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Returning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

rning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

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Compared to the sheer brutality of ‘Angrep', ‘I utakt med verden' is quite the opposite.
If Angrep was the war, ‘I utakt med verden' is conceptually the time after a lost one, where we lick our wounds and count our dead. Slowed down.
Someone said that listening this album was like being trapped under water, and there was no chance to breathe air until the end of it.

Re-issue, 300x heavyweight white 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.