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Returning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

rning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

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Compared to the sheer brutality of ‘Angrep', ‘I utakt med verden' is quite the opposite.
If Angrep was the war, ‘I utakt med verden' is conceptually the time after a lost one, where we lick our wounds and count our dead. Slowed down.
Someone said that listening this album was like being trapped under water, and there was no chance to breathe air until the end of it.

Re-issue, 300x heavyweight white 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

"Nechrist" is probably the most peculiar record in Nokturnal Mortum's catalogue, simply because it's different from anything else they've done.
This is by far their angriest, fastest, darkest and most aggressive record, and as such it's often labelled as "messy" or "chaotic": while it might result a bit difficult to digest during the first listens, "Nechrist" is a grower, and its beauty will slowly unfold to the listener each time he comes back to it.
The album's production is quite raw, making a bit difficult to distinguish the fastest guitar patterns at times; the riffs generally consist in the traditional black metal tremolo picked frenzy, although slower sections are obviously present, with some interesting bridges here and there (the "breakdown" found at the end of "Night Before the Fight" is simply amazing).
The bass isn't always audible, but where you can hear it you can say its patterns are definitely interesting.
The drumming is astonishing, a real storm of blast beats and relentless double bass drumming, thus confirming Munruthel as the most technical drummer this band has ever laid its hands on.

Re-issue with the complete updated layout, remastered by the band itself, the most angry and furious album of the band.