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 The pale light that shines in a kingdom of darkness could be just another deadly lure...

After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.

Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.

With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.

Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.

Snowland" is the very first chapter of Sorcier Des Glaces, the spark that made the original flame grow. This first draft was certainly very raw, tinged with innocence and spontaneity.
A blizzard had just broken out, in the eternal winter that had just set in.

Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night's throne.

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

300x heavyweight marble white/black 12" (180g) in a microthene innerbag, printed innersleeve, black & white on 220g carton, download card, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl. 
 

 Gatefold LP (black vinyl) with padded inner sleeve and protection sleeve

LIMBONIC ART are back! Their ninth full-length "Opus Daemoniacal" is black as a raven, fierce as a wolf, majestic as an eagle, and mighty as the legendary Norwegian black metal pioneers that mastermind, vocalist, and multi-instrumentalist Vidar "Daemon" Jensen founded in 1993 have always been. "Opus Daemoniacal" continues along the more straightforward black metal path that the Norwegian has chosen for his last releases yet this album also deliberately harks back to the dense atmospheric and cinematic feel of LIMBONIC ART's groundbreaking early works. After having turned into a duo, the debut album "Moon in the Scorpio" was released in 1996 via Nocturnal Art Productions – the label of EMPEROR guitarist Samoth aka Tomas Thormodsæter Haugen. Their at the time quite unique combination of harsh Nordic black metal with cinematic elements inspired by romantic and classic orchestral music proved extremely influential in the following years. With their sophomore full-length "In Abhorrence Dementia" (1997) and the third album "Epitome of Illusions" (1998) LIMBONIC ART gradually reduced the symphonic elements of their sound. In February 2003, the duo broke up, but Daemon reformed the band in 2006. He continued to release the LIMBONIC ART albums "Phantasmagoria" (2010) and "Spectre Abysm" (2017). "Opus Daemoniacal" connects the present to the early sound of the Norwegian cult act, which is bound to appeal to friends of their first albums as well as to a new generation of classic Norse black metal connoisseurs.

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

Reprint, 300x heavyweight orange crush with black marble 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g; download card; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Returning with their third scathing blast of profane black death metal, England’s Wode now join with 20 Buck Spin to unleash ‘Burn In Many Mirrors’, their most potently wild and predatory work yet. With six new tracks spanning 40 minutes of meticulously summoned infernal ferocity Wode scorch the landscape and drape it in the foul reek of death’s fog.

Only 5 months after their 2023 mini-album "Wastelands", Heretoir release their new intense full-length "Nightsphere"! The new record is a concept album dealing with the struggle between the forces of nature and a world of machines. Humanity is in the midst of this confrontation, and the dichotomy between living as an animal among animals and existing as a cog in the wheel of progress determines the course of the story the five songs tell.

"Nightsphere" is a dark album that weaves atmospheric black metal parts with melodic clean passages, swirling blast beats with calm post rock and ambient sounds, and the intensity of desperate screams with the poignant emotionality of melancholic clean vocals into a musical journey through an archaic world. It is also the first album that was entirely written by the full band, featuring contributions of every single member.

The album features ambient sounds of the long-time befriended project "Hidehidehide" as well as guest-appearances of two giants of the (post) black metal genre - Tim Yatras of "Austere" who fuels the song "Twilight of the Machines" with his anguish and Nikita Kamprad of "Der Weg einer Freiheit" who delivers intense and powerful vocals on "Glacierheart - Nightsphere Part II".

"Nightsphere's" natural and organic but powerful sound was crafted by David Deutsch and Justin Felder at 1408 Productions in Hannover, who were responsible for the mix of the record. Furthermore Nikita Kamprad of "Der Weg einer Freiheit" took care of the mastering of the album. Prepare to dive into a highly atmospheric night-realm and emotional maelstrom with "Nightsphere"!

Double-disc edition of mayhem's early rehearsals from 1986, paving the way for the cult 'Pure Fucking Armageddon' demo recording.