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Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

versione in digipack

il tempo ci restituisce una band con un'ispirazione che non gli si riconosceva da un paio di decenni....
suono anche decisamente aggiornato ed "europeo", con un tocco di religious black metal, pur senza abbandonare le affascinanti caratteristiche dell'immortale "sound alla Greca"
 

Reissue of the hystorical debut album on Agonia Records.
(Also available 1st time on vinyl)

With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.

The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.

The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.

It took DEATHSPELL OMEGA almost nine years to complete their trilogy.
"Paracletus" is the last chapter, following Si Monumentum Requires, Circumspice and Fas Ite, Maledicti, in Ignem Aeternum of their musical and spiritual quest, during which they put everything at risk. The release closes the circle of the hallucinating sound of dissonant violence and menacing splendour, exploring the depths of abjection and corruption of the other worlds on high.

1. The Last Wound 07:07
2. Painlike Paradise 05:01
3. The Chosen One 06:14
4. Blood Stainth the Temple Stones 10:33
5. Luziferion 02:32
6. Infernal Solar Vortexx 09:19

1. So Nail The Hearts 13:15
2. Eucharistick Funereal 10:05
3. Reckoning 07:01
4. Emeralde Graves 05:00
5. Sinn Koronation 10:37

Minigatefold double CD with a 6 pannel booklet.

“La Croix de Sang”, a spectacular record in its own right released early 2019, took many by surprise. “Venoms” gathers the fifteen year old roots of DRASTUS. It is the sum of the grand dissolution of being through satanic venom that made the aforementioned record possible.

“Venoms” features the following material:

– From the Womb of Ferocious (2005)

– Roars from the Old Serpent’s Paradise (2005)

– Taphos (2006)