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Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

In 2007, on the shores of Sardinia, Italy, Lord Goblin (vocals) and Antares (bass guitar) teamed up, bonding over their mutual love for classic Heavy Metal and the darker vibes of old school Black Metal and Epic Metal. Inspired by acts like Primordial, Doomsword, Immortal and Darkthrone, they set out to forge their own sound, weathering line-up changes and a lack of live gigs with unwavering determination. Upon moving to the UK in 2014, they found stability with guitarist Mornar and drummer Athanor F.D.H. In 2016, they recorded "Path of Glory," a digital single showcasing their unique perspective, featuring their original track and a rearranged version of Iron Maiden's "Quest for Fire." In 2021, they triumphed over obstacles with the release of "The Ordeal", an EP encapsulating their journey. Notably, three of the four song lyrics were penned by Jason Ray Forbus. March 2024 marked a significant milestone with the digital release of "Lord Goblin," the band's debut full-length album, that now is released on physical formats by No Remorse Records.

"Something wicked this way comes..." Los Angeles, USA, based Diamonds Hadder, fronted by singer and creator John Evermore, has signed a deal with No Remorse Records for the physical release of their debut record called "Beyond the Breakers" (you can listen to it on all the standard digital platforms including Spotify and Apple Music). The record was recorded in an old abandoned paint factory on the east side of LA. Created in the aftermath of a wildfire and a premonition, "Beyond the Breakers" has a classic heavy metal sound reminiscent of early bands like Rainbow, Dio, Savatage and Queensrÿche. It started as a dream of a man named Mr. Evermore and documents the trials and tribulations of a life lost, followed by grief, hope and the ultimate survival of the human spirit as well as a possession of sorts and the arrival of a man named Johnathan Hadder. It’s a classic metal tale of how tragic events may bring redemption and salvation through music and how a premonition became reality and a dream prophetic.

Either intentionally or unwittingly this is a band experimenting with extremes. Formed in 1985 when Thatcherism swooped over England and scalped the North East, Hellbastard admit to being ‘’too metal for punk, too punk for metal’’, instead coining the term ‘’crust’’ as a way to feel at peace within themselves whilst simultaneously starting a sonic war that shocked the nerves into spools of frayed tape. With Malcolm ‘’Scruff’’ Lewty on guitar and vocals, Ian ‘’Scotty’’ Scott on bass and vocals and Phil Laidlow on drums, it was all captured with their classic Ripper Crust Demo debut release in 86’. But really, it's all encapsulated right here with this reissue also containing the follow-up demo-lition from ‘87 - Hate Militia.   Both are perfect ways to establish the nightmarish worlds, of death camps and dark sides, that wildly writhe within his group’s menacing worldview.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike.

400x heavyweight orange crush 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, gatefold jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 4 page booklet 145g in a jewel case, sealed.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (transparent bloodred/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Grim Nihlistic Black Metal. This is a cold as death, Black Metal masterpiece!! Featuring members of HORNA & BEHEXEN, this is the Finnish BM supergroup! Perhaps the coldest release since DARKTHRONE's "Under A Funeral Moon"!

The riffing is fast, melodic, and in pure Finnish/Norwegian black metal roots heritage.

The band's melodic quality shines best in the track ‘Sargeist' on this album. It's absolutely heart wrenching. Dripping with anger and emotion. Regret, sorrow, hatred, ready to end it all. No Funeral. This is the real fucking deal.

Sargeist does a brilliant job breaking from blast-beats into a head banging steady rhythm that keeps me tapping my boot through the song at different rhythmically timed formations. It's in many ways traditional shit, done better than most groups out there.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight bloodred with black marble 12" (180g) in a microtene innerbag, printed innersleeve, black & white on 220g carton, poster 2pp, black & white, 280x430mm, 150g art-paper, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.