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Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

Neon magenta w/ black & mustard yellow splatter vinyl version!!! Vancouver’s Auroch return with new music for the first time in nearly four years. The new mini-album Stolen Angelic Tongues draws upon the magical and spiritual traditions of South America and the Caribbean as their histories, past and present, represent a microcosm of the great spiritual rebellion that has been the band’s inspiration throughout its singular discography. An ever-evolving beast of the deep, here Auroch conjure vicious black / death spells of occult necromancy and technical sorcery, making manifest a dark vision of obscure magic. Returning to the fold is original vocalist Culain who here summons demons of the abyssic fire with savage equanimity. Joining with their Covenant Circle brethren in Night Profound and Aos Si, eerie ambient recordings bookend the concept piece to dramatic effect. The CD version of the release, re-titled All The Names Of Night not only includes the Stolen Angelic Tongues mini-album, but compiles three additional tracks from the earlier age of Auroch, including their Seven Veils EP tracks and their contribution to the split with Mitochondrion, representing an evolutionary document of the bands trajectory through it’s first phase.

First press comes in a deluxe packaging: digipack with extra UV foil print, 12 pages booklet and in outer slipcase  // OUT OF PRINT NOW

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

Audio preview CLICK HERE

Now unleashed! Osmose Productions presents the reissue of the 2004 Axis of Advance album “Obey” on CD / LP. 8 attacks of chaotic, technical, militant black metal.

Anguished vocals praying for war and death upon the corrupted. Razor sharp guitars pushing inverted riffs and pounding wrath in all directions. Mind numbing nuclear drone bass hypnotizing all into mental submission and final defeat. Hammered down with a wave of chaotic artillery percussion devastation and a prophetic lyrical concept outlining the horrors that lay ahead. In wait lie, in wait lie, reverse the curse from the inside. In wait lie, waiting to die, give me my war cowards! Mankind is the weakest link in the chain – broken at long last! Hail the end….

Re-issue, 293x bloodred with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold jacket, full-color - black flood inside on 350g with UV partial lacquer, all assembled in a PVC overbag.

Reprint with a limited edition slipcase CD.

new edition, double gatefold... gold vinyl  

Following Trembling Void’s inaugural demo release which offered up 7 tracks of raw, yet melodic black metal, comes the release of the new arrival’s first full-length offering: ‘The Burning Question’. Carrying on in a parallel approach whilst simultaneously refining it, this concoction of trance inducing litany shows no signs of losing the project's signature edge. Listeners will be served 7 anti-psalms which range in style from 2nd wave mainstays to something completely non genre-bound. It is in these unique moments that ‘The Burning Question’ shines bright. Thematically the album follows a soldier of darkness into the Trembling Void where he seeks an answer to the question of his existence. Futility and despair intertwine throughout this opus of bleak hopelessness. Fans of the burgeoning Canadian black metal scene take note: LP and CD release via Inferna Profundus Records and Cassette by Banner of Blood coming this fall.

-180gr. Black vinyl. Limited to 150 copies
-350gsm. LP cover with matt lamination. Black inside flood.
-LP sized insert
-Black poly-lined inner-sleeves

Since 2015, Pénitence Onirique have been pursuing the quest to transcribe as faithfully as possible everything that gravitates in their mind. Each album has its own theme, that takes the listener through an epic and introspective fresco. Today, the line-up is as solid on studio as it is on stage, with the desire to develop its universe without taking the easy way out, and to reshuffle the creative deck with each new release. Ideas and efforts have become a common force in "Nature Morte", which invites you to lose yourself in the twists and turns of Men's desires. 

Wurmwaldgaistoz lashes out firmly as a collision between two vortexs of cathartic worlds, the frenzy of hysterical dark cacophonies complement each other through the intricate inverted eyes of the Drakon, once again this obscure entity delivers from the other side of the rotten shells a dissonant sounds, overwhelming in many ways and grants an magnanimous orchestration to embed it in his current compositional methodology. Gryftigæn since his last tombstone titled "Fehunðyrdauðr" achieved a certain impact due to the prolixity of his sound, structured by crystalline/dying melodies and astonishing ferocity... today "Wurmwaldgaistoz" collects the rotten seeds of this path and sacrifices it in an apotheosic cold and allegory full of archaic mysticism, there is no breath so puritanical in this Ode to the realm of the dead, there is no limit to glimpse an ominous and philosophical occult odyssey anointed in the royal blood of hysteresis and vertiginous walls of sorrow...