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Debut album of the melodic black metal band from Tasmania. Limited to 500 copies.
 

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

2nd pressing, limited to 500 copies.

The LP comes with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

Although it had a very troubled birth, all detailed in the liner notes included with those different versions here, CRADLE OF FILTH almost-album-length 1996 EP V Empire, Or Dark Faerytales In Phallustein proved to be a superb triumph over adversity.

Despite all their legal problems, line-up changes and insane pressure after the gigantic success of their debut album, the Brits nevertheless managed to write and record a slab of new even grander songs, next to a new version of the already classic ‘The Forest Whispers My Name’, some would argue even bettering their debut in the process.

Another undeniable 90s symphonic black metal masterpiece, available again for the first time officially since 2017!

2nd pressing, limited to 500 copies.

Comes with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

Black 2-LP with 12-page booklet and A2 poster.

Founded in 1994 and led to rest in 2012, LUNAR AURORA during their existence released 9 full length albums, two demos and some split releases with SECRETS OF THE MOON, PAYSAGE D‘HIVER and NORDLYS.
Partly atmospheric, partly aggressive but always unique and special, LUNAR AURORA created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

Originally released by The Oath and Deviant Records in 2004, LUNAR AURORAs fifth album will be finally available again on double black vinyl and picture disc.
As bonus on this reissue, there are songs from the same recording session, which were not released on the original CD.
This is an essential masterpiece of Black Metal and proves once again the greatness and strength of LUNAR AURORA.

For the first time, these 5 tapes (Ash Nazg …, lux devicta est, promo tape 2/94, Moonrise and In Hate & Sin)  are compiled as a stand-alone 2LP / 2CD album, accompanied by extensive photo material and an in-depth interview, covering the period from the formative 1980s, over the conditions leading to the establishment of the band, up to the days when a deal for their debut Verwüstung/Invoke The Dark Age was signed.

The direct and unveiled nature of these recordings invites the listener to travel back in time, step into ABIGOR´s rehearsal cellar and experience the raw, youthful energy which shows a different side of the band than the successive recordings at Hörnix Studio.

The pressing and print quality make this double-album the ultimate memorial to the reckless bygone days not only of ABIGOR but also of Black Metal as a whole.
On 48 A5 pages respectively, the circumstances around each demo are treated individually.

After more than 30 years, the hands-on experiments of those simple, analogue times still work their magic!

The debut album from Sweden’s black metal/industrial band DIABOLICUM from 1999 finally available again on CD.

Jewel-case CD, 12-page booklet.

And here again another lost treasure of the old and cold 90s Norwegian black metal scene.
MORGUL with their second album from 1998. Old school black metal for fans of the early works of DIMMU BORGIR, OLD MAN’s CHILD and SATYRICON.

Jewel-case CD, 8-page booklet

And here again another lost treasure of the old and cold 90s Norwegian black metal scene.
MORGUL with their debut album from 1997. Old school black metal for fans of the early works of DIMMU BORGIR, OLD MAN’s CHILD and SATYRICON.

Jewel-case CD, 8-page booklet

Fast, aggressive and relentless black metal from Sweden.
IN BATTLE’s debut album from 1997 finally, after 27 years, available again on CD.

Jewel-case CD, 8-page booklet

Jewel-case CD, 12-page booklet

Cult Black Metal from Czech Republic

Three essential albums – „Ritual“, „Jilemnický okultista“ and „Vracejte konve na místo“, will be reissued on vinyl and jewel-case CD in mid-November.

Their preparation required several months of work:
The band found the original production tape from 1991 fir „Ritual“ and achieved a result that sonically surpasses the original release.
„Jilemnický okultista“ and „Vracejte konve na místo“, underwent new, more sensitive re-mastering.
All titles will be released as gatefold double vinyls and jewel-case CDs.The new artwork includes original, some previously unpublished illustrations and photographs reproduced in the highest quality. The inserted double sheets of the vinyls contain not only lyrics and archival documents but also current interviews with František Štorm.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.