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Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel.

Re-issue, 384x black 12" (180g) in a black poly-lined innerbag, BOOKLET: 16pp., full-color on 180g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

Info : This is a pre-order! Orders cannot be split into several shipments. It will be dispatched when the item with the latest release date is available.

After four quite different sounding albums as a duo, the Trondheim- based black metal band Gjendød has now returned with their 5th full-length.

It comes as no surprise that ‘Livskramper' also follows that path of constant changes, this time a ninety degrees turn, very well helped by the new drummer TK, who's most listened previous work might be the ‘Trøndertun'-session by Thorns. TK is another injection of mad supremacy into the spine of the band.

A fine and varied Black Metal album which includes a spectrum of feelings, from sheer passiveness to outraged despair, every second of the album is a life cramp.

All draped in the crushing sound recorded in the infamous NordStern studios.
A narcissistic scolding album of life, aggressively roared and whispered in dialect.

GJENDØD's brand new masterpiece ‘Livskramper' is a more than worthy beginning of the band's second era.
With artwork by Theodor Kittelsen.

300x heavyweight bloodred vinyl 12" (180g) in a microtene innerbag, innersleeve full-color on 220g carton (coated paper), download card, simple jacket, full-color printed on 350g (coated paper), all assembled in a plastic overbag

Reprint, 500x ice clear black 12" (180g) in a black poly-lined innerbag, poster 60x60mm, gatefold jacket with black flood inside, 350g, all assembled in a pvc overbag.

200x 180g, White vinyl edition with an innersleeve and a gatefold jacket.

Info : Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel comes on 180 gram vinyl in a Gatefold sleeve and will also include a 16-page LP booklet. The CDs will be released as a limited jewelcase.

Re-issue, jewelcase edition with 32 page booklet.

Re-issue with the original artwork, new layout.

Sweden's legendary death metal kings GRAVE "Endless Procession Of Souls": their savage, brutal and crushing studio album !

It hits like a ton of bricks thanks to its relentless speed, crushing groove, and unexpectedly rich clarity!

After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. 

Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.

Info : Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL's second album, Vobiscum Satanas, consolidated the strengths of the band's classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike