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“Angelus Exuro Pro Eternus” is the fifth satanic symphony by the Swedish black metal overlords and was originally put out in 2009. Once again produced by longtime sound master Peter Tägtgren (Hypocrisy) it was a more traditional masterpiece offering blasting tempo and hymn-like melodies to equal parts. Accompanied by five fantastic live tracks recoded in Buenos Aires (for the first time on audio CD) spanning the band's entire history it furthermore features remastered sound, new layouts, liner notes and unseen photos. A timeless black metal classic!

Re-issue, CD jewelcase, 16 page booklet on 135g art paper.

Seven years without a new studio album by long-running Swedish black metal act DARK FUNERAL was a tough time for its worldwide legions of fans, but finally in 2016, two decades after the release of the band's legendary debut album “The Secrets Of The Black Arts” a new aeon is about to begin. And, DARK FUNERAL's sixth studio album, “Where Shadows Forever Reign”, produced by Daniel Bergstrand (In Flames, Dimmu Borgir, Behemoth), actually refers back to the aforementioned first album in several ways: Firstly, it proudly comes along with stunning artwork by Necrolord (Dissection, Necrophobic, Emperor) just like “The Secrets…” back in ‘96, secondly, it also marks a debut of sorts as it is the first DARK FUNERAL opus with new vocalist Heljarmadr (Grá). His vitriolic snarl finds a perfect match in Lord Ahriman's trademark riffing, and shines on the intense opening track, which would not have felt out of place on 1998's “Vobiscum Satanas”, as well as on the slower epic, “As I Ascend”, the diverse “To Carve Another Wound”, or the grim finale “Where Shadows Forever Reign”. Rewarding their fans to the fullest with an incredibly strong new album burning with passion and determination, DARK FUNERAL shall celebrate a triumphant return...in the sign of the horns.

Re-issue, CD jewelcase with 16 page booklet.

Odium is a name that hasn't been talked about much in the symphonic black metal scene. Formed in 1994, the Norwegian band didn't release much besides a demo, a single, and their only studio album "The Sad Realm of the Stars". The 1998 album received little recognition when it was first released since it was seen as more of a Limbonic Art knockoff. However, when you give the album a listen, you'll see that it's more than just a cheap ripoff of Limbonic Art. Not only does it expand upon the Limbonic Art sound, but it also stands out in its own ways.

Let's start off with the instruments. As I've stated before, the instrumentals take large inspiration from Limbonic Art, but it does have its own merits. The guitars sound more raw, but still maintain a clean production to fit the symphonic themes. Speaking of which, the symphonic elements are easily one of the strongest elements on this album. The keyboards sound beautiful with its melodic tunes, and gives the overall atmosphere a grand theatrical tone. One instrument I find a bit weak though is the drums. It's decent it terms of the blastbeats it plays, but the production softens the loud banging a bit, so it feels weak. Some of my favorite instrumentals come from the tracks "Towards the Forest Horizon", "Thy Eternal Nightfall", and "The Sad Realm of the Stars", since those tracks execute the symphonic themes the strongest and have some powerful riffs. While the drumming can feel weak, every other instrument does not fail in bringing in an epic and dramatic atmosphere.

Another great thing about the album is the vocals. Sechtdaemon does the vocals here, and he stands out in his own ways. Sechtdaemon's high shrieks sound very angry, and the occasional demonic screams only further enhances the evil personality in him. One of the stronger vocal moments is from the track "Through the Sorrowfilled Forest". The album goes for a more abrasive and chaotic tone, so the guitar riffs have more darker sounds and the symphonic synths have a more grim tone in them. This fits perfectly well with the vocals, as the shrieks flow well to the cold instruments and further execute the grand atmosphere. Sechtdaemon's vocals are excellent in flow and delivery, and his vocal skills are right up there with Ihsahn of Emperor.

Overall, this is an album that will surprise a lot of people, especially since it's a lot more than just Limbonic Art worship. The symphonic elements strengthen the cold and dark atmosphere, and the vocals have a strong delivery and execution. Odium would go on a hiatus shortly after the release of the "Altering the State of Being" single, and they only just recently reignited the band. It's unknown of the band is gonna make new music, but as of now, "The Sad Realm of the Stars" is an album I highly recommend for those seeking an unique take on the Limbonic Art sound.

Slater922, July 8th, 2021 - METAL ARCHIVES

Reprint, 500x heavyweight neon violet 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Offensive, blood- chilling, straightforward black metal. The third and final chapter of trilogy including "Sowing with Salt" & "Justice". The first HATE FOREST album with live drums.
Moscovia delenda est.

Hailing from Switzerland, SAMAEL is a trailblazing force in the metal scene, known for their ability to evolve and push boundaries. Emerging in the late '80s, the band carved their place in history by blending black metal roots with industrial and atmospheric elements, creating a sound that is both brutal and mesmerizing.

With their third album, Ceremony of Opposites (originally issued in 1994), SAMAEL achieved cult status. This iconic record merges haunting atmospheres, powerful riffs, and ritualistic lyrics into a masterpiece that redefined the genre. Tracks like “Baphomet's Throne” and “Celebration of the Fourth” showcase their ability to balance darkness and melody, cementing their legacy as innovators in extreme metal.

Revisit this iconic chapter in metal history or discover it for the first time.

CD jewelcase with a 8 page booklet printed on 145g art paper, sealed.

The horror metal masterpiece, Blackeim and Dan Swano created a monster

Royal Blue vinyl  125 copies

n.a.

2nd-pressing, 500 x galaxy transparent red, a 20-page 12” booklet incl. an interview and pictures + A2 poster and a download-code

Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

This release will include a huge 20-page 12” booklet including an in-depth interview (divided into 4 parts, this is part 3) with all 5 original bandmembers and many never seen before pictures.
An A2 poster will be added to every vinyl too and a download-code.

Prior to their legendary Death/Thrash masterpiece, MERCILESS cut their teeth recording two demos, Behind the Black Door and Realm of the Dark. Released in 1987 und 1988 respectively, both are naturally rather raw affairs but what they may lack in proficiency and sound quality, is made up for by unbridled ferocity and MERCILESS’ youthful enthusiasm.

These two demos are important historical relics and a peephole into times long past by one of Sweden’s pioneering bands that alongside e.g. OBSCURITY or MORBID paved the way for the Swedish (and beyond) Black- and Death Metal scene.

Jewel-case CD with 24-page booklet including an in-depth interview with Erik Wallin and many never seen before pictures.

500x marble (white/black) 12" (140g) with silkscreen on side B, in black poly-lined innerbag, printed innersleeve, full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag.

Transparent black cloudy vinyl

This reissue will include a 24-page 10″ booklet, an A2 poster and a download-code.

HELL MILITIA, an assemblage of the vilest and most depraved individuals the French underground has spawned who have earned themselves a bad reputation by participating in among others MÜTIILATION, ARKHON INFAUSTUS and TEMPLE OF BAAL burst onto the scene with their first full length in 2005.
Preceded only by an appearance on a split 7 inch and a demo, the aptly titled Canonisation of the Foul Spirit was unleashed to wreak havoc and soil anything pure and holy in utter contempt.
The album comprises 10 tracks (Psalms) with a professional but not too clean studio production allowing for each instrument to be easily distinguished from one another without resulting in sounding polished or sterile. The riffs which are not too far removed from what one can hear on some of the albums the members have had a hand in and the quality of the songwriting disclose the fact that HELL MILITIA are anything but newcomers. The demented vocals that grace jolly carols like “Burning Human Pigs”, “Prophecy from the Mutilated Children” or “Black Fucking Cancer” are cantillated by none other than Meyhnach from MÜTIILATION.
Listening to him preaching the false gospel and spewing foul bile in his characteristic, unmistakable way of madness is certainly one of the highlights of Canonisation of the Foul Spirit.