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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
Reprint, 400x gold in milky clear swirl 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g; jacket, full-color printed on 350g, all assembled in a plastic overbag.
“La Grande Danse Macabre” album (2001), which presents a more varied and darker approach compared to the Swedish black metal titans' usual blastbeat-driven full on assault. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson). Expect nothing but perfect extreme black metal pleasure!
Re-issue, 298x bloodred with black marble effect 12" (180g) in a microtenne innerbag, printed innersleeve, full-color on 220g, jacket full-color with black flood inside on 350g, all assembled in a PVC overbag.
Reprint, 500x transparent blue with heavy black splatter
500x marble (grimace purple/black) 2x12" (140g) in black poly-lined innersleeves, gatefold jacket printed on 350g carton, coated paper, all assembled in a plastic overbag.
Reprint, 500x marble (transparent red/black) 12" (140g) in a black poly-lined innerbag, gatefold jacket, printed on 350g carton, coated paper, all assembled in a plastic overbag.
Remains of a ruined dead cursed soul, The original album was called "Evil, the gestalt of abomination" and was supposed to be released in 1992. Due to label issues it finally saw the light in 1999 with the actual tittle... Rough and not perfectly executed, it represents the really start of Mutiilation.
Reprint, 500x marble (transparent red/black) 12" (140g) in a black poly-lined innersleeve, gatefold jacket printed on 350g carton, coated paper, all assembled in a plastic overbag.
From the frost-shrouded crypts of eternity emerges Black Funeral's unholy testament, "Vampyr Throne of the Beast" - a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album's frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production's deliberate coldness preserves the necromantic essence - each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
"Vampyr Throne of the Beast" stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe's darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.
Re-issue with a complete updated layout and new mastering.
300x heavyweight bloodred 12" (180g) in a black poly-lined innersleeve, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Reprint, 700x black vinyl 180g in a black poly-lined innerbag, gatefold, full-color, black flood inside on 350g with gloss lamination, all assembled in a PVC overbag.
Re-issue, 250x orange crush with black marble effect 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g with UV partial lacquer, all assembled in a PVC overbag.
The debut album from Belial on Austria's Lethal Records is, without question, one of the heaviest Black/Death Metal albums I have ever heard. It starts off with a creepy little intro, then smashes into a re-recorded version of, in my opinion, Belial's signature track, "The Invocation." This version is much heavier and darker then the one that appeared on their "Gods of the Pit" demo, as Belial added more spoken word interludes and hoarse whispering to the mix. After this, Belial rips through 20 minutes of some of the most intense music in the history of the underground scene. This album just rages along at a breakneck pace, and doesn't let up fast enough for you to catch your breath. My only small complaint is the length of this album, but that is minor in comparison to what Belial does with the little time they have here.
On a side note, this release featured 2 different covers for some reason. The original (which I have, and which is the rarer of the 2) was a rather cheap looking, almost xerox'ed scene of a mountain landscape in the woods, with a black moon hovering in the sky, in black and white, with some blue here and there, and the band's logo in blue in the upper left hand corner, and the album title in the lower right hand corner. The second cover was the hand holding whatever that is in the photo, with the album title in white in the upper right hand corner, and the band logo in red in the lower right hand corner. I have no idea why this was done, other then perhaps only a limited number of copies had the original artwork.
This album has been long out of print, thanks to the thieving bastards that ran Lethal Records. However, I have seen 1 or 2 distros still carrying it (with the second cover artwork), and I'm sure there are a few traders out there with it as well. In any case, pick this up at all costs if you can.
