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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
After the success and lasting impact of their debut 2022 full-length, Where the Shadows Adorn, Indianapolis melodic death-doom purveyors Mother of Graves return to the surface with a new and prolific dose of melancholy.
The Periapt of Absence, set to be unleashed by the esteemed Profound Lore Records, serves as a testament to Mother of Graves' evolutionary journey and steadfast dedication to crafting their profoundly personal and enthralling rendition of death-doom metal.
Highlighted by Brandon Howe's soul crushing and poetic vocals, this offering transcends boundaries, delving even deeper into realms of melancholy and introspection than their past offerings. The album expands on Mother of Graves' engrossing atmospheres, crushing passages that shine light on their death metal roots, monumental hooks, and melodies that will resonate for years to come. The crushing production, provided by the band's Ben Sandman with dynamic mastering by the legend Dan Swanö, amplifies the monumental rhythm section anchored by Don Curtis on drums and Corey Clark on bass, while illuminating the intricate guitar harmonies skillfully woven by guitarists Sandman and Chris Morrison.
The Periapt of Absence is without a doubt their most in depth and significant material to date. Each song provides a poignant exploration of the human experience, where moments of despair are illuminated by glimmers of hope and fleeting beauty. Through eight cathartic tales of heartache, love, and loss, Mother of Graves beckons you to delve deep into the recesses of their dark and gloomy world.
Known as one of the founding fathers of the American death/funeral doom metal scene, New Jersey’s EVOKEN have been a long-standing pillar over the band’s 25 year pillage. Their new full-length album “Hypnagogia” is the band’s sixth LP, their first in six years since their landmark “Atra Mors” album, and is a towering monolith that develops and redefines the band’s sound that will only strengthen their position within the death/doom metal hierarchy where EVOKEN have always reigned.
June 14th will see the release of the new BALWEZO WESTIJIZ album “Tower Of Famine”. Featuring prolific multi-instrumentalist Swartadauþuz (Bekëth Nexëhmü, Trolldom, Gardsghastr, Ancient Records etc.) and vocalist Lik (Bekëth Nexëhmü), BALWEZO WESTIJIZ began as a ritualistic dark ambient project but has now transmuted into a towering black metal force. “Tower Of Famine” is comprised of nine tracks of somber, monumental, and melancholic black metal dread.
Eroded Coridors of Unbeing’ is a unique and claustrophobic voyage, cavernous yet full of clarity. Here, SPECTRAL VOICE is the sound of one’s soul going further down the abyss…and they’re taking you with them.
where UNHOLY’s trippiest moments join INCANTATION for a dance around the fire, The opening blast beat sequence in ‘Lurking Gloom’ on the top of bleak arpeggios will fire up most dISEMBOWELMENT freaks
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“Hypnagogia” is an expression of doom metal artistry where the listener will bear witness how EVOKEN can create a new and even more daring expression with a monument that will be recognized as a landmark. This tends to happen regardless with every EVOKEN release, but “Hypnagogia” sees the band expand their musical dynamics even more through the meticulous care and discrimination of the band’s song writing process, “Hypnagogia” being a listening experience through a multitude of varying yet flourishing emotions.
For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”
While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.
The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.
Reissue 2024- "The Flenser is proud to unleash this new pressing of a classic moment in contemporary US doom history. Artwork by the band’s own Adrian Guerra (R.I.P.) presented with an updated layout and in a more sustainable package than the initial pressing."
