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 The pale light that shines in a kingdom of darkness could be just another deadly lure...

After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.

Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.

With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.

THERIOMORPH is the ghost of what once was CORNIGR, a project by many considered as one of Terratur Possessions definitive highlights.

As CORNIGR was laid to rest, P.E. Packain(aka Vainaya) wanted to explore wider musical grounds when the highly recommended ADAESTUO project suddenly arose. A platform for exploring suddenly emerged and much of the originally planned THERIOMORPH material was used. The urge to make something new on his own grew once again and THERIOMORPH is a project largely based off ideas dating back to before CORNIGR's  Funereal Harvest. Diabolical Bloodswords is an absolute accomplishment, an amazing feast from start to finish, an unique Black Metal album which never leaves the roots of the genre.

Endstille‘s Infektion 1813 is an absolute powerhouse of relentless black metal aggression. From the very first note, this album grips you with its unyielding intensity and refuses to let go. The razor-sharp riffs cut through like icy winds, while the thunderous drumming drives each track forward with a merciless precision.

Tracks like “When Kathaaria Falls” and “Endstille (Völkerschlächter)” showcase the band’s signature rawness, blending chaotic energy with cold, calculated atmosphere. The production strikes a perfect balance – gritty enough to maintain the genre’s authenticity yet clear enough to let every blistering guitar line and bone-crushing blast beat shine through.

Vocally, Zingultus delivers a savage performance, his voice a tortured growl that channels pure hatred and despair. Each track feels like a battlefield, evoking the album’s wartime themes with chilling effectiveness. Infektion 1813 stands as a testament to Endstille‘s ability to craft ferocious yet memorable black metal. For fans of extreme music seeking a sonic assault that leaves no survivors, this album is an essential listen.

Prepare to be overwhelmed.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Endstille’s Kapitulation 2013 is a blistering statement of defiance, delivering a ferocious blend of relentless riffs, pounding drums, and sheer sonic violence. From start to finish, the album radiates unrelenting aggression, staying true to the band’s raw and uncompromising black metal roots.

Tracks like “Aborted” and “The Refined Nation” hit with devastating force, combining furious tremolo-picking guitars and relentless blast beats that feel like an unstoppable war machine marching forward. The production is sharp yet retains just the right amount of rawness, giving the music an authentic and hostile edge.

Vocalist Zingultus commands the soundscape with a venomous intensity, spitting each lyric with wrathful precision. The album’s bleak atmosphere is palpable, immersing the listener in a sonic assault that feels both chaotic and meticulously controlled. Kapitulation 2013 isn’t just an album – it’s a battlefield, a relentless barrage that refuses to compromise. For die-hard black metal fans, this record stands as a bold and powerful testament to Endstille’s unwavering dedication to the genre.

Prepare for total sonic annihilation.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl. 
 

 Gatefold LP (black vinyl) with padded inner sleeve and protection sleeve

LIMBONIC ART are back! Their ninth full-length "Opus Daemoniacal" is black as a raven, fierce as a wolf, majestic as an eagle, and mighty as the legendary Norwegian black metal pioneers that mastermind, vocalist, and multi-instrumentalist Vidar "Daemon" Jensen founded in 1993 have always been. "Opus Daemoniacal" continues along the more straightforward black metal path that the Norwegian has chosen for his last releases yet this album also deliberately harks back to the dense atmospheric and cinematic feel of LIMBONIC ART's groundbreaking early works. After having turned into a duo, the debut album "Moon in the Scorpio" was released in 1996 via Nocturnal Art Productions – the label of EMPEROR guitarist Samoth aka Tomas Thormodsæter Haugen. Their at the time quite unique combination of harsh Nordic black metal with cinematic elements inspired by romantic and classic orchestral music proved extremely influential in the following years. With their sophomore full-length "In Abhorrence Dementia" (1997) and the third album "Epitome of Illusions" (1998) LIMBONIC ART gradually reduced the symphonic elements of their sound. In February 2003, the duo broke up, but Daemon reformed the band in 2006. He continued to release the LIMBONIC ART albums "Phantasmagoria" (2010) and "Spectre Abysm" (2017). "Opus Daemoniacal" connects the present to the early sound of the Norwegian cult act, which is bound to appeal to friends of their first albums as well as to a new generation of classic Norse black metal connoisseurs.

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

Reprint, 300x heavyweight orange crush with black marble 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g; download card; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Norwegian duo, Darkthrone, return with their first new studio material since 2013’s triumphant The Underground Resistance.

An eclectic mix of free-spirited 80’s fuelled blackened heavy metal, all executed in Darkthrone’s trademark raw and organic style, Arctic Thunder was recorded & produced by the band themselves, with the sessions conducted at Darkthrone’s old rehearsal unit, “The Bomb Shelter”, which they had originally used during 1988-1990.

180g black vinyl (includes mp3 download)
 

After their first lash from the devil's tail that came out of nowhere, DUIVEL is now releasing their first full-blown attack upon this world. An audial vomit orchestra, straight from the mouth of Satan, "Tirades uit de Hel" brings you hateful black metal from the days of yore. Prepare to be scorched by purgatory fires and trampled by sulphuric hooves! There is no saviour, only demise! Pure uncompromising black metal hell from The Netherlands, this is a fresh nail in God's coffin. Oh, rejoice, vermin of the shadows!

Line-up:
Guitars - N (Urfaust, Botulistum, ex-Fluisterwoud)
Drums - D (D.R.E.P.)
Bass - P (Black Anvil)
Synth - K
Vocals track 1, track 3, track 5 - S (Galgeras, ex-Fluisterwoud)
Vocals track 2 - B (ex-Lugubrum)
Vocals track 4 - W (Urfaust, The Spirit Cabinet)
Vocals track 6 - V (Vaal, Ravenzang