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Back in stock - Extreme Metal and Dark music
The band's odd choice of the moniker REVERIE speaks volumes about their singular, idiosyncratic songcraft, and the title Bliss even more so. Far from "tech" death metal and yet also realms removed from "epic metal" cliche, the nine songs across Bliss burst into being and then billow into myriad, mesmerizing shapes.
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Like a sledgehammer in the dark, OUTRE delivered a vicious blow to the unsuspecting in 2015 with their relentless and punishing debut record, “Ghost Chants”.
As the sun begins to set on 2018, smoldering fires reignite, old wounds open anew, and OUTRE return with their sophomore effort, “Hollow Earth”. Pushing the envelope on an already polished and tight sound, “Hollow Earth” sees the band continue to refine their craft, effortlessly weaving blasting black metal dissonance with guttural, down tuned death metal savagery and sludge-like grooves. Ghostly synths and ethereal clean vocals spiral into this blackened vortex, lending their distant cries to a haunting and cavernous atmosphere.
A blade to the heart of all things beautiful, “Hollow Earth” brooks no illusions of hope, and is nothing less than a writhing and hideous abomination of a record.
CD with bonus track "The Swansong of My Heart" (demo version) in Digipak with 12-page booklet
Season of Mist is now reissuing FUNERAL’s ‘To Mourn Is a Virtue,’ which was originally released in 2011.
This release is the missing link between the band’s seminal albums, ‘Tragedies’ (1995) and ‘In Fields of Pestilent Grief’ (2002).
This compilation album contains a wealth of unreleased demo-recordings as well as nine rare tracks that had been recorded between 1996 and 2004 and remastered in 2010.
For fans of EVOKEN, AHAB, MOURNING BELOVETH.
Artwork by William-Adophe Bougereau - "Le premier deuil" (1888).
Comdemned to Suffer was recorded in Croydon UK and mixed by London-based Tide Music Studios. This is our 3rd album, the most personal so far, as no guest musicians participated during recording and lyrics are more mature and complex, mostly reflecting different struggles that we’ve overcomed in the past 5 years as a band. In the melodic death metal genre, we like to add black metal elements to the mix as well to make the music sound a bit darker and intense. We’ve been influenced mostly by death metal pioneers from 90’s but there are also modern elements in our music. We were influenced by the bands like The Carcass, At the Gates and Dissection, so our music can be described as ‘similar’ to these bands with a pinch of modern elements on top. We put great emphasis on this album and worked really hard to make it sound profound and we believe this is the most mature album that we’ve released so far.
In the vein of AT THE GATES, DISSECTION & CARCASS
