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Back in stock - Extreme Metal and Dark music
Fourth press: "black on beer color" vinyl, galaxy effect
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
Gatefold cover with A4 sized book insert
Double vinyl in two colors options: smoke gold/black on clear-vinyl (100) or black (200)
(This version: GOLD-BLACK MARBLE)
A5-sized digipak with extended booklet, printed on offset paper
Apokryphon is the new project by Zorgh, Darkspace founding member and bassist. This new band has nothing to do with Darkspace, hence it would be inappropriate to make any kind of comparison between the two. Quite the opposite, after twenty years crafting a certain kind of music (and a certain kind of black metal), the Bern-based musician wanted to explore something different, and this is why you should expect a totally distant approach to both themes and sounds. The multi-instrumentalist even chose a new alias for herself, here going by the name of Ophis.
We asked Ophis herself to express her thoughts about this new adventure she embarked on, which you can read hereunder: Apokryphon literally means "hidden" or "dark" and refers to the apocrypha, old esoteric scriptures written by a variety of people that were either actively hidden or controversial and therefore excluded from public viewing or biblical content, for example. Many of them were found to be heretical, some were related to gnosticism. Many of them were written in the geographical area of the Middle East about 2000 years ago. ”Subterra" thematically relates to themes treated in the apocrypha. Musically, it is rooted in black metal, decorated with oriental spices. It is an expression of my own personal and musical identity and themes that touch me generally. I have chosen to liberally interpret both apocryphal texts and black metal in my very own way. And with "Djinn" I have found the perfect voice to interpret most of the vocal aspects.
After more than a decade of cooperation, at Avantgarde Music we have the utmost respect for the Swiss trio, and when one of the few women in the black metal world expressed her wish to produce an (almost) solo album we knew we wanted to give her our full support before even hearing a single note. Once we had Subterra in our hands, we were but proven right.
We hope you’ll find Apokryphon as interesteing as fascinating as we did. Subterra is scheduled for release on the 14th of February, 2020.
Montreal extreme metallers CRYPTOPSY will release their new EP, "The Book Of Suffering Tome 1",
It has been three years since CRYPTOPSY's last release and many fans have expressed their eagerness to hear new material. ?This time, rather than a full album, CRYPTOPSY will release a series of EPs titled "The Book Of Suffering".
Ascolta su YouTube
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
