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Crystal clear 12" vinyl in gatefold with 4-page insert incl. Timo Kontio's liner notes and new art additions, limited to 300 copies worldwide!
This album is available for the first time on vinyl, limited to 300 copies worldwide!

With the fourth album Cypher, Finnish black metal outfit …and Oceans completed their transformation from predominantly symphonic influences to industrial inspirations. Being a group that has never played safe, this record transcended genres, broke all rules and was both lauded and hated for it.
A must have for the fan to complete their …and Oceans collection.

For fans of EMPEROR, ABORYM, SAMAEL.

 Gatefold LP (black vinyl) with padded inner sleeve and protection sleeve

LIMBONIC ART are back! Their ninth full-length "Opus Daemoniacal" is black as a raven, fierce as a wolf, majestic as an eagle, and mighty as the legendary Norwegian black metal pioneers that mastermind, vocalist, and multi-instrumentalist Vidar "Daemon" Jensen founded in 1993 have always been. "Opus Daemoniacal" continues along the more straightforward black metal path that the Norwegian has chosen for his last releases yet this album also deliberately harks back to the dense atmospheric and cinematic feel of LIMBONIC ART's groundbreaking early works. After having turned into a duo, the debut album "Moon in the Scorpio" was released in 1996 via Nocturnal Art Productions – the label of EMPEROR guitarist Samoth aka Tomas Thormodsæter Haugen. Their at the time quite unique combination of harsh Nordic black metal with cinematic elements inspired by romantic and classic orchestral music proved extremely influential in the following years. With their sophomore full-length "In Abhorrence Dementia" (1997) and the third album "Epitome of Illusions" (1998) LIMBONIC ART gradually reduced the symphonic elements of their sound. In February 2003, the duo broke up, but Daemon reformed the band in 2006. He continued to release the LIMBONIC ART albums "Phantasmagoria" (2010) and "Spectre Abysm" (2017). "Opus Daemoniacal" connects the present to the early sound of the Norwegian cult act, which is bound to appeal to friends of their first albums as well as to a new generation of classic Norse black metal connoisseurs.

Grift’s fourth studio album, “Dolt land” (‘Hidden land’), is a profound exploration of humankind’s bond with nature. With folkloric sounds and heartfelt lyrics, the multidisciplinary Swedish music project takes listeners on a journey into the heart of the wild.
“Dolt land” diverges from the more metal-oriented “Budet” (2020); instead, it continues the acoustic approach of the EPs “Vilsna andars boning” (2018) and “Vilsna andars utmark” (2022). Like the aforementioned two seven-inches, “Dolt land” pays homage to Kinnekulle - a mountain whose nature, legends, and traditions have served as Grift’s main source of inspiration since the project’s conception in 2011.Erik plays all the instruments himself - including acoustic guitar, melodica, glockenspiel, analogue synth, and percussion - and has also sampled nature sounds to create a truly immersive listening experience. Soothing and stirring, yet still feral and untamed; Grift’s evocative music will resonate with fans of Sangre de Muerdago, Anna von Hausswolff, and Nebelung.

“Coloured Funeral” is one of the most complex releases of early 90's death metal, certainly a cornerstone release for all fans, which needs more attention than it gets in time. It's a classic masterpiece without compromise that defines why old school death metal was unique and intelligent music.

Recorded and mixed by Colin Richardson in 1993, this album brings some of the best technical and slightly progressive death metal, with a clean and powerful production.
You find some progressive elements but it's a vicious and aggressive old school death metal gem.

This is intense brutality of the highest rank, a mind-blowing piece of real unholy Death Metal forever written in extreme metal history!

Re-issue, completely updated layout with a new mastering specially for vinyl.

100x beer/black galaxy 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, A2 poster, one-sided full-color printed on 150g art-paper, gatefold cover, full-color printed on 350g carton, all assembled in a plastic overbag.

Reprint, 500 x orange crush with black marble effect 12" (140g), printed innersleeve, full-color on 220g, jacket full-color on 350g with 3D UV Spot, all assembled in a PVC overbag.

Dopo l'EP ""Pesta"" del 2020, giustamente intitolato, i norvegesi Mork riprendono la loro ascesa tra i ranghi della scena BLACK METAL scandinava con il quinto capitolo, ""Katedralen"", avventurandosi sempre più lontano dalle primitive fondamenta dei primi Darkthrone, pur mantenendo viva la fiamma cupa della vecchia scuola nel suo DNA. “Katedralen” è senza dubbio il lavoro più completo dei Mork fino ad oggi, spingendo nuove frontiere creative con un approccio più dinamico alla composizione delle canzoni e un'ampiezza estesa ai riff e alle melodie, tessendo un nuovo capolavoro di groove, durezza, grandiosità, tristezza, bellezza e potenza. “Katedralen” è stato eseguito, registrato e mixato dal leader Thomas Eriksen, con il mastering ancora una volta effettuato da Jack Control a Enormous Door (Darkthrone). L'album include anche notevoli apparizioni di Nocturno Culto dei compagni di etichetta Darkthrone, Dolk dei connazionali Kampfar, e infine Eero Pöyry dei maestri del doom Skepticism. L'artwork adeguatamente oscuro appare ancora una volta per gentile concessione del riverito artista francese David Thiérrée. Un album assolutamente imperdibile per i fan di Darkthrone, Taake, Burzum, Kampfar, Craft, Satyricon, Sarke e Aura Noir!"

8th studio album from this legendary Spanish Death Metal band. Despite their big change in line-up, they sound better, more brutal, heavier and intense than ever!! 100% AVULSED, a stunning album!!