages have arrived.
CD, 6-panel digisleeve, ltd. 200 copies
CD, 6-panel digisleeve, ltd. 200 copies
Richard B. Lewis
Involving electric drone music; static backgrounds surrounded by occasional field recordings, distortions, hums, metallic sounds, gongs, Tibetan bowls with subliminal oriental suggestions. Compositions that are sometimes coloured or guided by short, deep, hypnotic melodic phrasings of electric guitar, hints of slide guitar, pounding piano notes, or violated by sudden modulations of sibilant electronic waves alternating with bombastic electric pulsations; chaotic mechanical noises enhanced by deep reverberations and spatial delays... And more whispered voices accompanying more melodic and structured passages, dark atmospheres, progressions with solemn and dramatic elements... A long and unpredictable journey led in an original and creative way by the eclectic electric guitar of Richard B. Lewis.
"Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact.
These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.
Jim Coleman was an instrumental member of Cop Shoot Cop, who played keyboards and created samples for this band. After this experience he worked in other groups with more electronics - like Baby Zizanie along with J.G. Thirlwell, and Here with Teho Teardo - and recorded a solo album as Phylr. He also released an ambient album entitled "Trees" under his name.
Additionally, Coleman has scored a good number of indie films, like "Exposed" by Beth B and "Stay Then Go" by Shelli Ainsworth, and TV series. He has also worked with directors such as Todd Phillips, Hal Hartley, Richard Kern and Danny Leitner.
CADE is Bruno Dorella and Giovanni Lami. We come from different backgrounds and trainings, but we found a common ground in our open view to different disciplines, and our curiosity towards unorthodox approaches to music. "CADE" is our first ever album to be released, part of a wide archive of sessions that we recorded in 2019-2020, with no kinds of pressure. Dorella plays some traditional instruments such as guitar and percussions, while Lami processes them with different electronic instruments, including a reel-to-reel recorder and granular synthesizers. For the moment we have decided to keep CADE out of social media.
Eight 'watercolours' of 'classic' ambient music with nuanced and delicate hues...
Eight touching instrumental 'landscapes' painted through soft and sober sonorities, barely whispered melodies, an ever-changing play of light and shadow with a flavour as hypnotic as it is relaxing.
A continuous observation of the surrounding landscape through swaying leaves and windswept tree foliage, catching and capturing in the apparent stillness every little movement, every element around, here skilfully translated into evocative and exciting sound vibrations.
With "Il ritorno degli inverni freddi" (The Return of Cold Winters) and this "Germinal" project, Federico Franzin, already active in a different and much more extreme musical context for his works under the moniker "Androphilia", signs a dreamy album of pure ambient music out of time for endless listening, more dedicated for deep listening, or as a pleasant background sound.
Italian musician and producer Bruno Dorella guides us to "Paradiso", his new solo album, with the music for the homonymous choreographic project of gruppo nanou, to be released on CD and digital on November 25th, 2022 by the independent label 13 / Silentes.
"Paradiso" was born for the choreography of the new show by gruppo nanou, a contemporary dance and performing arts company, founded by Marco Valerio Amico, Rhuena Bracci and Roberto Rettura. The collaboration between Dorella and the company has started almost a decade ago and over time has also involved Ronin and OvO, the main bands of the Ravenna-based musician - OvO were on stage in 2021 for Canto Primo: Miasma | Arsura, an encounter between sounds and infernal images, with Dante's recurring reference.
Grey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.
Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.
Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.
As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.
Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.
Autumn's Dawn is an Australian metal band formed in 2014 by two seasoned musicians, Tim Yatras (known as Sorrow, founding member of Austere, Germ and many other bands) and Matthew Bell (known as Anguish, member of Tjaktjadálvve, Skuggor among the many). Both artists were already recognized in the Australian metal scene for their involvement in various other projects before coming together to create a band that would blend elements of black metal, depressive rock, and atmospheric music. The inception of Autumn's Dawn marked a departure from the traditional black metal sound that both members were known for, aiming instead to craft music that captured a broader emotional spectrum. Their debut album, Gone, was released in 2014 via Eisenwald Tonschmiede. The album was well-received, praised for its melancholic melodies, emotive lyrics, and the seamless integration of various metal subgenres. 2020 saw the release of sophomore record Dying Ember, following which the band spent a quiet few years, before coming back with their third record, We Lost Our Hope Along The Way, scheduled for spring 2025.
