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Limited edition, gatefold colored vinyl + sleeve with UV spot overprint

Pressed on blood red w/ black spinner effect heavy vinyl. Side B contains no music but features a white screen print. Comes with a 2-page 12"x12" insert and a download card.

"All Christianity Ends" is a brutally-focused reminder that while the infamous Finnish Black/Death Metal legends continue to evolve, develop and even 'refine' their hellish sound over recent full-lengths, the elemental building blocks of classic ARCHGOAT remain sequenced in their DNA.

An essential companion piece to "Worship the Eternal Darkness" and a natural continuation of 1993's "Angelcunt" EP, Ritual Butcherer (guitars/composition) and Lord Angelslayer (bass/vocals) here vomit forth with the magickal energy, raw guttural power and bowel-churning savagery to which we've become accustomed since the band’s 1989 formation.

4 bludgeoning, inimitable new tracks to reaffirm that oldest adage: you can never have enough ARCHGOAT.

"'Curling Serpents Under Stone' is meant to serve as a tribute to the 90’s Norwegian Black Metal scene and bands like early SATYRICON, VED BUENS ENDE, ISENGARD, DARKTHRONE, and EMPEROR," G.Rex explains. "It's my way of paying respects to those who influenced me the most and paved the way for this artistic form and way of life. To them I owe the privilege of standing in the higher seats of Hell’s amphitheater, side to side with bards and predictors of humanity’s downfall.”

Transparent green 12" vinyl in gatefold.
Limited to 250 copies worldwide.

PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.

For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.

“The Crawl” è il nuovo album dei maestri del death metal di Detroit, in uscita il 6 marzo 2026 via Relapse Records. Il quinto full-length della band unisce la pesantezza brutale del loro death metal con dinamiche più ampie e influenze che spaziano oltre il death-doom, mostrando un sound potente e intenso. Registrato in una settimana glaciale allo GodCity Studio con Kurt Ballou alla produzione, il disco esplora temi di vita, scelte e conseguenze attraverso sette tracce devastanti come Poison Icon e Godless Cynic

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

VERTEBRA ATLANTIS are born from the imagination of G.G., the artist behind COSMIC PUTREFACTION, one of 2020's most revered death metal bands. In this new metal adventure G.G. is supported by two fellow musicians: R.R. (HOMSELVAREG) on drums and vocals, and Vrangr (SPELLS OF MISERY) on bass.

VERTEBRA ATLANTIS' debut album, "Lustral Purge in Cerulean Bliss" brings to life a relentless blend of dissonant black metal, dark atmospheres and monolithic death metal. The band paints desolate landscapes to be admired in awe. The granite rhythm section, along with annihilating guitar riffs and psychedelic arpeggios, accompanies the hellish screams and cavernous growls of G.G. and R.R. depicting a complex portrait of revenge, anger and despair.

- 6-Panel digipak with clear tray in the middle
- 12-page booklet

“Gnosis” is the second part in a series of shorter and more experimental releases that SPECTRAL LORE has undertaken for 2015, each focusing on a specific style, as opposed to a regular SL fulllength, which is a collection of several kinds of music. The album was born out of the idea of experimenting with oriental music, using metal instrumentation.
It was decided by Ayloss not to formally study the music beforehand, but to invoke an unconscious remembrance of it, in order to get it out distorted and mixed with the elements of metal and western scales.

Four years after the release of the first chapter, MIDNIGHT ODYSSEY close the circle of the ambitious "Biolume" trilogy with "A Fullmoon Madness," a mammoth triple album wrapped in a new phantasmagorical cover painting by Elijah Tamu.
Acting as a stylistic summa of the Australian one-man band, "A Fullmoon Madness" collects all the metal nuances explored by Dis Pater in the previous episodes and in its career. Once again, cosmic black metal bigger than the nightsky and the crushing heaviness of epic doom metal are bound together by dark wave synths, grandiose symphonic arrangements and Dis Pater's heartfelt vocal performance, oscillating between raven screaming and sumptuous clean chants to underline the lunar character of the music.

Following the reissue of the 2021 EP “I Fall With The Saints” and after their appreciated latest album “Fanciulli D’Occidente” (released in 2024 by our friends at Dusktone), the italian Avantgarde Black Metal outfit LAETITIA IN HOLOCAUST comes back with a new short but yet ambitous work, titled “I Rise With The Dead”.

Although featuring only two tracks, LAETITIA IN HOLOCAUST felt the need to tackle the composition of a 12-minutes long, atmospheric and wide-ranging piece – “Gioia e Pianto alle Teste dei Leoni” – trying to maintain the same intensity and ferocity of the latest album, although broaden its spectrum by creating more persistent and less rapidly changing musical scenarios.