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Il carrello è vuoto
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Back in stock - musica Black Metal e Dark estrema
First album of the trilogy on CD in deluxe Digipak with gold print and 16-page booklet.
No matter what stylistic path they take, GREEN CARNATION have never shied away from grand, gloomy statements.
Founded in the early ‘90s by former Emperor bassist Tchort, the Norwegian act quickly amassed a cult following thanks to one of the most ambitious epics in metal history. Even before going on hiatus during the mid-2000s, the ever-evolving auteurs still flashed a flare for the dramatic by performing their acoustic verses underneath a mountain dam. However, there was one tale — or three, to be exact — that continued to elude them. Until now. With the ‘A Dark Poem’ trilogy starting now, GREEN CARNATION finally unveil their masterpiece.
The idea for an album trilogy stems from GREEN CARNATION’s earliest yesteryears, but the first part of ‘A Dark Poem’ cites various passages from across their illustrious cannon. Lead single “In Your Paradise” reaches newfound peaks of heaviness, swept out to sea by sublime riffs and somber symphonic flourishes. While navigated with the band’s familiar mastery, the view from ‘The Shores of Melancholia’ is far from heavenly. Judgement day appears around every corner, steering them from the title track’s scarlet clouds of war toward Floydian whirlpools drenched in paranoia before being shipwrecked by second wave black metal.
“A lesson learned, now bridges burn”, bearded captain Kjetil Nordhus cries out with impassioned cleans, as if tied to the mast during the album’s fiery send-off.
On ‘A Dark Poem, Part I: The Shores of Melancholia’, GREEN CARNATION set sail on an epic journey into a dark night of the soul.
For fans of OPETH, PARADISE LOST, PAIN OF SALVATION.
The reclusive NONE return in 2023 with their fourth chapter, their longest and darkest work. “Inevitable” is the culmination of their musical legacy, evoking the signature depressive atmosphere that has struck listeners across the globe. Like the last stage of grief, “Inevitable” is a black, nihilistic acceptance… Surrendering to existential loss and failure, only to whisper a sigh of contempt before an apathetic march toward the inevitable end.
Written and recorded throughout the latter half of 2017, NONE's new album Life Has Gone On Long Enough takes its haunting shape through eight organic tracks of foggy mountainous atmosphere and bleak music. On this new chapter, NONE delves deeper into the blackest woods to find abandonment, and developing its tortured personality further. Moving in and out like the long shadows of an ancient forest, the harsh musical passages of Life Has Gone On Long Enough entertwine and die through forlorn atmospheres, devouring and nourishing a hopeless life.
Like clockwork, NONE returns this spring to destroy your seasonal optimism with their oppressively bleak atmosphere. Following 2018’s epic “Life Has Gone On Long Enough”, “Damp Chill Of Life” is NONE's third full-length chapter in their arrestingly reclusive legacy.
Weaving visionary soundscapes with depressive black metal, “Damp Chill Of Life” will gnaw at your bones like dying alone in an ice-bound wilderness. Haunting piano keys and retching voices flicker through harsh walls of instruments, ebbing and flowing through the lengthy tracks as NONE take their time to pick apart your psyche.
THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.
Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.
This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.
Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare ‘Funeral Theatre’ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.
Deluxe Double Vinyl of the now legendary "Vilosophe" album from 2003 including 7 bonus tracks from the cult "View" EP from 2006. Pressed on translucent Red vinyl with a Gatefold jacket and printed inner sleeves.
Limited edition of 150!
Vintersorg returns with their long-awaited new album “Vattenkrafternas Spel”! Merging old and new with a captivating mix of athmospheric Metal and Folk!
Sweden’s elemental force Vintersorg returns with their new album “Vattenkrafternas Spel”! “Vattenkrafternas Spel” merging old and new with a captivating mix of atmospheric Black Metal and Folk! It doesn’t just retrace old steps... it digs deeper! This is not the “let’s drink ale in the woods” version of Folk Metal,Vintersorg deals in frostbitten grandeur and soaring melancholy.
As always, Andreas Hedlund (aka mr. Vintersorg himself) leads the charge, balancing razor-edged riffing with layered clean vocals, icy shrieks, and a knack for songwriting that’s as cinematic as it
ispunishing. There’s no scientific concept this time around, no tangled progressive detours, just full immersion in atmosphere, feeling, and elemental force. Call it Folk Metal, call it Black Metal, call it Vintersorg at full power!
(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)
"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).
It is limited to 100 copies and includes:
- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate
180g red smoke vinyl edition
Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.
The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.
Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.
Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.
From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.
The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
