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Emerging from the boiling bowels of horrendous vomit and uncompromising gore… WE ARE BACK!!! This is our most faceted, dramatic, and filthiest work to date — a monstrous battle hymn for all you gore freaks out there!

"Every culture, every belief hides grotesque contradictions. Mondo Cane (1962) exposed this raw truth, unveiling cruelty, rituals, and the dark side of civilization. Ultimo Mondo Cane is our tribute — no escape, no trigger warnings. Face the horror or look away… but it won’t disappear."

Pure goregrind: relentless blast beats, vomit-drenched vocals, and crushing guitars. No gimmicks, no clownish nonsense… just 100% raw, putrid brutality in your face.

We founded Golem Of Gore back in 2017 when Riki (Grumo) and Davide (Indecent Excision) joined forces with one clear mission: play 100% uncompromising goregrind shit. No filters, just pure sonic filth. Over time, Marco (Grumo, Logic Of Denial) and Enrico (Everfrost) completed this freakish unit devoted to extreme music.

Chicago's WOUNDS finally deliver their long awaited full length after a thunderous Ep that made heads turn. Mixing the best of the 2000' tech death tradition with some more recent nuances, "Ruin" will nail you to the chair from start to finish.

Wounds originally formed as “Wounds of Ruin’ on the outskirts of Chicago in 2006 when friends Rick Mora and Nate Burgard started writing material that would eventually evolve into the iteration of what Wounds is today. Shortly after beginning their journey playing shows as an instrumental band, Norman Hale joined on Vocals. Throughout the years the band has transformed and refined their sound through countless hours of honing their craft aiming to maintain a balance of complex melodies, gigantic grooves, and skull splattering riffs, an amalgamation of influences coming together to form a bone crushing and intricate sound. Wounds was on a long hiatus but returned to writing and playing in late 2016 adding Franco Caballero on Bass and finally releaseing their first EP “Light Eater” with Everlasting Spew Records on February 14th 2019.
After their debut release and fierce live appearances, Wounds started working on their first full length album, soon to be released with the title "Ruin" by Everlasting Spew Records on March 15th 2024.

Bear witness to 'Ascetic Reflection', the long awaited return of the Australian power-trio ALTARS. In eight tracks spanning 40 minutes, the group bends Death Metal to its will in new transcendental forms. An evolution that reflects and expands upon the sound established by the group's critically acclaimed debut 'Paramnesia'.

For fans of Ulcerate, Gorguts, Portal, Dead Congregation.

For fans of Dead Congregation, Krypts, Phrenelith, Engulfed, Altarage

From the primordial magma before the beginning of time come FOSSILIZATION. Obscure, vile and crushing Death Metal.

Fossilization is a death metal band formed in 2020. The duo featuring members of the sludge/death/doom metal band Jupiterian, V. (voices, guitars, bass) and P. (drums) started as an idea right after their european tour with Krypts, Father Befouled and Encoffination but since Jupiterian was still working on their last album, the project had to be delayed and it only turned to full time band after the striking of the plague.
Their 5 tracks debut EP, 'He Whose Name Was Long Forgotten' was recorded in their hometown, São Paulo - Brazil and mixed by Otso Ukkonen (Krypts).

Reissue of the band's third release from 1996. Collector's Edition in 4-panel digipack, limited to 500 copies.

 Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.

2024 Reissue in digipak with completely reworked booklet!

(estratto recensione metalitalia.com)

A differenza di altri misteriosi figuri che oggi popolano le tenebre dell’underground black/death, Lalartu continua a conciliare la suddetta immagine incappucciata con un suono che, per quanto complesso, stratificato e ultraterreno, si guarda bene dallo scadere in forme onanistiche di eccentricità e sperimentazione (basti pensare alla recente prova degli Ævangelist). Musica che si è nutrita abbondantemente delle peggiori nefandezze del catalogo Iron Bonehead e Norma Evangelium Diaboli da un lato e di certi titani degli anni Novanta dall’altro, per un risultato complessivo che, sul filo di una gestualità rituale e contraddittoria, sembra volerci traghettare oltre il nostro spazio-tempo.
Così com’era stato per l’esordio “Kadingir”, anche “ITIMA” si configura quindi come un viaggio, un’opera da assimilare nelle giuste condizioni per riuscire a carpirne il linguaggio espressivo e non smarrirsi nel suo reticolo di pieni/vuoti sensoriali, con i primi dati da esplosioni di blasfemia non troppo distanti da quelle di Wrathprayer, Teitanblood o Beyond e i secondi a manifestarsi grazie a parentesi ambient dal sapore etnico e siderale. Un flusso di coscienza (trattasi di un’unica suite della durata di poco superiore ai quarantacinque minuti) che ci mostra il Nostro camminare sull’orlo dell’Abisso per poi descriverne con dovizia di particolari il tuffo in quel maelstrom ribollente e terrificante, con i riff, le ritmiche e le voci a farsi via via sempre più deformi e votati al culto di antiche divinità che creano e distruggono la vita.

2004, like the early new millenium years, was in the middle of the
Black Metal crossroad between going back to the primordial grim roots
and moving to uncharted and unsurveyed territories.
This is where Absentia Lunae moved their first steps, a wolf pack, as
lyrical mastermind explained on this re-edtion booklet retrospective,
angered by the cowardly pacified western society where they grew up.
This juvenile fuel was obviously not merely drawn to shape their
intense form of brutal Black Metal but showing already some gleams of
unique form of dramatic and avantgardish impetus.

In an era where magazines and fanzines where still the most
influential form of knowledge the demo soon became a recurring
reference for the demo sections. Stuza Records from Ukraine ( the same
one released bands like Aosoth, Astrofaes, Sort Vokter…) released
the same on tape and some months later band printed the same on a 500
copies pro-cd, which soon became sold out.

Absentia Lunae’s most praised efforts like “In Umbrarum Imperii
Gloria” & “Historia Nobis Assentietur” always share the podium with
“Marching Upon Forgotten Ashes” on fan’s feelings.

It has been the band’s decision to maintain the feeling of the
original source , some quotes from the key points of the lyrics have
been added and an extensive retrospective from the singer Ildanach
about whole album concept and track by track details on core concept
and band birth.