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Back in stock - Extreme Metal and Dark music
The pale light that shines in a kingdom of darkness could be just another deadly lure...
After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.
Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.
With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.
THERIOMORPH is the ghost of what once was CORNIGR, a project by many considered as one of Terratur Possessions definitive highlights.
As CORNIGR was laid to rest, P.E. Packain(aka Vainaya) wanted to explore wider musical grounds when the highly recommended ADAESTUO project suddenly arose. A platform for exploring suddenly emerged and much of the originally planned THERIOMORPH material was used. The urge to make something new on his own grew once again and THERIOMORPH is a project largely based off ideas dating back to before CORNIGR's Funereal Harvest. Diabolical Bloodswords is an absolute accomplishment, an amazing feast from start to finish, an unique Black Metal album which never leaves the roots of the genre.
Endstille’s Kapitulation 2013 is a blistering statement of defiance, delivering a ferocious blend of relentless riffs, pounding drums, and sheer sonic violence. From start to finish, the album radiates unrelenting aggression, staying true to the band’s raw and uncompromising black metal roots.
Tracks like “Aborted” and “The Refined Nation” hit with devastating force, combining furious tremolo-picking guitars and relentless blast beats that feel like an unstoppable war machine marching forward. The production is sharp yet retains just the right amount of rawness, giving the music an authentic and hostile edge.
Vocalist Zingultus commands the soundscape with a venomous intensity, spitting each lyric with wrathful precision. The album’s bleak atmosphere is palpable, immersing the listener in a sonic assault that feels both chaotic and meticulously controlled. Kapitulation 2013 isn’t just an album – it’s a battlefield, a relentless barrage that refuses to compromise. For die-hard black metal fans, this record stands as a bold and powerful testament to Endstille’s unwavering dedication to the genre.
Prepare for total sonic annihilation.
This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.
300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.
Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl.
Grift’s fourth studio album, “Dolt land” (‘Hidden land’), is a profound exploration of humankind’s bond with nature. With folkloric sounds and heartfelt lyrics, the multidisciplinary Swedish music project takes listeners on a journey into the heart of the wild.
“Dolt land” diverges from the more metal-oriented “Budet” (2020); instead, it continues the acoustic approach of the EPs “Vilsna andars boning” (2018) and “Vilsna andars utmark” (2022). Like the aforementioned two seven-inches, “Dolt land” pays homage to Kinnekulle - a mountain whose nature, legends, and traditions have served as Grift’s main source of inspiration since the project’s conception in 2011.Erik plays all the instruments himself - including acoustic guitar, melodica, glockenspiel, analogue synth, and percussion - and has also sampled nature sounds to create a truly immersive listening experience. Soothing and stirring, yet still feral and untamed; Grift’s evocative music will resonate with fans of Sangre de Muerdago, Anna von Hausswolff, and Nebelung.
First time ever on vinyl, gatefold cover, limited edition silver vinyl.
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8th studio album from this legendary Spanish Death Metal band. Despite their big change in line-up, they sound better, more brutal, heavier and intense than ever!! 100% AVULSED, a stunning album!!
1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.
