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Back in stock - musica Black Metal e Dark estrema
Four years on from their critically acclaimed Let the Devil In masterpiece,
SARGEIST return with their massively anticipated fourth album, Feeding the Crawling Shadows. More than just a quintessentially "black metal" album title, Feeding the Crawling Shadows is a veritable raison d'etre for these Finnish scene legends: With faith and devotion, through ritual and necromancy, SARGEIST feed the blackest, most Satanic essence at the core of BLACK METAL and, in turn, wield its clandestine powers with sorcerous might.
This is a collection of the Nachtmystium demos and unreleased songs. This collection was assembled from the original 4 track tapes and remastered for this release.
Tracks 1-5: "Holocaust of Eternity Demo" originally self-released, then re-issued by Sombre Records. Both releases were limited to 200 and sold out.
Tracks 6-10: "Nachtmystium / Zalnik - Split Demo" self-released, limited to 200 copies, sold out.
Tracks 11-12: were recorded during the "Unholy Terrorist Cult" sessions and were never released until now.
Track 13: recorded in a session between "Nachtmystium / Zalnik" split and the "Reign of the Malicious" LP recordings, never released until now.
crossfolded Digipak, limited to 500 numbered copies
including the songs from "A New Path" and the split with Goath
The Neptune Power Federation return with their 6th album, a collection of not suitable for children fairy tales told in their 70s rock obsessed grandiosity!
4-panel digipak, black flooded inside
Booklet with lyrics and info
Bundle containing exclusive white border Shield patch
Limited to 999 handnumbered copies
Artwork by Misanthropic Ar
OCULUS was spawned from the mind of Nero and then perfected by the minds of both Kozeljnik and Bornyhake. Both esteemed musicians prior have played in The Stone, Borgne, Deathrow, Enoid, and Ophidian Coil. Bornyhake contributed drums, bass, and keyboard samples while Kozeljnik contributed lyrics and vocals. The band was meant to illustrate their idea of what black metal was to them and the darkness within, as well as anti-Christian themes.
The music within this album holds so much of what has come to define us as a band, until now chiefly showcased in its live incarnation, ranging from the rabid, unruly primitivism of our early days to the ominous, slightly surreal atmospheres we began to explore later on. There is material here as old as ten years and even more, as well as what would be considered brand new (by us, anyway, Trondheim time applies). "Worlds open, and worlds, they truly collide!"
