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Re-issue, 300 copies in beer vinyl 12'LP 180g. Gatefold cover, 350g with gloss lamination, all assembled in a PVC overbag.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Finnish black metal is an acquired taste. It's chaotic, noisy and pure evil.

This is a more mature release musically. The song structures have come a long way since Satanic Black Devotion, but still maintain everything this band is known for. There is definitely more of the signature intertwining guitar work, that weaves in and out amongst the chaos of the drums and ghastly vocals. It's that guitar work that takes the listener for an emotional roller coaster, especially on songs like "Burning Voice of Adoration", which has the ability to stir up absolute sadness and sorrow.

As for production, the formula is still the same. Turn everything up beyond reason and comprehension, almost to a breaking point. Seriously, prolonged exposure to this will probably make your houseplants wilt and die.

Re-issue, 500x heavyweight marble milky clear with black 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, poster A2 full-color printed on 150g art-paper, jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Sargeist returns with an all-new entry into the black metal genre.
They take their sound and refine it into an unrelenting machine of darkness.
They keep all of their bass-lines that they're known for and amplify them into some of the best hearing in a long time. The guitar riffs are second to none. You seriously get the idea that Shatraug, Hoath Torog and Horns spent a lot of time sifting through different sounds and styles to try and find the best possible sound for this release. The drums, although sometimes a little too repetitive, sound top notch most of the time.
The band blends all these together to make some of the most melodic, dark and cold parts, to the most raw, brutal and intense parts.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

Re-issue, 500x marble milky clear/black 12" (140g) in a black poly-lined innersleeve, poster A2 black & white printed on 150g art-paper, gatefold cover black & white, printed on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.

“Coloured Funeral” is one of the most complex releases of early 90's death metal, certainly a cornerstone release for all fans, which needs more attention than it gets in time. It's a classic masterpiece without compromise that defines why old school death metal was unique and intelligent music.

Recorded and mixed by Colin Richardson in 1993, this album brings some of the best technical and slightly progressive death metal, with a clean and powerful production.
You find some progressive elements but it's a vicious and aggressive old school death metal gem.

This is intense brutality of the highest rank, a mind-blowing piece of real unholy Death Metal forever written in extreme metal history!

Re-issue, completely updated layout with a new mastering specially for vinyl.

100x beer/black galaxy 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, A2 poster, one-sided full-color printed on 150g art-paper, gatefold cover, full-color printed on 350g carton, all assembled in a plastic overbag.

Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. 2004's “Plague Angel” was the first release featuring current vocalist Mortuus (Funeral Mist, Triumphator) who played a pivotal role in MARDUK's reinvigoration after the departure of previous singer Legion. He brought a new level of vocal and lyrical intensity plus a frightening stage presence into the game catapulting the group to new heights. Now, it will finally be made available! Remastered by Patrick W. Engel.

Reprint, 500x white with black marble effect 12" (180g) in a black poly-lined innerbag, Printed insert on 250g, poster 60x60cm full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

 Originally released on April 14th, 2014, IMPALED NAZARENE 12th studio album VIGOROUS AND LIBERATING DEATH is now re-issue properly. Recorded at City Lights and S/Mental studios, mixed at Studio Fungus by Max Kostermaa who also did the band's previous album Road To The Octagon.

Vigorous And Liberating Death continues the band´s brutal legacy, featuring 13 brand new songs.

Cover artwork was done by Impaled Nazarene´s former bass player Taneli Jarva (who is known as a tattoo artist). Vigorous And Liberating Death was mastered at Finnvox Studio by Mika Jussila (Nightwish, Children Of Bodom).

Reprint, 200 x grimace purple 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, download card, A1 poster full-color on 150g art paper, gatefold jacket full-color on 350g, all assembled in a PVC overbag.

Black Vinyl

Seven years without a new studio album by long-running Swedish black metal act DARK FUNERAL was a tough time for its worldwide legions of fans, but finally in 2016, two decades after the release of the band's legendary debut album “The Secrets Of The Black Arts” a new aeon is about to begin. And, DARK FUNERAL's sixth studio album, “Where Shadows Forever Reign”, produced by Daniel Bergstrand (In Flames, Dimmu Borgir, Behemoth), actually refers back to the aforementioned first album in several ways: Firstly, it proudly comes along with stunning artwork by Necrolord (Dissection, Necrophobic, Emperor) just like “The Secrets…” back in ‘96, secondly, it also marks a debut of sorts as it is the first DARK FUNERAL opus with new vocalist Heljarmadr (Grá). His vitriolic snarl finds a perfect match in Lord Ahriman's trademark riffing, and shines on the intense opening track, which would not have felt out of place on 1998's “Vobiscum Satanas”, as well as on the slower epic, “As I Ascend”, the diverse “To Carve Another Wound”, or the grim finale “Where Shadows Forever Reign”. Rewarding their fans to the fullest with an incredibly strong new album burning with passion and determination, DARK FUNERAL shall celebrate a triumphant return...in the sign of the horns.

Reprint, 300x bloodred 12" (180g) in a black poly-lined innerbag, gatefold jacket, full-color on 350g, all assembled in a PVC overbag.