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Back in stock - Extreme Metal and Dark music
The band's odd choice of the moniker REVERIE speaks volumes about their singular, idiosyncratic songcraft, and the title Bliss even more so. Far from "tech" death metal and yet also realms removed from "epic metal" cliche, the nine songs across Bliss burst into being and then billow into myriad, mesmerizing shapes.
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Like a sledgehammer in the dark, OUTRE delivered a vicious blow to the unsuspecting in 2015 with their relentless and punishing debut record, “Ghost Chants”.
As the sun begins to set on 2018, smoldering fires reignite, old wounds open anew, and OUTRE return with their sophomore effort, “Hollow Earth”. Pushing the envelope on an already polished and tight sound, “Hollow Earth” sees the band continue to refine their craft, effortlessly weaving blasting black metal dissonance with guttural, down tuned death metal savagery and sludge-like grooves. Ghostly synths and ethereal clean vocals spiral into this blackened vortex, lending their distant cries to a haunting and cavernous atmosphere.
A blade to the heart of all things beautiful, “Hollow Earth” brooks no illusions of hope, and is nothing less than a writhing and hideous abomination of a record.
CD with bonus track "The Swansong of My Heart" (demo version) in Digipak with 12-page booklet
Season of Mist is now reissuing FUNERAL’s ‘To Mourn Is a Virtue,’ which was originally released in 2011.
This release is the missing link between the band’s seminal albums, ‘Tragedies’ (1995) and ‘In Fields of Pestilent Grief’ (2002).
This compilation album contains a wealth of unreleased demo-recordings as well as nine rare tracks that had been recorded between 1996 and 2004 and remastered in 2010.
For fans of EVOKEN, AHAB, MOURNING BELOVETH.
Artwork by William-Adophe Bougereau - "Le premier deuil" (1888).
Kommandant took their first steps into the Black Metal playground whilst the western world was retreating into a deep slumber. We can now either decide to face reality; a call to arms, or remain in such a state of impotence.
Kommandant brings forth the inferno; an enlightenment and awareness that is both clandestine, and apparent simultaneously . Ancient phantograms, echoing both the struggle of the past and the actuality of the present, make their fog of war pervasive to all the stagnant relics that hinder advancement. Audibly , this is by far the most staggering version of the Kommandant weaponry. Blunt force trauma, striking hard and fast, for maximum effect.
The soldiers marching in the fog are obedient vessels, actuated by a primordial magnetic impulse. While listening to “Titan hammer” it can immediately be perceived as an imminent tragedy , a mere lingering spectre, devouring any remaining glimmer or aspirations. Once fully emerging from this acrid slurry, the miasma will succeed in trapping the listener within the entrails of atavistic phantoms.
References can be made somehow to nefarious acts like War, Marduk & Zyklon-B. Within a scene that is severely overpolluted by disingenuous bedroom projects , Kommandant takes a step to the front with mature songwriting and a professional studio recording shaped in Belle City Sound Company studio, located in Racine, WI.
The artwork and layout is perfectly emphasized once again with the creative genius of artist Francesco Gemelli ( Abigor, Katatonia. Kvist, Darkspace, Spectral Lore ..)
“Titan Hammer” will march and progress deeper and deeper into the battlefield of humanity , like a dagger to the heart of the world.
