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Baltimore Maryland’s weirdo death thrash stalwarts NUCLEAR TOMB have spent the last decade sharpening their singular attack and get ready to riot with riffs and explode like a molotov with their debut full album "Terror Labyrinthian"! Taking cues from old school tech thrash and progressive death metal, Nuclear Tomb seem determined to prove that metal still strives in the underground and that these frameworks still have ambition and depth to give!

Formed in 2011, the Baltimore death thrash quartet draws from a wide pool of influences that manifest in sounds ranging from classic metal tropes to the limits of noisy punk experimentation. Focusing on dynamic songwriting and high energy, aggressive live shows, their dedication to DIY touring has earned them a reputation amongst fans looking for fellow heretics of the same faith.
After two self-released EP’s and a handful of east coast tours, Nuclear Tomb are unveiling their debut full length “Terror Labyrinthian” to be released by Everlasting Spew Records. Its emphasis on raw aggression, left-field ideation, and musical acrobatics is the antidote to increasingly reactionary and predictable trends in modern metal. Mind Thrashing Sonic Nightmares!

For fans of Voivod, early Pestilence, early Sadus, Suppression

Marble vinyl

Marble vinyl

Fellwarden was a concept forged by The Watcher (Fen, De Arma) back in 2014 to give voice to an epic, exultant form of black metal that nonetheless carries with it echoes of deep lamentation and remembrance. The Watcher’s goal was simple – to tell tales of sacrifice, of long-forgotten heroism and the rearing timelessness of the storm-forged landscape against a backdrop of windswept extreme metal. Fellwarden’s sound is steeped passionate vocals, subtle waves of keyboards, acoustic guitars, booming choirs and powerful riffs, underpinned by a cavernous percussive battery courtesy of Havenless (also of Fen).

Comes in a 6 panel digipak with matt varnish and metallic prints, with artwork from Adam Allain (Fen) and layout by IK (House of Inkantation).

"Wreathed in Mourncloud" is inspired by countless wanderings amongst the crags and fells of England’s Lake District, howls defiance, regret and remembrance to the bitter grey skies. The Watcher has spent the best part of three years painstakingly crafting the material that not only matches the power of its predecessor but takes every aspect of Fellwarden’s sound to the next level.

By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.

Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
 

1. Sword of Faith 04:34
2. White Stone 04:13
3. Jesus Saves! 08:12
4. A New Light 04:51
5. Blessed Curse 11:53
6. Living Temples 06:2
7. Anathema Maranatha 06:10
8. Anti-Flesh Nimbus 07:14

DEATHSPELL OMEGA “The Furnaces of Palingenesia” CD/LP

11 songs, 45 minutes, recorded live and mixed on analog gear, 2018

Grim, evil and obscure, a new masterpiece for this elitarian black metal band from France

It is the band's first release of new material since their 2010 album Paracletus.

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.