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500x marble (grimace purple/black) 2x12" (140g) in black poly-lined innersleeves, gatefold jacket printed on 350g carton, coated paper, all assembled in a plastic overbag.

Reprint, 500x marble (transparent red/black) 12" (140g) in a black poly-lined innerbag, gatefold jacket, printed on 350g carton, coated paper, all assembled in a plastic overbag.

Remains of a ruined dead cursed soul, The original album was called "Evil, the gestalt of abomination" and was supposed to be released in 1992. Due to label issues it finally saw the light in 1999 with the actual tittle... Rough and not perfectly executed, it represents the really start of Mutiilation.

Reprint, 500x marble (transparent red/black) 12" (140g) in a black poly-lined innersleeve, gatefold jacket printed on 350g carton, coated paper, all assembled in a plastic overbag.
 

From the frost-shrouded crypts of eternity emerges Black Funeral's unholy testament, "Vampyr Throne of the Beast" - a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album's frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production's deliberate coldness preserves the necromantic essence - each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
"Vampyr Throne of the Beast" stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe's darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

Re-issue with a complete updated layout and new mastering.

300x heavyweight bloodred 12" (180g) in a black poly-lined innersleeve, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Reprint, 700x black vinyl 180g in a black poly-lined innerbag, gatefold, full-color, black flood inside on 350g with gloss lamination, all assembled in a PVC overbag.

Supplying the original DAT tape by Proscriptor himself, this majestic edition of cult, mid–90's mythological occult metal has been newly mastered for LP & CD. Proscriptor quotes in regards to the new master's sound: "Now, the entire album is nothing more than spellbinding and bludgeoning, as our second full–length conquest has never sounded ANY better!” The companion album features an alternate 2012 stereo mix from the original recordings, which presents the album within a broader, dynamic spectrum.

Double LP  includes extensive liner notes, artwork and a comprehensive essay regarding Absu's logo evolution. The special Gatefold LP includes two full–color posters.

ONLY ONE RUN OF: 500x heavyweight black 2x12" (180g) in microtenne innerbags, 2 printed innersleeves full-color on 220g carton, 2 posters A2, full-color on 150g art paper, gatefold jacket full-color with silver lamination printed on 350g carton with glossy varnish, all assembled in a plastic overbag.

Re-issue, 250x orange crush with black marble effect 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g with UV partial lacquer, all assembled in a PVC overbag.
 

The debut album from Belial on Austria's Lethal Records is, without question, one of the heaviest Black/Death Metal albums I have ever heard. It starts off with a creepy little intro, then smashes into a re-recorded version of, in my opinion, Belial's signature track, "The Invocation." This version is much heavier and darker then the one that appeared on their "Gods of the Pit" demo, as Belial added more spoken word interludes and hoarse whispering to the mix. After this, Belial rips through 20 minutes of some of the most intense music in the history of the underground scene. This album just rages along at a breakneck pace, and doesn't let up fast enough for you to catch your breath. My only small complaint is the length of this album, but that is minor in comparison to what Belial does with the little time they have here.
On a side note, this release featured 2 different covers for some reason. The original (which I have, and which is the rarer of the 2) was a rather cheap looking, almost xerox'ed scene of a mountain landscape in the woods, with a black moon hovering in the sky, in black and white, with some blue here and there, and the band's logo in blue in the upper left hand corner, and the album title in the lower right hand corner. The second cover was the hand holding whatever that is in the photo, with the album title in white in the upper right hand corner, and the band logo in red in the lower right hand corner. I have no idea why this was done, other then perhaps only a limited number of copies had the original artwork.
This album has been long out of print, thanks to the thieving bastards that ran Lethal Records. However, I have seen 1 or 2 distros still carrying it (with the second cover artwork), and I'm sure there are a few traders out there with it as well. In any case, pick this up at all costs if you can.
 

500x heavyweight galaxy (mustard/black)

Originally released in the autumn of 2009, of DARK FUNERAL's fifth album, Angelus Exuro Pro Eternus, completes something of a trilogy with the predecessors Diabolis Interium (2001) and Attera Totus Sanctus (2005), in that they all featured the band's fastest and fiercest work yet along with suitably fiery cover artwork. However, that's not to say that Angelus Exuro Pro Eternus merely repeated past glories; in fact, DARK FUNERAL here exhibited a relatively adventurous grasp of dynamics to suit the more melancholic & romantic themes being explored here. More than that, some 15-plus years after their formation, their power and passion had not lessened one bit. Sadly, Angelus Exuro Pro Eternus was to be the final recorded performance of founding vocalist Emperor Magus Caligula.

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Angelus Exuro Pro Eternus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Reprint, 298x orange crush with black marble effect 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g, all assembled in a PVC overbag.

Re-issue, 300 copies in beer vinyl 12'LP 180g. Gatefold cover, 350g with gloss lamination, all assembled in a PVC overbag.

300x white with cyan blue marble