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Comdemned to Suffer was recorded in Croydon UK and mixed by London-based Tide Music Studios. This is our 3rd album, the most personal so far, as no guest musicians participated during recording and lyrics are more mature and complex, mostly reflecting different struggles that we’ve overcomed in the past 5 years as a band. In the melodic death metal genre, we like to add black metal elements to the mix as well to make the music sound a bit darker and intense. We’ve been influenced mostly by death metal pioneers from 90’s but there are also modern elements in our music. We were influenced by the bands like The Carcass, At the Gates and Dissection, so our music can be described as ‘similar’ to these bands with a pinch of modern elements on top. We put great emphasis on this album and worked really hard to make it sound profound and we believe this is the most mature album that we’ve released so far.

In the vein of AT THE GATES, DISSECTION & CARCASS

Little Weight is the follow up to 2022's Perfect Light and sees Patrick Walker take a different approach to writing and recording.
Whilst Perfect Light was written and recorded over a long time period, with a wide cast of musicians, for Little Weight Patrick was determined to simplify the record-making process and recapture more of the rawness and spontaneity of the band’s earliest recordings. Setting aside a designated amount of time, under specific - often isolated - conditions, the crafting of the songs that make up Little Weight took place.
A pre-planned series of retreats provided the space and opportunities to focus, within which Walker and his collaborators - drummer Andrew Prestidge and bassist Roland Scriver - were able to do their best work. Designated time to work without distraction allowed them absolute freedom to create, whilst deadlines added to the urgency of the final recordings captured at Holy Mountain Studios in London in December 2023. Engineering and mixing was undertaken by Chris Fullard (Sunn O))); IDLES; Ulver), who was assisted by Stanley Gravett, before Adam Gonsalves mastered the tracks in Portland, Oregon. The album's cover art is by Tekla Vály. Commenting on the writing process Walker says: “The conditions I created to make this record - without too much extraneous, unnecessary back and forth - means that what we recorded here have an added nearness to the first emotions that I first wanted to express and which inspired me to sit down to write; things often lost over time and usually difficult to recapture.”
Whilst he remains unwilling to be drawn to discussing the specifics of his songs, 40 Watt Sun has once again produced a collection of vignettes that are steeped in poetic beauty, longing, love, and melancholy nostalgia.

Comatose Music and Logic of Denial proudly presents the all new full length ‘Aftermath’. This is the third album by these Italian miscreants, further expanding the sonic exploration crafted in their previous 2013 effort ‘Atonement’ with a more diverse, brutal and complex approach. Conceived as a three chapter concept album about the various stages during the grieving process, ‘Aftermath’ contains twelve vicious tracks which conceptually probe the resentment consistent with the incessant and infamous vilification of human vulnerability. Fast and technical brutal death metal with guttural vocals and superb production.  

Lóstregos was brought into the light in 2014 with the intention of promoting awareness and keeping alive the flame of Galician Folklore, its tales and the hidden knowledge that lies within them, all under the banner of black metal mixed with epic features with a intimate approach that drags the listener to landscapes where the ancient ones and their cult remains unbroken and pristine.
Their third record “Nai” features a mystic cover artwork by David Thierré. “Nai” is defined by the band as a singular point of balance between light and darkness. It’s an introspective and conceptual journey across the primordial elements led by the endless coil, without forgetting about the main focus of the band on Galician Folklore.

w/12page poster booklet
“Magma Transmigration” is the fifth opus by mysterious romanian outfit CURSED CEMETERY.
Once again, the trio decides to explore spiritualism, darkness and oriental mysticism through the means of doom metal with a black metal approach in vocals (very often dissonant and experimental). Four long compositions made of different segments will guide you through an inner voyage musically bilance between funeral doom, psychedelia and extreme music. Be prepared for a 54 minutes astonishing long ride!

Cursed Cemetery hail from Timisoara. They formed back in 1997 and since then, they released four records, the most notable in 2022, “A Forgotten Epitaph”. Standing apart from the crowded social media and commercial spotlights, they suddenly appear every now and then to bring forth their musical vision made of spirit, darkness and flesh.

Hellish God was born in 2015 by the insane minds of Luigi Contenti and Michele Di Ioia.
Their intent was simple: to play Satanic Death Metal in vein of bands as Deicide, Diabolic, Krisiun and Rebaelliun.
Tya (Antropofagus, Mindful Of Pripyat) joined the band as frontman and lead vocalist in 2016 and the band recorded their debut EP called “Impure Spiritual Forces” four songs of devastating and savage death metal featuring Fabiano Penna of Rebaelliun.
In 2017 Stefano Malgaretti (ex-Imposer – ex-Voids Of Vomit) joined forces with the band as bass player and backing vocals. In January 2018 the band signed for the rising Everlasting Spew Records and released their first full album called “The Evil Emanations”, recorded and mixed by Carlo Altobelli at Toxic Basement Studio. The record was a collection of ten tracks of pure and devastating death metal featuring Rangel Arroyo from brazilian war machine Abhorrence.
In 2020 the band announced the split, but returned in 2024 with the original lineup duo ready to release their second full, again recorded at Toxic Basement Studio. This time the tracks are eight hymns of wrathful and chaotic death metal with a featuring of Brian Malone, former guitarist of Diabolic. 

Guitarists Magnus Danneblad and Anders Karlsson, bass player Magnus Van Wassenaar and drummer Tommy Johansson started out as Purple Haze in Linköping in 1981. When singer Christer Göransson joined towards the end of the year, they soon changed their name to Genocide and supported local metal heroes Axewitch. A final name change was to follow: In April 1983 Mindless Sinner recorded a five-track demo entitled »Master Of Evil«. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album. This was followed by the first full-length effort »Turn On The Power« in 1986. The band then signed to Delta Records, suffered several line-up changes and continued as Mindless, finally calling it quits in 1990 after having released the »Missing Pieces« album.

Guitarists Magnus Danneblad and Anders Karlsson, bass player Magnus Van Wassenaar and drummer Tommy Johansson started out as Purple Haze in Linköping in 1981. When singer Christer Göransson joined towards the end of the year, they soon changed their name to Genocide and supported local metal heroes Axewitch. A final name change was to follow: In April 1983 Mindless Sinner recorded a five-track demo entitled »Master Of Evil«. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album. This was followed by the first full-length effort »Turn On The Power« in 1986. The band then signed to Delta Records, suffered several line-up changes and continued as Mindless, finally calling it quits in 1990 after having released the »Missing Pieces« album.

Six years following the release of their acclaimed self-titled EP via Osmose, the Polish black-death band Untervoid are back with their long-awaited debut album "Parasite".

“Parasite” is a concept album that explores the multifaceted role of humanity as a parasitic force on both society and the planet. From the suffocating pressures of social constructs to the looming threat of ecological collapse, “Parasite” delves into the anxieties of our time. Rooted in the shadows of the Cold War, the album confronts the spectre of inevitable destruction, painting a bleak yet compelling portrait of a world on the brink, echoing Nevil Shute's “On the Beach”.

Formed in 2015 by Destroyer (Redemptor, ex-Hate, ex-Kriegsmaschine) and Adam Sierżęga (Armagedon, Azarath (live)), the band appeared, with a full concert line-up, at the prestigious, completely sold-out Merry Christless concert series following the release of their debut EP. Untervoid have steadily built a reputation for their intense and uncompromising sound, finally crafting a sonic behemoth - “Parasite”. In 2024 Haldor Grunberg (Thaw, Mentor) joined the band as a third member.

Remastered re-release includes “The Sleeping Beauty – Live in Israel” mini-album (1994),
recorded live in Tel Aviv, Israel in June 3rd 1993.
Limited Edition Deluxe 24-kt Gold Translucent CD, housed in luxury Digibook with
selective varnish and silver foil stamping.

Digisleeve CD, limited to 500 copies

Forming in the dark days of 1991, Black Crucifixion have long been a revered name in the Finnish black metal scene. From their beginnings through today, the band’s work has been a pillar of challenging magnificence: always with an immediately identifiable sound, but always evolving and surprising, taking the true heart of black metal - boundless freedom, unfettered unorthodoxy - and casting dazzling new shapes with it whilst honoring its original essence. And amidst an already sterling, supremely cult catalog do Black Crucifixion reach its apotheosis with 'Lightless Violent Chaos'. Ever aptly titled, Black Crucifixion's fourth album creates a sonic and lyrical journey that should be experienced by the most adherent supporters of cult black metal as well as fans of progressive rock and dark ambient atmospheres. Indeed, such is the most endearing aspect of this long-cult band: the skillful balance of tradition and transcendence, purity and progressiveness, darkness and its underside.