Back in stock

1. 666 (Hohelied der Wiedererweckung) 07:01
2. Thy Horror 04:04
3. Raped by Demons/Massacrament 04:31 [
4. The Black Grail 05:18
5. Lunar Castles (Harvest) 05:16
6. Nazarene (Into the Flame) 05:53

REISSUE ON THEIR NEW LABEL OSMOSE

'We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.

Jewel case edition, 12 page booklet on 135g art paper, sealed.

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

Fellwarden was a concept forged by The Watcher (Fen, De Arma) back in 2014 to give voice to an epic, exultant form of black metal that nonetheless carries with it echoes of deep lamentation and remembrance. The Watcher’s goal was simple – to tell tales of sacrifice, of long-forgotten heroism and the rearing timelessness of the storm-forged landscape against a backdrop of windswept extreme metal. Fellwarden’s sound is steeped passionate vocals, subtle waves of keyboards, acoustic guitars, booming choirs and powerful riffs, underpinned by a cavernous percussive battery courtesy of Havenless (also of Fen).

Comes in a 6 panel digipak with matt varnish and metallic prints, with artwork from Adam Allain (Fen) and layout by IK (House of Inkantation).

After a period of smoldering dormancy Vanum reappears, blazing and alive, with their third full length album, Legend. Continuing the triumphant march of previous works, but raising the stakes even higher, Legend finds Vanum both expanding and refining their approach, and in turn delivering their most fully realized recording to date.

6-panel Digipak with golden hotfoil embossing, plus 24x24 cm fold-out poster booklet. Also includes a designed download card for the digital album.

"Wreathed in Mourncloud" is inspired by countless wanderings amongst the crags and fells of England’s Lake District, howls defiance, regret and remembrance to the bitter grey skies. The Watcher has spent the best part of three years painstakingly crafting the material that not only matches the power of its predecessor but takes every aspect of Fellwarden’s sound to the next level.