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Since 2015, Pénitence Onirique have been pursuing the quest to transcribe as faithfully as possible everything that gravitates in their mind. Each album has its own theme, that takes the listener through an epic and introspective fresco. Today, the line-up is as solid on studio as it is on stage, with the desire to develop its universe without taking the easy way out, and to reshuffle the creative deck with each new release. Ideas and efforts have become a common force in "Nature Morte", which invites you to lose yourself in the twists and turns of Men's desires. 

Wurmwaldgaistoz lashes out firmly as a collision between two vortexs of cathartic worlds, the frenzy of hysterical dark cacophonies complement each other through the intricate inverted eyes of the Drakon, once again this obscure entity delivers from the other side of the rotten shells a dissonant sounds, overwhelming in many ways and grants an magnanimous orchestration to embed it in his current compositional methodology. Gryftigæn since his last tombstone titled "Fehunðyrdauðr" achieved a certain impact due to the prolixity of his sound, structured by crystalline/dying melodies and astonishing ferocity... today "Wurmwaldgaistoz" collects the rotten seeds of this path and sacrifices it in an apotheosic cold and allegory full of archaic mysticism, there is no breath so puritanical in this Ode to the realm of the dead, there is no limit to glimpse an ominous and philosophical occult odyssey anointed in the royal blood of hysteresis and vertiginous walls of sorrow...

Four years and one pandemic on from Orificial Purge, Vastum, the longest running band on the 20 Buck Spin roster, offers up its fifth bludgeoning document of psychic malaise and lost faith with ‘Inward To Gethsemane’. As before, the abject disgust unsparingly captured in Vastum’s unique approach continues to drape the music with an aura of discomfiting unease. The cavernous density Vastum has made a core element of its discography remains as inhuman as ever, continuing to delve into darker atmospheres, yet never devolving into ambient murk; on the contrary it’s always punishing and with a fearsome momentum. The distinctively harrowing dual vocal attack of Daniel Butler and Leila Abdul-Rauf appears throughout ‘Inward…’; the possessed narrators of Vastum’s hellish underworld. Eight minute album closer ‘Corpus Fractum’ manifests a transformative and even experimental side of Vastum musically and vocally, while sustaining the characteristic merciless power the band is revered for across its five albums. Between the sporadic but legendary live performances and a worshipped discography of modern era true Death Metal, Vastum has become a torchbearer of the grisly and grotesque underground, both within its native Bay Area and well beyond. ‘Inward to Gethsemane’ carves another notch in Vastum’s totem of deviance.

Like solitarily gazing at the downtown lights of the city at night from the window of a darkened room, “Secret Grief” features the guest talents of vocalist Phil Swanson and Leila Abdul-Rauf on trumpet. The tranquil interlude of “Murmur Of Voices” gives way to the evocative “Unrequited” that begins with a lonely solo guitar before transitioning into a drifting daze of afternoon reverie and subconscious meditation.

Finally comes the album’s epic bookend, sixteen minute closer “Ecstatic Reign.” It features perhaps the album’s heaviest straight doom moments along with the return of Tide Turns Eternal featured guest voices McKenna Rae and Richard Poe. Tomb Mold drummer / throat Max Klebanoff also appears for a shattering back and forth vocal tradeoff with DeTore. The album’s cinematic vision and painstaking colorful detail are fully encompassed bringing this enthralling journey to its enduring peak.

American thrash metal band from Berkeley, California formed in 1984. Originally known as Sacrilege, they added B.C. to their name in 1986 to avoid confusion with UK Sacrilege after being signed to Alchemy Records. Sacrilege B.C. played Bay Area thrash metal with a huge dose of punk and crossover influences. The band featured vocalist Strephon Taylor, guitarists Gary Wendt and Tim Howell, bassist Sean Smithson, and drummer Matt Fillmore. Maybe slightly overlooked amidst the era's tidal floods of '80s speed metal talent, the band only recorded two, curiously named albums in 1986's ‘Party With God’, and 1988's ‘Too Cool to Pray’ . Guitarist Wendt would later help found post-death outfit Skinlab. With this re-issue 'Party With God' finally emerges from obscurity with demo 1985 as bonus. A classic and a raging thrashterpiece that delivers in spades on the promise of TRUE metal/punk crossover! The band was disbanded in 1991. New booklet with old pictures, flyers, posters and all lyrics. Liner notes by the band and by Robb Flynn (Machine Head / ex Vio Lence). As bonus the 4 track demo 1985, 17 tracks in total.

Belarussian newcomers Sacrilegious Profanity defiantly bury their extreme metal hatchet in the sacrificial chopping block of mundane genre mainstays. Loading ritualistic steel into cold-hearted chambers, Genocide Rituals is a bloodthirsty collection of Satanic supplications that shoots cartridges of blackened sludge into the hearts and minds of the masses.

ISON new album - test pressing  5 copies produced

white label

3 tracks CD single for total running time of about 15min Taken from the upcoming Satanic Warmaster album "AAMONGANDR".

Housed in slimline jewelcase.

WEREWOLF RECORDS is proud to present SORGETID's striking debut album, Natt av Tusen Dödsfall

SORGETID exclusively play Nordic black metal, from Finland. The name SORGETID may be new, but the creator behind it isn't: Finnish underground veteran V-Khaoz, renown for such bands as VARGRAV, DRUADAN FOREST, GRIEVE, and EMBRYONIC SLUMBER among many others, stretching back to the late '90s. With SORGETID itself, V-Khaoz indeed delves even deeper (and earlier) into the '90s, presenting vintage obsidian, both style- and production-wise, that respects the now-ancient time when black metal was only made by individuals who were truly dedicated to it. "In my reality, no other kind of black metal exists," he firmly states.