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Compilation of the two Demos "Vånnalösa urskepnader" (CD 1) and "Häxbål" (CD 2).

When FLAGG burst from the void in June 2020 with their debut album, Nothing But Death, the veil of secrecy had yet to be lifted. Which mattered not, when presented with black metal of such sterling quality: both ancient and ageless, old yet new. Their attack was immediately intense, exhibiting a restlessness that's roiling and raging, always moving but always with a target in sight. Eventually, it was revealed that FLAGG hailed from Finland and was the work of selfsame multi-instrumentalist Flagg, who was a part of reanimated old Finnish cult Annihilatus, and vocalist Tyrant, whose hordes include the esteemed likes of MALUM, Infernarium, and Kalmankantaja.

With that lineup thus set, FLAGG return little more than a year later with their second full-length, Cosmic Chaos Manifest. An immediately harsher spin than its not-inconsiderable predecessor, Cosmic Chaos Manifest duly lives up to its title through a shapeshifting style of ultraviolence that retains a unique gleam, one that's paradoxically grittier for all its seemingly on-the-surface clarity. As ever, FLAGG's songwriting strikes true through a skillful balance between burning fire and nightsky melodicism, here actually sounding more richly 1990s - specifically, the oft-overlooked late '90s - than the comparatively modernist grime of Nothing But Death. But, just like that bolt-from-the-blue debut, FLAGG understand archaic expressions, the Old Language of Black Metal, where medieval atmosphere and ghostly portent informed even the most straightforward forms, rendering an air of aristocracy to that of belligerent bravado; now, they're just rendered in more restless, dizzying form.

digipack 
With Panopticon’s 5th full-length album, Kentucky, Austin Lunn pushed the boundaries and blurred the lines between melodic US black metal and folk driven Americana. Bluegrass, with its high and lonesome sound and cultural and emotional significance, provided the perfect backdrop for Austin’s lyrical exploration of the Kentucky's rich cultural heritage and unique environment as well as coal miner's plight to stand up against the cruelty of a greed driven fossil fuel industry as they struggled to organize a union to fight against horrific working conditions. The album is about more than just coal mining history...it is a love letter to the " blue grass state" and the beautiful people and places contained within its borders.
 

Issued in jewel case with clear tray. Comes with 12-page booklet and a hidden track.

One of the most anticipated black metal albums of the past decade arrives: NOCTERNITY's Harps of the Ancient Temples. The Greek band's first full-length in 12 years!
Harps of the Ancient Temples is black metal from a lost time. It's an ancient darkness that envelops and hypnotizes the listener, recasting NOCTERNITY's elder Scandinavian and Greek BM influences through a prism that refracts no light, but rather absorbs it.

In the music of Forndom, the past breathes with a vitality that transcends time. “Moþir” is as complex as the deities it portrays, weaving together themes of fertility and loyalty, love and betrayal, light and shadow. It is an exploration of divine ambiguity, where the nurturing embrace of a mother can just as easily turn into the cold hand of inevitability.

Here, Ludvig Swärd strips away the modern trappings of synthesisers, embracing a purely acoustic sound. The music feels as though it has been carved from the very earth, born from instruments fashioned by hand and played with reverence for the ancient.

Recorded and mixed by Swärd himself, “Moþir” features the talents of Thomas von Wachenfeldt (Bards of Skaði), whose violin conjures both light and darkness; Janne Posti (Häxkapell, Sons of Crom), whose choral tones add a numinous depth; and Draugurinn, whose haunting presence lingers like a spirit from a forgotten age.

Forndom’s latest offering is a meditation on the eternal cycle of life, death, and rebirth, seen through the lens of ancient Scandinavian spirituality. Ludvig Swärd continues to stand at the crossroads of the past and present, offering a glimpse into the heart of ancient wisdom through the eyes of a modern seeker.

Black Vinyl

Released one year after their demo Black Seared Heart, it was First Spell that put GEHENNA on the map for real.
Originally released in 1994 by Metalion`s legendary label ‘Head Not Found’, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?
Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboardplayer extraordinaire Sarcana.
First Spell is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan`s collection.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

This release will include a huge 16-page 12” booklet including an in-depth interview (divided into 4 parts, this is part 2) with all 5 original bandmembers and many never seen before pictures.
An A2 poster will be added to every vinyl too and a download-code.

On the third regular PAYSAGE D'HIVER album "Die Berge" ('The Mountains'), mastermind Wintherr has perfectly captured the dark essence of his mountainous Swiss home beyond those pretty picture postcard landscapes. Ragged peaks that unfathomable tectonic forces have crushed upwards and out of the thin cold crust of this planet create a harsh and hostile environment for humans, which is reflected within the sound of raw black metal. Note for note, these grey giants of rock come awake to life in song. Majestic, powerful, dangerous, threatening, and yet also inherent of a fierce beauty, these massive tracks of epic length echo the huge proportions of their source of inspiration and amount to a playing time of more than 100 minutes. With each release, PAYSAGE D'HIVER narrate a new chapter of a continuing story about a mysterious protagonist called 'Der Wanderer'. "Die Berge" takes the wanderer into the 14th chapter, which might end up as his last. The main theme of "Die Berge" is death and this time the enigmatic wanderer's journey is comparable to that of a Zen monk who hikes to the peak of a mountain on feeling that his time has come. Founded in 1997 in the Swiss region of Bern, PAYSAGE D'HIVER remained a strictly underground phenomenon at first. Wintherr unleashed a steady stream of 10 full-length "demos" and 4 split-EPs that earned him an excellent reputation while a massive following grew by word of mouth. When the Swiss came "out of hiding" with "Im Wald" ("In the Forest") in 2020, their regular debut album even entered the German charts, which meant mainstream recognition despite standing firmly with both feet in the underground. With "Die Berge", PAYSAGE D'HIVER continue to expand the horizon of Nordic black metal without ever stepping away from their roots.

Comes with double sided inner sleeve on 220gsm carton housed in a 300 gsm carton outer sleeve.