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Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.
*4th full-length album
*Includes members of Darvaza, Deathrow, Kult, Liber Null, Nubivagant, etc..
*4th full-length album
*Includes members of Darvaza, Deathrow, Kult, Liber Null, Nubivagant, etc..
The LP comes with a 12-page 12” booklet including the interview and many never before-seen pictures.
A double-sided A2 poster will be added to every vinyl too.
After three highly acclaimed albums Envoy Of Lucifer represents the fourth and last full-length of NIFELHEIM.
Originally released in 2007, the album is certainly the most professional out of the bunch. Benefitting from a rather clean all-analogue production and many years as musicians under their belts the record, most notably, surprises with intricate arrangements, proficient guitar solos and the introduction of new elements to NIFELHEIM's sound.
Hellbutcher's and Tyrant's lifelong worship of IRON MAIDEN has never been more apparent than on Envoy Of Lucifer too.
Despite all this, the album is still 100% NIFELHEIM with all of their trademarks from previous releases intact.
Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.
The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.
Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.
Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.
Test pressing (double)
Generic cardboard white sleeves with sticker for numbering copies up to 5 ade
From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.
Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.
To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.
From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.
Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.
To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.
One-off edition 150 copies
Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.
Six panels digipak CD - limited
Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.
Following their 2021 debut De Rerum Natura, Italian atmospheric/melodic black metal duo Eard is back with their sophomore album, Melancholia.
In the band's words, “Melancholia is a deeply introspective work exploring human experience, heavily influenced by the poetic tradition of Romanticism. A defining aspect of Eard is the atmosphere shaped by the strings of the celtic harp interwoven with wistful, evocative guitar melodies. Continuing the tradition initiated with their debut album, the music is enriched by the vocals of guest artists, including Saor’s mastermind Andy Marshall and Belgian multi-instrumentalist Déhà (SLOW, Déhà, Acathexis and many more), who was featured in the previous album and returns this time to contribute to two tracks”.
Eard pays homage to Anglo-Saxon poetry, such homage beginning with the very name of the band, the Old English word used to describe the concept of earth, land and home. Melancholia tells tales of misty lands of old and ancient voyages across the seas, and its haunting melodies will pierce through the greyness of everyday life.