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Back in stock - musica Black Metal e Dark estrema
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.
Lucifer Rising/Self Distribuzione pubblicherà in anteprima il 24 marzo la raccolta dei DEATH SS: Horror Music Vol3 B-Sides & Outtakes 2012-2022Sulla raccolta saranno presenti 16 brani tratti dalle B sides dei singoli e dalle bonus tracks rilasciati dalla band tra il 2012 e il 2022Dopo le precedenti pubblicazioni di Horror Music, del 1996 e, Horror Music Vol II Singles, Outtakes & Rare Tracks 1997/2007 del 2016, la nuova Horror Music Vol3 B-Sides & Outtakes 2012-2022, rappresenta la raccolta completa e definitiva dei brani mai pubblicati sui dischi ufficiali della band di Steve Sylvester Le tracce selezionate per questa raccolta, sono state accuratamente rimasterizzate, per garantire un'esperienza di ascolto completa e appagante per i fan di lunga data e per coloro che scoprono questo progetto per la prima volta
‘Den Svevende Festning’ features six tracks and over 32 minutes of raw and atmospheric Norwegian black metal, most notably containing exclusive and unreleased material recorded during the ‘Katedralen’ album sessions, in the shape of the title track (also the theme for the cover image, an old drawing of Fredriksten Fortress in Eriksen’s home-town of Halden), and ‘Ormtunge’. Side A is completed by the alternate arrangement of the track ‘Født Til Å Herske’, previously only available digitally. Side B contains a selection of live tracks from Mork’s recent shows, featuring a series of tracks from the ‘Katedralen’ opus.
Welcome to the third chapter of MISOTHEIST:
Vessels by which The Devil is made Flesh
The band continues where For the Glory of your Redeemer left off, delving into a massive, profound album filled with unpredictable, intricate Black Metal as we come to expect from this band.
Its aggressive, yet beautiful, with gorgeous and sublime melodies covered in darkness and torment. Each listen reveals something new; a new detail, another riff, another twist you previously didn’t notice, making this an unbelievable album that grows and pulls you in further upon each listen. The incredible songwriting and musicianship is something this band has gotten a name for, something this album seals once and for all!
Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.
This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.
It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"
300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.
300x heavyweight swamp green 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), download card, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.
Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them
Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.
