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Back in stock - musica Black Metal e Dark estrema
Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.
One of the mysterious and select entities that made up the extinct The Temple of Paroketh Death Current under the glossolalic atrocities of dark ambient Experimental, has been stalking and digging in the depths of the most twisted shadows with dizzying and oppressive acts since 2018, serving an evolutionary and cyclical purpose, with this new aberrant, exhaustive and cavernous opus titled “Nosophoros- The Pale Specter From the Unholy Graveyard” drags us towards glossolalic atrocities composed of two ominous hymns attached to the delirious sacrilege of fatal weapons, an amazing but painful act of resurgent malignancy towards the old rotten chrysalises of the dark Eden that comprise a reverse odyssey, an arduous gloomy pilgrimage combined with the crushing terrifying mess of vociferations that have been carved and diminished towards the vampire / philosophical directions of the rotten astral. Not only does it encompass the old twilight orgies that melted as pillars of dark ambient, but it now strongly embraces solid structures of glossolalic raw black metal that it ferociously dislocates with the thunderous funeral march of Inexorable cursed paths that alter and cause an uncomfortable and incomprehensible tension to worldly ears, a hysterical odyssey that is disturbing in the inverse pyramidal structure of the ghostly black metal and profane art of this title. The twilight star, the voices that swallow their roots to flourish like the oscillating spectre that will remain perpetual for a long time like a dark unhinged pylon.
Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.
Re-release including bonus tracks “Les Sévices de la Peste’’ et ‘‘Corpus et Anima’’.
When SETH released their legendary debut “Les Blessures de l’Âme” in 1998 it was greeted with enthusiasm by reviewers and fans alike. The French combined harsh but melodic Black Metal with a well thought out concept on vampirism. The fiendish shrieks and rasps of vocalist Vicomte Vampyr Arkames combined with the fierce and cold buzzing of the crushing guitars delivered the ideal sound for their artistic expression. Brutal, dark and surprisingly catchy “Les Blessures de l’Âme” creates gothic atmospheres supported by intelligent keyboard textures. The album quickly gained the status of a cult classic that is hard to find as it is long sold out.
Digipack CD,New, totally revamped layout
Transmission: Vibrating from the centre of a dead sun and manifested in the terrible shadow cast by the sect's debut offering, "Flesh Cathedral", "The Synthesis of Whore and Beast" presents two apocalyptic hymns of blinding illumination and iconoclastic orgasms, tantric mantras to end all flesh.
The final part of the «Night»-trilogy. From the words of the band: Natt til ende is the last and final conclusion in the trilogy about the "night". This last chapter is my manifest of the final ending of christianity and death of "Jesus", in both physical and mental shape. Naturally this also lifts the idea and concept of forces christianity calls evil. The same forces I would call natural and human. They may be described as in a dream or in a more harsh speech.
Horror of the Zombies is the second album by American death metal / grindcore band Impetigo. It was released in June 1992 and was a major influence in the grindcore and goregrind scene. ‘Horror of the Zombies’ has a much more structured and varied approach then debut album ‘Ultimo Mondo Cannibale’. The songs are longer and the production on this album is thick and full. The music is still very much old school death metal. Impetigo are influenced by such bands as, Massacre, Autopsy, Repulsion, Master, and Autopsy on this album. This re-release has expanded liner notes by Stevo, 2 extra live songs, different artworks and many rare pictures in a 24 page booklet. A truly gore masterpiece, everything about it reeks of a B grade zombie movie
Official Reissue for VIC RECORDS with 2 bonus tracks taken from demo 1991
Killer new album from this cult US Black Metal band.
- 350gsm Gatefold Jacket With Matt Varnish And Inside Flooded In Black
- 140g Black Vinyl
- 250gsm Cardboard Insert
- A2 Poster On 150gsm Art Paper
- Vinyl Mastering By VK
- Limited To 500 Copies
Killer new album from this cult US Black Metal band.
4 panel Digipak with 12 page Booklet
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