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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
Atmospheric Black Metal from Slovakia
LP comes with a slightly different front cover than the digipak CD!
Standard black vinyl (200)
"Reuniting together on one supreme release, the exclusive songs that originally appeared on the 2012 split album with Monarque, and the four epic tracks that graced the 2016 split release with French black metallers ENDE, originally know as "Le Puits Des Morts". The dark hymn "Le Puits Des Morts" is featuring important figures of the Métal Noir Québécois scene as guest vocalists, including Athros (Forteresse), Blanc Feu (Cantique Lépreux / Chasse-Gallerie), Monarque (Monarque / Sanctuaire), Nordet (Brume d'Automne). It also features I. Luciferia from ENDE with guest backing vocals.
"Sous La Lune Noire" present some of their darkest and evil material, but also have epic and highly atmospheric moments."
200x heavyweight marble (white/black) 12" (180g) in a microtene innerbag; printed innersleeve full-color printed on 220g; download card; jacket, full-color printed on 350g carton, all assembled in a plastic overbag.
"Depravation" recorded in analog system. Old reel tapes in the city of lima- country: Peru, South America. Now again in CD/LP formats. After releasing the hit debut album "Demoniac Flagellations" in 2004, this group of Peruvian alcoholics evoked us to drink and write music for this insane new album. For those who never heard of us in the past, we play a mix of Black, Thrash and fast Death Metal, in the vein of old South American devils like Sarcofago Sepultura, Vulcano and American line like Morbid Angel, Death, Deicide.
Well, they can only hear a lot of wicked metallic chaos. If you're looking for a dose of energy and hate to mosh your bedroom walls when it plays underground, remember to thank me for this recommendation after listening to this album! The drummer here mercilessly thrashes throughout the entire album, the bassist/vocalist executes well both the 4-string desecration works and the throat torments, reminiscent of the era of "I.N.R.I." Wagner Antichrist himself!
The guitarist delivers not only fast and furious riffs, but also fucking aggressive solos! If you expected these Peruvian blasphemers to pity your ears by providing clean productions, you were sorely mistaken! This album has raw anal(og) production straight out of Peruvian hell! Some of the songs here are performed in their native languages, and some are sung in raw-as-life English, but I guess the lyrics you won't understand aren't much of a loss, as the (really!) strong side of this product it's merciless music! It's abundantly clear why this album got a huge vinyl release from From Beyond! With cover artwork done by Spanish master Juanjo Castellano.
A must have in your collection!
Osmose Productions is very proud to present one of the most depraved, full of insanity metal of Death & Black metal from Peru.
Re-issue, with great updated layout, with the original sound from the tape recording.
250x swamp green with heavy red splatter 12" (140g) in a black poly-lined innersleeve, gatefold, full-color printed on 350g, all assembled in a plastic overbag.
Welcome to the third chapter of MISOTHEIST:
Vessels by which The Devil is made Flesh
The band continues where For the Glory of your Redeemer left off, delving into a massive, profound album filled with unpredictable, intricate Black Metal as we come to expect from this band.
Its aggressive, yet beautiful, with gorgeous and sublime melodies covered in darkness and torment. Each listen reveals something new; a new detail, another riff, another twist you previously didn’t notice, making this an unbelievable album that grows and pulls you in further upon each listen. The incredible songwriting and musicianship is something this band has gotten a name for, something this album seals once and for all!
Black 12" vinyl (33 rpm) in printed sleeve with printed inner sleeve.
Second pressing 200 copies worldwilde.
Since its inception in 1993, TSJUDER has always been delivering Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia.
As can be heard on the present reissue of their long sold-out and much sought after second album originally released in 2002, not a single note in their music has to be dyed black.
That’s simply because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR.
The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Jontho.
Available again on special price CD, this milestone of True Norwegian Black Metal are described by the band as "raw and uncompromising black metal".
No post, no progressive, no whatever!
Norwegian duo, Darkthrone, return with their first new studio material since 2013’s triumphant The Underground Resistance.
An eclectic mix of free-spirited 80’s fuelled blackened heavy metal, all executed in Darkthrone’s trademark raw and organic style, Arctic Thunder was recorded & produced by the band themselves, with the sessions conducted at Darkthrone’s old rehearsal unit, “The Bomb Shelter”, which they had originally used during 1988-1990.
180g black vinyl (includes mp3 download)
This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics.
With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’.
Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way.
Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak.
With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date.
2LP Gatefold (ash grey marble), A2 poster, padded inner sleeves, and protection sleeve. (300 copies available)
The early recordings of THORNS and their predecessor STIGMA DIABOLICUM belong to the most legendary and influential Norwegian black metal works of all time. This encompasses STIGMA DIABOLICUM’s "Luna De Nocturnus" demo (1991) and rehearsal tape as well the THORNS demos "Grymyrk" (1991) and "Trøndertun" (1992). Mastermind Snorre Ruch aka Blackthorn is widely credited as the original creator of the Nordic black metal guitar sound that in combination with the riffing and concepts of MAYHEM's Øystein "Euronymous" Aarseth laid the sonic foundation of the as famous as infamous Norwegian scene – and subsequently the global phenomenon that followed.
Although 'Pale Folklore' stands as Agalloch`s debut record, it already embodies several elements that later became part of the band`s signature sound. Effortlessly picking up from their excellent demonstration cassette, it sees the band refining their sound even further. An audio amalgamation combining the profoundness of early Ulver, with the gloom of old Katatonia and the exalted boldness of Fields of the Nephilim, thus adding unique elements of nostalgia and atmosphere to their own melodic interplay of guitars and excellent musical framework. The album contains strong signs of a band that knew at a young age how to draw their canvas. Influenced by the landscapes of the American Pacific Northwest, and with an essence reminiscent of the Scandinavian wilderness, it firmly put Agalloch on the map and raised eyebrows about what a band from North America can be capable of.
As a person that grew up checking out records based on their cover artwork alone, this album was particularly notable - the wood grain cover with a gold emblazoned logo engraving was instantly enthralling. This is music that glorifies the night sky, envisions campfire magic, heralds nature over humans, arcane arts & poetry, and worships the beauty of a crackling fireplace. It could be the soundtrack for a lone wanderer striving through a wintry storm, only to end up knocking on a faded wooden door to find shelter in a desolate cabin. In many ways the sound of forlorn times.
If you are looking to fill your heart with woodsmoke and the fire of the mountain's spirit, look no further.
"Pale Folklore was a watershed moment in American heavy music, when a few young musicians with a shared love of underground death metal – and broad personal tastes beyond – turned their already virtuosic talents toward a fresh hybrid of metal and neofolk through a gothic lens." Daniel Lake / author of USBM: A Revolution of Identity in American Black Metal
