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THERIOMORPH is the ghost of what once was CORNIGR, a project by many considered as one of Terratur Possessions definitive highlights.

As CORNIGR was laid to rest, P.E. Packain(aka Vainaya) wanted to explore wider musical grounds when the highly recommended ADAESTUO project suddenly arose. A platform for exploring suddenly emerged and much of the originally planned THERIOMORPH material was used. The urge to make something new on his own grew once again and THERIOMORPH is a project largely based off ideas dating back to before CORNIGR's  Funereal Harvest. Diabolical Bloodswords is an absolute accomplishment, an amazing feast from start to finish, an unique Black Metal album which never leaves the roots of the genre.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!

OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.

Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.

Snowland" is the very first chapter of Sorcier Des Glaces, the spark that made the original flame grow. This first draft was certainly very raw, tinged with innocence and spontaneity.
A blizzard had just broken out, in the eternal winter that had just set in.

Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night's throne.

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

300x heavyweight marble white/black 12" (180g) in a microthene innerbag, printed innersleeve, black & white on 220g carton, download card, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers. Unlike the band's previous two releases, Tara is a concept album that principally deals with the harmony of strife, immortality, puissance and tyranny. It was immediately conceived after their 1998 release of In The Eyes Of Ioldánach when drummer/vocalist Proscriptor's frustration grew with the sinking intelligence in the extreme metal world – it was his calling to fully educate his audience. Therefore, the album features a lexicon (glossary) insert of pensive occult systems and mythological notations – to assist the listener with an enlightened, more comprehensive understanding. As always, Kris Verwimp infuses the gatefold with three sensational illustrations. (Full-color poster included).

Reprint, 500x clear black ice vinyl 2x12" (180g) in black poly-lined innerbags, printed insert on 220g, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

 "Depravation" recorded in analog system. Old reel tapes in the city of lima- country: Peru, South America. Now again in CD/LP formats. After releasing the hit debut album "Demoniac Flagellations" in 2004, this group of Peruvian alcoholics evoked us to drink and write music for this insane new album. For those who never heard of us in the past, we play a mix of Black, Thrash and fast Death Metal, in the vein of old South American devils like Sarcofago Sepultura, Vulcano and American line like Morbid Angel, Death, Deicide.
Well, they can only hear a lot of wicked metallic chaos. If you're looking for a dose of energy and hate to mosh your bedroom walls when it plays underground, remember to thank me for this recommendation after listening to this album! The drummer here mercilessly thrashes throughout the entire album, the bassist/vocalist executes well both the 4-string desecration works and the throat torments, reminiscent of the era of "I.N.R.I." Wagner Antichrist himself!
The guitarist delivers not only fast and furious riffs, but also fucking aggressive solos! If you expected these Peruvian blasphemers to pity your ears by providing clean productions, you were sorely mistaken! This album has raw anal(og) production straight out of Peruvian hell! Some of the songs here are performed in their native languages, and some are sung in raw-as-life English, but I guess the lyrics you won't understand aren't much of a loss, as the (really!) strong side of this product it's merciless music! It's abundantly clear why this album got a huge vinyl release from From Beyond! With cover artwork done by Spanish master Juanjo Castellano.
A must have in your collection!

Osmose Productions is very proud to present one of the most depraved, full of insanity metal of Death & Black metal from Peru.
Re-issue, with great updated layout, with the original sound from the tape recording.

250x swamp green with heavy red splatter 12" (140g) in a black poly-lined innersleeve, gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON's "30 Years Of Darkness Tour"

12" GATEFOLD DLP TRANSPARENT

Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.

Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.

Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums. 

As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.

Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.

Finally a new press for Olhava's classic album!
Gatefold sleeve with (double) oxblood red vinyls / LTD 300

This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

Black Vinyl

Returning with their third scathing blast of profane black death metal, England’s Wode now join with 20 Buck Spin to unleash ‘Burn In Many Mirrors’, their most potently wild and predatory work yet. With six new tracks spanning 40 minutes of meticulously summoned infernal ferocity Wode scorch the landscape and drape it in the foul reek of death’s fog.