Back in stock

Jewel case CD, 12 pages booklet.

Fire Walk With Us was perceived, composed and performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 2000 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)

Digipack CD

2 CD + booklet
“Inside The Unreal” by Electrocution was one of the first and most famous old school death metal albums released in Italy in 1993. Reissued several times through the years, this version is a 2CD edition with all the demos and eps released by the band before the debut. The booklet has been redesigned with new liner notes. This 2CD version has only been released once, by Dark Symphonies in 2017, and it is now sold-out and difficult to find.
A relentless attack made of tight tempos, primitive growls and thrashy riffing, “Inside The Unreal” is considered a minor-classic of the death metal sound of the early nineties.

Songs talks about landscapes, cohabitation between man and nature, the music is deeply inspired by Cascadian black metal bands like Wolves in the Throne Room, Alda…
At times you might get the feeling that this is music being piped through from another time. It is music mercifully free of the tropes that trip us up and the trends that scratch on the grubby windows of the music scene.
‘Samoht Nara’ is music dedicated to the natural and listening to it feels like a rare, beautiful privilege.
 

Norwegian viking pagan black metal brigade NIFROST is set to release their new, long-awaited, full length album to the masses 
NIFROST already established its own remarkable identity built upon cold and ferocious sounds attack, intense melodies and charging guitars.
Combining unrelenting black metal atmosphere and vision from varying extreme metal genres with a apocalyptic twist of inspiration, careful listeners may just be able to identify themes from some of their stories, concepts and more…
The concept of their third album began with the title “Orkja”, which is the name of a mountain infamous for landslides that turned into murderous floods in the olden days of Jølster, on the wild and beautiful western coast of Norway.
Through these old stories, they found a spark of inspiration in approaching apocalyptic themes in a bigger or on smaller more personal-level picture, both physically and metaphorically.

When the band wrote the album “Orkja” in late 2018, they never knew how fitting these doomsday-themes would come to be in current times. The seven songs that comprise “Orkja”, each have its own connection to the end of things, and to the possibility of new beginnings.

Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone.

Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format.

Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.

Hellish God was born in 2015 by the insane minds of Luigi Contenti and Michele Di Ioia.
Their intent was simple: to play Satanic Death Metal in vein of bands as Deicide, Diabolic, Krisiun and Rebaelliun.
Tya (Antropofagus, Mindful Of Pripyat) joined the band as frontman and lead vocalist in 2016 and the band recorded their debut EP called “Impure Spiritual Forces” four songs of devastating and savage death metal featuring Fabiano Penna of Rebaelliun.
In 2017 Stefano Malgaretti (ex-Imposer – ex-Voids Of Vomit) joined forces with the band as bass player and backing vocals. In January 2018 the band signed for the rising Everlasting Spew Records and released their first full album called “The Evil Emanations”, recorded and mixed by Carlo Altobelli at Toxic Basement Studio. The record was a collection of ten tracks of pure and devastating death metal featuring Rangel Arroyo from brazilian war machine Abhorrence.
In 2020 the band announced the split, but returned in 2024 with the original lineup duo ready to release their second full, again recorded at Toxic Basement Studio. This time the tracks are eight hymns of wrathful and chaotic death metal with a featuring of Brian Malone, former guitarist of Diabolic. 

w/12page Booklet

 

Official reissue 2023

Here we talk about history!

Qliphothic Supremacy is the debut HANDFUL OF HATE full length album of and became a fundamental step for italian Black Metal metal movement in time.

Finally reissued in deluxe 6page digipack via Dusktone.

Released in 1997, it’is an extreme and crazy record, a furious black of unprecedented violence who blends sharp guitars with clumsy screams, which will later be the band's trademark and mold.

Overall, an exellent, personal and overlooked piece of Italian extreme metal history and a jewel to re-discover and appreciate in its burden of evilness

“Verso Casa” (Homewards) is the second Sonic Voyage of the Italian Atmospheric Black Metal sensation Taur-Im-Duinath. The band’s second chapter delves into the meaning of belonging and identity, and the absence of a rooted sense of place. The pondering of questions such as “What is home?” or “What does it mean to feel at home?” becomes the starting point of this perennial journey. The quest here manifests itself as the search, the longing for a place beyond the physical and immanent meaning, a metaphoric and spiritual locus where peace can finally be found, where all yearnings and strife are meaningless.

Always adrift in the tempestuous current of life, Taur-Im-Duinath’s shape changed and evolved with the passage of time, weaving a rich tapestry adorned with a newfound awareness, maturity and depth. Its musical landscape is a labyrinth of intertwined emotions, painted with evocative and melancholic strokes, not unlike the branches of the trees dancing in the wind, or the seas at storm, or the sullen calm of a mountain peak.