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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
After a debut album that raised the attention of a nowadays crowded underground, the ambitious project from Italy now evokes their occult
essence and makes it flow into their highly anticipated comeback.
Moving from the European inspired Black Metal but inoculating on the same their peculiar Indo-Sumerian nostalgia, like an ancient cry in a
trembling scenario of shadows, Digir Gidim takes their visual and audial dimension to a more mature and intrinsic merging.
Supported by the usual majestic artwork created by Luciana Nedelea (Mare Cognitum, Fuath, Ghost Bath…), the music flows and takes us to our
most insane and struggling times, as primordial energies make the earth tremble.
Words as atmospheric and occult can in some way provide some anchors to the media but cannot fully describe the treasure trove of different
feelings and evocative emotions that create this sublime conflict.
Making some comparisons to the debut, Digir Gidim’s threatening, unsystematic and mostly disharmonic ritual absorbs huge waves of sadness and
bursting majesty, like perfectly represented on the album cover, opening a wider horizon of emotions and journeys through cold lands of non-existence.
It’s a voyage with no return, where chosen souls reach the Passage to Divination, a path through the silence of oceans and deserts, detaching themselves from humanity,
assuming transparency and the celestial shimmering moving to the ultimate sacrifice, surrendering to the merciless embrace of the Supreme Regulator
Hailing from Reykjavík, Iceland is where Dauðaró’s journey begins, a place where the earth gets black and a burning pathos annihilates any hope.
It’s a descent to Lovecraftian fields, where atmospheric
noisy echoes merge with funeral doom and black metal for a multi layered
experience.
Let yourself be guided into the unknown:
“Nýir Heimar” will draw your essence to the world beyond.
Linguas Diaboli è un numero speciale di Sulphur Fanzine, stampato professionalmente ed interamente dedicato a quelle realtà Black Metal italiane (e non) che cantano nel proprio dialetto o in lingua autoctona. Tante interviste ed articoli, come sempre, tra cui IMAGO MORTIS, MALARIUM, TRINAKRIA, VULTUR, ILIENSES e molti altri
IN LINGUA ITALIANA
Numero speciale di Sulphur: una monografia di 30 pagine di STORMLORD
IN LINGUA ITALIANA
IN LINGUA INGLESE
Fire Walk With Us was perceived, composed and performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 2000 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)
Meraviglioso debutto per questa band Doom Death made in Sweden:
Armonie cesellate con epica cura e furente passione si susseguono in un crescendo emozionale da cardiopalmo.
Inspired by the frost-bitten regions of Québec, the title of Cantique Lépreux’s second full-length directly translates to “polar landscapes,” exploring a recurring theme of the icy wilderness which makes up the majority of the band’s homeland.
Musically, Paysages polaires continues the nostalgic path laid out with the frosty, archaic tunes from the band’s debut album as the record carves itself into another 45-minutes of darkness, misery and gloom. Cold black metal for the ages, Paysages polaires’ stirring anthems – with a sharper and more direct songwriting approach – lead the way throughout the sophomore album’s seven hypothermic tracks.
Based on fast and atmospheric black metal, Paysages polaires balances between beautiful and harsh dirges in combination with the conceptual middle trifold of songs based around the North American winter. The passionate Québécois carry a secret fire of stellar splendor as Cantique Lépreux reveals a wild black metal monument set in ice and stone. "
Created in 2014, Cantique Lépreux feeds on Black Metal from all eras, reveling in its essence. Inspired by the wilderness of Québec, the Occult, death, and fear, Cantique Lépreux creates music that is at times grim, at other times melancholic; a work born of passion, paying homage to the legends of Black Metal.
Hailing from a scene that seems to endure as an archaic artefact of a genre that was extensively shaped by the early Scandinavian scene, Cantique Lépreux makes its public debut with 'Cendres Célestes'. While treading familiar ground, they unearth and truly encapsulate everything about their vision and are proof that there could not be a more suitable place than Québec to shape such glacier-cold and mournful hymns.
On their third full-length album, "Es grauet", Ungfell abducts listeners on a sonic journey detailing moral ambivalence and treachery. Set in a seemingly idyllic rural village in pre-modern times, all is not as it seems. Tragedy strikes the town in the form of a horrific, grisly murder. Unfounded accusations lead the town further astray, while these occurences of debauchery exceed the comprehension of the local inhabitants. Alas, evil lurks where you may least expect it... The story unfolds, accompanied by ravaging riffs and gripping songwriting that appropriately underline the complex, yet harrowing narrative. "Es grauet" shows Ungfell at their most ambitious and most audacious, featuring incredibly dynamic and warm production values, emphasizing atmosphere even more than previous releases and managing to compliment the story being told.
