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FOR EUROPEANS ONLY! High Roller Records, slipcase, 20 pages booklet, poster, mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, black vinyl, ltd 480, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels...

High Roller Records, reissue 2023, slipcase, poster, mastered by Patrick W. Engel at Temple of Disharmony.

DESTRUCTION - Total Desaster/ Satan‘s Vengeance, ltd 460, insert, deluxe plastic bag

High Roller Records, lyric sheet, ltd 460, Picture shape vinyls are special accessoires, which will look unique, but surely won't provide the listening experience of a conventional vinyl pressing. Primarily they should be considered as collector's items with an optical aspect. Slight deformations caused by the pressing process, which won't affect the record's playability, can occur.

High Roller Records, transparent electric blue/ black marbled vinyl, ltd 300, 425gsm heavy cardboard cover with red hotfoil embossing, insert printed on uncoated paper, poster, downlaode code, Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2023. Legendary US Metal band Warlord was formed in 1981 by Mark Zonder and William J. Tsamis. One year later, in 1982, the song “Lucifer’s Hammer” (based on a novel by Larry Niven and Jerry Pournelle) appeared on the prestigious compilation album »Metal Massacre II«. This resulted in a deal with Metal Blade Records, with Warlord recording their debut mini-album. »Deliver Us« was released in 1983 and is today considered as the blueprint for what was later to be called “Epic Metal”. »Deliver Us« was followed by »And The Cannons Of Destruction Have Begun...« in 1984. After a long hiatus, »Rising Out Of The Ashes« appeared as the comeback album for Warlord in 2002, while it took another eleven years for the follow-up »The Holy Empire« to see the light of day in 2013. Up until the present day, »The Holy Empire« would remain the last Warlord studio album with all new material, as William J. Tsamis sadly passed away on 13th of May 2021 at the age of 60. However, with »Free Spirit Soar«, a brand new studio album by Warlord with all songs having been recorded between March and September 2023, it’s singer Giles Lavery paying tribute to the musical heritage of Bill Tsamis. He is joined by Mark Zonder on drums, Jimmy Waldo on keyboards/synthesizer, Phillip Bynoe on bass and Eric Juris on guitars. “We wanted to finish these pieces of music ‘for Bill’,” explains Lavery, “and the material we felt was certainly strong enough to inspire us to do so.” Regarding the guitar parts he specifies: “Bill is there where we could pull his tracks off the demo recordings, in much the same way the Beatles were recently able to rescue John Lennon’s voice from an old demo tape. Eric does most of the heavy lifting on guitar, but all music was written by Bill and we stayed very very faithful to what he wrote.” All in all, Giles Lavery is very satisfied with how »Free Spirit Soar« turned out: “It was a bit of an uncharted adventure delving into Bill’s demos and unfinished music, and also having to write lyrics and vocal melodies to the songs - the only two exceptions being the two Lordian Guard songs that we selected to ‘Warlord-ize’ …as has been tradition on every Warlord album since »Rising Out Of The Ashes«. Everything but two songs have vocals for the first time, so that entire area of the composition is new … As for the music, I think much of it is unheard, a few bits and pieces you might recognize from some of the catalogue reissues, instrumental bonus tracks etc. As producer of the album it was my job to sort through all the pieces and pull together songs.” MATTHIAS MADER Line-up: Giles Lavery - vocals Eric Juris - guitars Philip Bynoe - bass Jimmy Waldo - keys Mark Zonder - drums Tracklist: 01 Behold a Pale Horse 02 The Rider 03 Conquerors 04 Worms of the Earth 05 Free Spirit Soar 06 The Bell Tolls 07 Alarm 08 Revelation XIX

2 bonus tracks, slipcase,...

We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.

300x heavyweight bloodred 12" (180g) in a microtene innerbag, innersleeve full-color on 220g carton (coated paper), download card, jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

CD in deluxe gloss 6-panel digipak incl. album artwork, plus a designed album download card.

"Manifestaties van de Ontworteling" (Manifestations of the Uprooting) boldly ventures into experimental soundscapes while preserving its eerie ambiance.

Captured live, utilizing vintage analog audio equipment, the album delivers a raw and genuine sonic journey. The band's objective was not merely to produce music but to forge an experience that surpasses conventional limits, pushing the boundaries of creativity

This sophomore album by Urkraft celebrates darkness and the lights that shine in it, be they campfires, streetlights or the stars. Through seven tracks, the listener is taken on a journey through forests rife with wondrous complexities, where the blackest of nights are illuminated by the cold glow of the moon.

Urkraft's music is a relentless assault of savage riffs and haunting melodies, driven by thundering drums and punctuated by anguished screams that echo across the barren wastelands.

With "Lyset skinner best i mørket", Urkraft delivers an uncompromising ode to the beauty of darkness and the power of black metal to channel its primal energy. Prepare to be embraced by the shadows that lurk within. The darkness awaits...