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Reissue of Fuath's debut album from 2016

midnight blue/black marble vinyl

A new black metal project created by vocalist and multi-instrumentalist Andy Marshall, better known as the mastermind behind Celtic black metal act Saor.
Unlike Saor, which finds Marshall focusing mostly on a folky and epic black-metal, here the musician delves into a darker and more melancholic side of black metal, marrying fierce and harsh riffs, unrelenting double-kick drums and raspy screams with melancholic melodies and hypnotic, gloomy ambiences.
 
 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download. 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

Il primo album live di CIGNO: 70 minuti di musica, un proiettile ed una lettera scritta di pugno.

Pubblicato esclusivamente da Dirt Tapes in cassetta.

“Art Bleeds” Art Bleeds is the first full-length album by Gory Blister, released originally in 1999 (and re-issued in 2003 by Sekhmet Records). Even with its complicated publication history, it established Gory Blister as a significant and distinctive force in the Italian death metal scene. "Art Bleeds" can be compared to the later, more progressive work of Death, with similarities in the progressive death metal style, single-string note progressions, and even the vocal style. It is also noted for its high-precision, surgical playing and chaotic tempo changes, breaks, and harmonic dissonance. It balances intense aggression (often with a thrash metal feel) with a strong sense of melody, which is woven into the complex and fast riffs without losing intensity. This two cd version contains the album, a remastered version of the "Cognitive Sinergy" mini, the two demos and some live bonus tracks from the period.

Psychedelic sludge heaviness never stops. SATOR are back once again with their new record “The Dying Light”. Born out of the creativity and the heaviness of the first four records and of the experimental vibe of the splits with Evil Cosby and celebrated dutch experimentators Gnaw Their Tongues, this chapter goes even more back to basics after a crucial step such as 2022’s “The Cleansing Ritual”.
The Dying Light is a dark album but a bit different from what Sator has offered us so far. This time hardcore blends with psychedelic melodies and powerful sludge/metal riffs, with frenetic accelerations and abrupt stops, creating an album that embraces and explores new sounds, taking you into a dark new dimension of volume, anger, and desperation.
The trio has recently welcomed a new drummer, Gelso from experimental post-doom act Ainu and after the release of “The Dying Light” the band, stronger than ever, is ready to play live again throughout Italy and Europe bringing their heaviness on every possible stage.

Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

With this work, SEDNA reach a new synthesis of their sonic language. The album reveals a sound that is raw and instinctive yet more self-aware, one that merges the ferocity of black metal and the weight of sludge and post-metal with a refined melodic sensibility. It is an album that feels like both an open wound and a catharsis: visceral, direct, yet contemplative and profoundly human. While atmospheric black metal remains the most accurate label, to confine SEDNA within a single genre would be limiting. Their music is made of nuances and deviations, a sonic flow that crosses darkness in search of balance between aggression and introspection. “Sila Nuna” stands as the testimony of a fully matured vision, from a band that has learned to turn chaos into form and tension into language