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Bloody Keep's noisiest, rawest and loudest EP to date! 真の宗教の亡霊 translates to "The Ghost of True Religion" and brings us 5 tracks of unhinged, raw and onorthodox black metal.

Say your prayers as Bloody Keep is coming for ya!

This CD is produced as a 6-panel digisleeve, fully printed with custom artwork by Adrian Baxter.
 

Vinyl edition handnumbered to 200 copies, first 50 with gold ink, following 150 with black ink.(THIS)
Comes with double-sided insert.

DARKENHÖLD second album, following the very convincing debut "A passage to the towers".
Majestic and epic black metal in the vein of Diabolical Masquerade, Ancient & Emperor.
 

CD in Digipak with 20-page booklet.

Since their inception in 1991, NIGHTFALL have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. The legendary Athenian death metal band sound as vengeful as ever. But backed by monumental production and a powerful message, their 11th studio album stands as their darkest and most epic creation yet.
Like their contemporaries, NIGHTFALL weave gothic melodies into blackened death metal. ‘Children of Eve’ features the most infections collection of hooks that the band has ever created thanks to the mixing and mastering of Jacob Hansen. Armed with cloak and dagger, masked frontman Efthimis Karadimas commands lead single “I Hate” behind blast beats that fly like a swarm of arrows.
But’ Children of Eve’ wouldn’t bear the mark of NIGHTFALL without a deeper message. While "The Cannibal" bursts with divine tremolo picking, its lyrics explore how religious structures and fanaticism can devour you. "I hold the power / to explain your screams", Efthimis howls with chilling intensity.
With ‘Children of Eve’, NIGHTFALL return from the shadows to unite blackened souls everywhere.

For fans of ROTTING CHRIST, SEPTICFLESH, MOONSPELL, PARADISE LOST.

With the new album "They Often See Dreams About the Spring" DRUDKH's traditional black metal sweeps in like a cold wind from the East. Timeless frozen melodies adorn an uncompromising attack, creating yet another epic work from one of the genre's most important bands.
 

Svart Records continues to reissue the albums of Havukruunu, bringing their 2020 classic UINUOS SYÖMEIN SOTA back on the market in September 2025. Havukruunu's third album UINUOS SYÖMEIN SOTA is widely praised for its epic and melodic black metal, combining heavy metal influences with folk music. The album is celebrated in particular for its catchy melodies, powerful atmospherics, lush guitar solos and choral vocals, which create a unique blend of bleak heavy metal and other genres. The album has been compared to the works of Bathory and Moonsorrow, but critics have put Havukruunu on their own level for having such a unique style. True Finnish Forest Metal.

With a past that stretches back to the late '90s and a patient path that began in 2013 with a moniker change, Brazil's THE KRYPTIK burst forth into brilliance when they aligned with PURITY THROUGH FIRE. In the autumn of 2019 came their acclaimed second album, When the Shadows Rise, a startlingly immersive gem of symphonic black metal, and many finally took notice. A year late came the 40-minute Behold Fortress Inferno, which poignantly expanded on their vast canvas despite "only" being a mini-album. Between these two records especially, THE KRYPTIK proved that "symphonic black metal" need not be a dirty word; with no outside influence from the nowadays "black metal" scene, the duo dependably practiced their mystical arts and erected a grand citadel of sound - an atavistic awakening of when all was simply BLACK METAL, heedless of appellations. 

And so it goes with THE KRYPTIK's massive third album, A Journey to the Darkest Kingdom. Truly titled, the seven-track/70-minute A Journey to the Darkest Kingdom reveals the duo's grandest vision yet: neo-ancient symphonic black metal drenched in the dark waters of the cosmos, a castle of crystalline ice whose spires reach into boundless space. The band's ebon flow continually crests and cascades, synths swirling all about and with utterly magickal effect. The production here in this Darkest Kingdom is clear and sharp - all murk excised for maximum immersion, gorgeous swell, and pulsing violence - altogether sounding incredibly vintage and era-authentic yet somehow fresher than most nowadays black metal recordings. But, that magick largely resides in THE KRYPTIK's songwriting, as each song is an epic in its own right and then are all threaded together as one fever dream: melodicism, majesty, and malice in perfect balance. Thus, A Journey to the Darkest Kingdom follows logically in THE KRYPTIK's continuum whilst pushing their creativity to even-more-breathtaking heights. Have they delivered a classic on par with Witchcraft, The Sad Realm of the Stars, or even Stormblåst? Only time shall be the judge...

The debüt Album of the amazing symphonic Black Metal horde!