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“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.

Black vinyl, 6 panels folded booklet.
 

 Re-issue, original sound recording!
500x 12'LP 180g cherry eco red, 350g jacket with 3D UV SPOT, 220g innersleeve, all assembled in a PVC overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Black 12" vinyl (33 rpm) in printed sleeve with printed inner sleeve.
Second pressing 200 copies worldwilde.

Since its inception in 1993, TSJUDER has always been delivering Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia.
As can be heard on the present reissue of their long sold-out and much sought after second album originally released in 2002, not a single note in their music has to be dyed black.
That’s simply because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR.
The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Jontho.
Available again on special price CD, this milestone of True Norwegian Black Metal are described by the band as "raw and uncompromising black metal".
No post, no progressive, no whatever!

Reprint, 1000x bloodred with black marble effect 2x12" (140g) in a black poly-lined innerbag, 4 pages booklet on 180g offset paper, gatefold jacket on 350g uncoated (matte) with UV spot lacquer, all assembled in a PVC overbag.

1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

One of the metal underground’s best-kept secrets, WARLUST began their assault on the false in 2012. The title of their debut demo, 2014’s Unholy Attack, said everything it needed to: here was blackthrashing METAL, steeped in the spirits of old and with genuinely evil blood coursing through its veins. However, it was 2017’s Morbid Execution debut album where WARLUST first truly took flight – on burning wings of flame! More intense, more epic, more heavy fucking metal, Morbid Execution carried on the noble work started by founding fathers Desaster in their homeland and Deströyer 666, Zemial, and Aura Noir abroad.

But, while that debut LP was still tethered to more traditional-style blackthrash, with Unearthing Shattered Philosophies do WARLUST’s songwriting chops blossom with startling strength and crushing clarity. It’s all immediately WARLUST, for sure, but within the album’s eight-song/45-minute runtime lurks a travelogue of terror and triumph, of melancholy and malevolence.