Back in stock

Clear Vinyl

"Thulêan Mysteries was made passively, in the sense that I never intended to make a new album; I just made music every now and then and at one point realized that I actually had enough to release it all on an album. When asked to do so I figured: why not? It was a good idea. The music is a little bit of this and a little bit of that, transcending any genre, and perhaps belonging to many different genres. The intention with it was always to create a certain atmosphere, often related to an idea or a situation. Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game). Hopefully you will get a sense of Thulê when you listen to this, like always with Burzum, ideally when on your own. I hope you will enjoy this soundtrack to Thulê, to Mother Nature and life itself" – Varg Vikernes

DELUXE DOUBLE 180 GRAM GATEFOLD BLACK VINYL EDITION OF BURZUMS 8TH ALBUM. LIMITED EDITION WHITE VINYL NOW SOLD OUT
It’s been 11 long years and now the world will finally see the return of Burzum. The highly anticipated new album is entitled Belus after the name of the ancient European solar deity of light and innocence. Belus is Burzums 8th studio album, and the sound and music of the new album can best be compared to the music of some of the old Burzum albums; in particular the ground breaking Hvis Lyset tar Oss and the atmospheric brilliances of Filosofem, only the ambient parts present on these albums has been almost completely left out on Belus. Belus is a hard hitting and melodic guitar driven album and will firmly keep Burzum at the helm of the metal / black metal scene and arguably his best album to date.
Burzum says of the new album and his style of music:
"My ambition with Belus is to create something I -- and hopefully others too -- can listen to for years and years to come without ever growing tired of it, and at the same time to share with my audience the experience of getting to know Belus, as he might have been perceived by the ancient Europeans. I am aware of the black metal association with the name Burzum, and I have no real and serious problem with that, but I personally see no reason to place Belus in any category. I think Belus musically transcends all existing categories, but if I have to choose one -- and for the sake of simplicity -- I will simply place it in the metal category".

"Outre" sees Portal take their adhering style of surreal demented bizarre death metal (although Portal really transcend such a term these days, especially in this day in age where most bands that pass as "death metal" present a feeble display, far from what true horrifying death metal should encompass) and take it to a much more disturbing paradigm, than was found on the band's monumental "Seepia" observation.
Overall, such an album as "Outre" will only alienate Portal even more from the so-called death metal scene of today. Were most musicians like to play it safe and typical in such a genre, where things become easy to comprehend, Portal merely transcend all boundaries and go much beyond into a realm where no other band in the genre dare step foot in (on a musical and lyrical sense).

The latest work of death metal psychosis from Australia... PORTAL's "Swarth" is the death metal release that invokes the end of the world and is Portal's most surreal, disturbing, and irregular offering to date. The approach to Portal's style of death metal has always tread the fine line between sheer madness and the intricately artful. Cinematic in scope, like a death metal interpretation of The Cabinet Of Dr. Cagliari or the death metal soundtrack to an ancient silent arthouse flick gone terribly awry, Portal have pretty much transcended the interpretation of what death metal should portray, and simply inverted and twisted it to no end. Even moreso on "Swarth".

"Seepia" is the debut album by PORTAL originally released in 2003. A vision of utter horror, 'Seepia' is perhaps one of the most unique and intimidating albums ever conceived. Depraved, artsy and morally-impaired, through a twisted mindfuck of oppressive histrionics and the class of classic avant-garde cinema, Portal portrays theatrical musical dementia through a death metal lens.

Hymns from the deep is an exploration of the dark depths of Moria from J.R.R. Tolkien’s venerated The Lord of the Rings. The lyrics are one long epic poem written by Myrddin Evans, based on the chapter 'The Bridge of Khazad Dum' from The Fellowship of the Ring. This spans across the tracks of the album which musically draws influence from funeral doom, death metal, black metal and dark ambient. All music and instrumental performances come from Daniel Scrivener with Matthew Surry channeling the voice of the Balrog to complete the project. This is cavernous and foreboding funeral doom that is highly recommended to fans of EVOKEN, THE RUINS OF BEVERAST, ESOTERIC.

An immense compilation spanning over 2 hours and originally released by Tabu Recordings on CD in 2004. "Valfar, Ein Windir'' was released to honour Valfar's unfortunate passing in early 2004 and features covers, live recordings, unreleased tracks and re-recordings.

Deathheadz is honoured to bring this monumental collection of songs out of the darkness and into the light for one more time on Double CD format housed in a printed Slipcase.

jewelcase / 2001 edition

Helheim, one of the founding pioneers of the Norwegian viking metal genre, are ready to release their 12th studio album “HrabnaR / Ad vesa”. On this record, Helheim has made a split album with themselves. For the first time, the main songwriters V'gandr and H'grimnir have divided the album in two, where they solely take care of the vocals on the part they represent musically. This has resulted in two very different expressions - not uncommon for this band, but never as clearly as here. The first half, “Hrabnar”, contains four stand-alone songs written by H’grimnir. The second part, “Ad vesa”, is about the four components in Norse mythology that we know collectively as the human soul. In pre-Christian Norway, the concept of the soul was not a singular, unified entity, but a composite of many elements, of which the four key components were Fylgja, Hamr, Hugr, and Hamingja. Founded in 1992, Helheim are known and renowned all over the world for their authenticity and integrity when it comes to portraying their Norse heritage. Constantly growing and evolving, and staying clear of musical trends and fads, they’ve carved their own way for more than 30 years.