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After the success and lasting impact of their debut 2022 full-length, Where the Shadows Adorn, Indianapolis melodic death-doom purveyors Mother of Graves return to the surface with a new and prolific dose of melancholy.

The Periapt of Absence, set to be unleashed by the esteemed Profound Lore Records, serves as a testament to Mother of Graves' evolutionary journey and steadfast dedication to crafting their profoundly personal and enthralling rendition of death-doom metal.

Highlighted by Brandon Howe's soul crushing and poetic vocals, this offering transcends boundaries, delving even deeper into realms of melancholy and introspection than their past offerings. The album expands on Mother of Graves' engrossing atmospheres, crushing passages that shine light on their death metal roots, monumental hooks, and melodies that will resonate for years to come. The crushing production, provided by the band's Ben Sandman with dynamic mastering by the legend Dan Swanö, amplifies the monumental rhythm section anchored by Don Curtis on drums and Corey Clark on bass, while illuminating the intricate guitar harmonies skillfully woven by guitarists Sandman and Chris Morrison.

The Periapt of Absence is without a doubt their most in depth and significant material to date. Each song provides a poignant exploration of the human experience, where moments of despair are illuminated by glimmers of hope and fleeting beauty. Through eight cathartic tales of heartache, love, and loss, Mother of Graves beckons you to delve deep into the recesses of their dark and gloomy world.

June 14th will see the release of the new BALWEZO WESTIJIZ album “Tower Of Famine”. Featuring prolific multi-instrumentalist Swartadauþuz (Bekëth Nexëhmü, Trolldom, Gardsghastr, Ancient Records etc.) and vocalist Lik (Bekëth Nexëhmü), BALWEZO WESTIJIZ began as a ritualistic dark ambient project but has now transmuted into a towering black metal force. “Tower Of Famine” is comprised of nine tracks of somber, monumental, and melancholic black metal dread.

Gatefold embossed cover, black vinyl
 

Gatefold embossed cover, double black vinyl

Belgian/American One Woman Black Metal.

The creative centers of Obsequiae and Inexorum come together as one in the preeminent new force known as Majesties. To those familiar with the individual pieces that make up Majesties, the sound on debut album ‘Vast Reaches Unclaimed’ will be another striking addition to their respective oeuvres, recalling the glorious days of Wrong Again and No Fashion Records.

Evoking a time when Gothenburg was starting to unseat Stockholm as the unimpeachable city for Swedish Death Metal in the mind of the international metal scene, Majesties have that intrinsic sense of Death Metal’s rabid intensity and the effortlessly satisfying melodic ability that made albums like ‘The Jester Race’ and its immediate forbears instant classics. The mix of major key melodies and twin guitar harmonies snaking through every track ornament the vigorous riff eruptions and anguished vocals in a sheen of gleaming brilliance that proves an exhilarating triumph to behold.

Without a hint of the corruption the style experienced in a post ‘Slaughter of the Soul’ world, ‘Vast Reaches Unclaimed’ exists as a fervent reminder of what was and what again shall be. Majesties are re-animating the corpse of the true Melodic Death Metal style that both divided and invigorated the Death Metal scene of the mid 1990s and bring it into 2023 like it never left, sounding as novel and thrilling as ever

1. Atternatt 06:48
2. Umenneske 08:16
3. Lukt Til Helvete 05:05
4. Doedsjarl 05:26
5. Motpol 05:12
6. September Omsider 05:12
7. Velg Bort Livet 10:27

“Et Hav av Avstand" is the 8th full-length studio album from the legendary Norwegian Black Metal band Taake.

It consists of four songs clocking in at 42 minutes, displaying some of the finest songwriting yet from this epic one-man band.

Fierce, but melancholy. Vigorously old-school but also progressive. retaining that unfiltered sense of unique rawness that is synonymous with Hoest’s charismatic sound and musical identity.

Taake still manages to stay relevant and at the forefront of the genre and Hoest, who plays every instrument on the album, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.

This is unmistakably Taake, and as always, an intense work that surprises and enthrals.