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Welcome to Part II. This was a project dear to my heart. While our main musical outlet is still black metal, all of us are listening to a lot of different genres and I am always fascinated by the emotional impact other forms of music can have on my soul. This is an experiment. To walk outside of the known paths, to search for other means of expression and to look at our songs of “Knochengesänge” from a different angle. We tried to tear everything down to its basic core and to create something new and different from the ruins of these songs. Every tune on this record has its root in Part I, but at least for some of it the ruins were reformed into something completely different. The idea and the feeling at its core are still the same, but the result hopefully gives you a different perspective. We know this record is a challenge. To you, the listeners. But it also was a challenge for us.
This re-issue of Lifelover's third album, "Konkurs", is the band's first release on Prophecy. "Konkurs" paints a bleak, dystopian vision of modern urban despair with elements of black metal, indie-pop, post-punk, and shoegaze. Whether you love it or you hate it, "Konkurs" will forever alter your perceptions of what can be done with black metal or extreme metal.
Gatefold 2LP (clear/black smoke vinyl) in polylined inner sleeves and protection sleeve (500 copies)
gatefold jacket, inside colored
black poly-innersleeves
dinA2 poster
plastic protection sleeve
large booklet wth lyrics, impressions and info
Gold Vinyl
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
Re-recording of this long out of print all-time classic!
Issued in a tri-fold (6-panel) Digipak.
Red-book professional Audio CD in a 4-panel Digipak with an 8-page booklet.
"Open Casket" is a Death cover version.
A Maze Of Recycled Creeds is the long-anticipated new full-length from French technical death metal punishers, GOROD. A record now three-years in the waiting centered around unfathomable fantasies created by various secret societies and mystical orders, A Maze Of Recycled Creeds is a near-fifty-minute-long work of diabolic genius spewing forth eleven tracks of arthritis-inducing riffs, spiraling, harmony-rich fret decompositions, surgically-precise time shifts, blasts, brawn and an incessant barrage of malicious vocal onslaughts. Crowned, “the undisputed kings of melodic tech death,” by MetalSucks, and, “one of the best technical death metal bands out there,” by Metal Injection
