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Digipak CD edition with booklet 

AFSKY's second album "Ofte Jeg drømmer mig død" is a journey through the cultural history of Denmark, focusing on poems and lyrics by well-known and lesser-known Danish writers such as H.C. Andersen, Emil Aarestrup and others - reflections on the eternal misery in the age of industrialization, when people were considered "human material", trapped in everyday life and forced to work hard for the upper class until death.

To express this, a mixture of icy, nordic black metal with folk and doom elements is conjured up by Afsky, crowned by the melancholic and emotional interpretation and performance.

On "Ofte Jeg Drømmer Mig Død" AFSKY have managed to combine timeless poetry of the 19th century with their own timeless music - which draws attention to the injustices in today's world and even shows frightening parallels.

Six previously unreleased tracks from the Strength album.
CD in classic Jewelcase, accompanied by a 8-page booklet including lyrics and artwork. Comes with a designed download card for the digital music.

Formed in 2016, Osi and the Jupiter has been steadily crafting a unique sound that blends Nordic folk traditions with the evocative storytelling of Americana. Rooted in acoustic instrumentation, their music features intricate melodies and soulful vocals that resonate deeply with listeners. The band has toured the US and Europe and contributed music to the Vikings series on Netflix, further cementing their connection to Norse mythology.

Larvatus marks a return to the band’s earlier, more mystical sound, evoking the haunting qualities of albums like Uthuling Hyl and Nordlige Runaskog. This album, which began taking shape during the uncertain years of 2020 and 2021, reflects the emotional turbulence of the pandemic. Despite the chaos surrounding its creation, Larvatus is a demonstration of resilience and its introspective and contemplative nature offering a sense of refuge amid a world in flux.

Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.

"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "A duality that can only be known as our third wish."

2nd Press

"diabolical and deep, like a better-informed and more melodic version of De Mysteriis-era Mayhem. The result scratches the infernal itch perfectly, and will hopefully be embrace by both old- and new-schoolers alike."
 

2nd Press

On their sophomore full-length, “Cult of a Dying Sun”, Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly.
 

Purple Vinyl 

Purple Vinyl

Reissue, Red Vinyl

Cult black metal act INQUISITION exploded from the underground with 2013's full-length 'Obscure Verses For The Multiverse'. Prior to the release of this critically-acclaimed masterpiece, the American duo had unleashed five other albums that all contributed in establishing INQUISITION as a rising black star on the extreme metal scene. Originally published in 2007 and long out of print, ‘Nefarious Dismal Orations' further established the band's trademark chainsaw riffs and ominous vocals croaking odes to the infinite and satanic alike. Foreshadowing INQUISITION's arrival as the new kings of darkness and now adorned with brand new cover art designed Paolo Girardi, the album's original nine paeans to the occult are at once hostile, hypnotic, and bombastic.

Limited to 400 copies. Heavyweight red vinyl. Gatefold single-pocket cover sleeve, inner jackets feature credits & lyrics.

Cult black metal act INQUISITION exploded from the underground with 2013's full-length 'Obscure Verses For The Multiverse'. Prior to the release of this critically-acclaimed masterpiece, the American duo had unleashed five other albums that all contributed in establishing INQUISITION as a rising black star on the extreme metal scene. Originally published in 2011 and long out of print, ‘Ominous Doctrines of the Perpetual Mystical Macrocosm' foreshadowed INQUISITION's arrival as the new kings of darkness. Now adorned with brand new cover art designed Paolo Girardi and closing the circle of the band's full back catalogue reissues, the album's ten paeans to the occult are at once hostile, hypnotic, and bombastic.

Cult black metal act INQUISITION exploded from the underground with 2013's full-length 'Obscure Verses For The Multiverse'. Prior to the release of this critically-acclaimed masterpiece, the American duo had unleashed five other albums that all contributed in establishing INQUISITION as a rising black star on the extreme metal scene. Originally published in 2007 and long out of print, ‘Nefarious Dismal Orations' further established the band's trademark chainsaw riffs and ominous vocals croaking odes to the infinite and satanic alike. Foreshadowing INQUISITION's arrival as the new kings of darkness and now adorned with brand new cover art designed Paolo Girardi, the album's original nine paeans to the occult are at once hostile, hypnotic, and bombastic.

Cult black metal act INQUISITION exploded from the underground with 2013's full-length 'Obscure Verses For The Multiverse'. Prior to the release of this critically-acclaimed masterpiece, the American duo had unleashed five other albums that all contributed in establishing INQUISITION as a rising black star on the extreme metal scene. Originally published in 2011 and long out of print, ‘Ominous Doctrines of the Perpetual Mystical Macrocosm' foreshadowed INQUISITION's arrival as the new kings of darkness. Now adorned with brand new cover art designed Paolo Girardi and closing the circle of the band's full back catalogue reissues, the album's ten paeans to the occult are at once hostile, hypnotic, and bombastic.