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Golden Vinyls.

To understand the defining traits of Greek Black Metal, one need only to listen to “The Tressrising of Nyarthotep” by the mighty Varathron. This track, first appearing on the “genesis of Apocryphal Desire” demo, possesses all of the victorious grandeur and tragic melancholia that are the essence of the early 1990’s Greek Black Metal sound. Along with contemporary releases by Rotting Christ and Necromantia, Varathron’s demo material firmly established a style that is thoroughly Grecian in character. Thick with a damp and heavy Hellenistic darkness, Varathron explored a sound that was infused with the epic and the ancient. As with so much of the most evocative and potent Black Metal, the ancient currents are revealed through the expression of the modern. Varathron’s music is as mystical as it is visceral. The recordings on this compilation comprise the earliest seeds of what would become one of the greatest bands in the history of the genre. This collection contains all of Varathron’s work leading the band toward the creation of their monumental debut LP, “His Majesty at the Swamp.” The two demos, “Procreation of the Unaltered Evil” and “Genesis of Apocryphal Desire” reveal the steps that Varathron took that would later come to fruition on their first album. This collection also contains the more refined tracks that were utilized on their first vinyl releases – the “One Step Beyond Dreams“ EP and “The Everlasting Sins” tracks from the split LP with Necromantia – and three additional bonus tracks recorded during the early years. As with the forthcoming Rotting Christ demo collection that NWN! will soon release, the songs on this compilation of Varathron’s early recordings reveal the painstaking emergence of a band’s identity. Absorbed in the context of early works by Varathron’s Greek contemporaries, one also witnesses the development of a sound uniquely specific to a geographic region, so specific, in fact, that it is impossible to imagine such a multidimensional approach to Black Metal originating anywhere else. Both the Regular and Die Hard editions of this release will feature gatefold jackets with artwork by Manuel Tinnemans and layout by Tilmann Benninghaus as well as a 48 page zine booklet. The Die Hard edition will also come with a separate LP (with jacket) featuring the “Live at the Swamp” demo material. Originally released on tape in 2004, “Live at the Swamp” features a live recording and rehearsal recording from 1991. These recordings have been remastered and cleaned up by James Plotkin and the sound quality on this LP, although still quite raw, is markedly better than the original tape version.

 Re-issue, original sound recording!
500x 12'LP 180g cherry eco red, 350g jacket with 3D UV SPOT, 220g innersleeve, all assembled in a PVC overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl. 
 

 Gatefold LP (black vinyl) with padded inner sleeve and protection sleeve

LIMBONIC ART are back! Their ninth full-length "Opus Daemoniacal" is black as a raven, fierce as a wolf, majestic as an eagle, and mighty as the legendary Norwegian black metal pioneers that mastermind, vocalist, and multi-instrumentalist Vidar "Daemon" Jensen founded in 1993 have always been. "Opus Daemoniacal" continues along the more straightforward black metal path that the Norwegian has chosen for his last releases yet this album also deliberately harks back to the dense atmospheric and cinematic feel of LIMBONIC ART's groundbreaking early works. After having turned into a duo, the debut album "Moon in the Scorpio" was released in 1996 via Nocturnal Art Productions – the label of EMPEROR guitarist Samoth aka Tomas Thormodsæter Haugen. Their at the time quite unique combination of harsh Nordic black metal with cinematic elements inspired by romantic and classic orchestral music proved extremely influential in the following years. With their sophomore full-length "In Abhorrence Dementia" (1997) and the third album "Epitome of Illusions" (1998) LIMBONIC ART gradually reduced the symphonic elements of their sound. In February 2003, the duo broke up, but Daemon reformed the band in 2006. He continued to release the LIMBONIC ART albums "Phantasmagoria" (2010) and "Spectre Abysm" (2017). "Opus Daemoniacal" connects the present to the early sound of the Norwegian cult act, which is bound to appeal to friends of their first albums as well as to a new generation of classic Norse black metal connoisseurs.

Regular black vinyl. Gatefold cover sleeve, inner jackets features lyrics. Includes a folded 24"x24"-size single-sided poster.

Black Vinyl

Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

fficial reissue in limited edition LP of the cult full length originally released in 1996 with restored layout and remastered audio, specifically for LP. With members of Bishop of Hexen, Grimoire has signed the underground scene with their only full-length, nowadays almost impossible to find.
9 tracks of Melodic Romantic Black Metal finally available properly on wax!

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick professionally printed thick INSERT.

8th studio album from this legendary Spanish Death Metal band. Despite their big change in line-up, they sound better, more brutal, heavier and intense than ever!! 100% AVULSED, a stunning album!!

Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.