€ 0,00
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.
GRÀB offer both, continuity and change, on their sophomore full-length "Kremess". The Bavarian black metal project founded by vocalist Grànt continues to revolve lyrically around tales and traditions narrated in the local dialect of Germany's southernmost Alpine state: Bavaria. "Kremess" means 'funeral feast' in that language and death plays a leading role on this album. Musically, GRÀB still feature a prominent traditional instrument of their region, the hammered dulcimer. This gets combined with particularly Norwegian strands of black metal such as early GEHENNA, ULVER, and DARKTHRONE as well as taking inspiration from German pioneers of the genre namely NAGELFAR and LUNAR AURORA. Adding to the local sonic colours are many fresh ideas and sounds that came with English guitarist Gnàst, who has replaced previous main songwriter Grain in the meantime. A host of guest musicians including members of EMPYRIUM, TRIPTYKON, and DARK FORTRESS among others has further enhanced the musical spectrum. GRÀB, meaning "old and grey" in the local dialect, were conceived by former DARK FORTRESS frontman Grànt who wanted to bring a particularly Bavarian expression to black metal. The earlier collaboration between Grànt and guitarist Grain resulted in the release of the debut full-length "Zeitlang" in 2021, which channelled the black metal spirit of the early 90s much to the delight of both critics and fans. With "Kremess", GRÀB are infusing Bavarian black metal with new power that is bound to expand their growing empire far beyond the borders of their homeland.
"Zeitlang" is the harsh debut full-length of Bavarian black metal act GRÀB featuring founding vocalist Grant. The former DARK FORTRESS frontman has written the entire concept album in a local dialect of Germany's southernmost Alpine state.
GRÀB, which means “old and grey”, are lyrically telling the story of an old man, who has chosen to withdraw from society into an isolated cottage deep in the mountains, where he reflects on his life while his death edges ever closer. The story on "Zeitlang" ("Yearning") begins in his early childhood with the song 'Nachtkrapp' ("Night Raven") and continues all the way to his end, which is illuminated by the track 'A Gråbliacht' ("A Grave Lantern").
Musically, GRÀB are picking up the Norwegian strands of early GEHENNA, ULVER, and DARKTHRONE as well as being inspired by German NAGELFAR and LUNAR AURORA. Yet true to their topic, the Bavarians include traditional local elements, which is instrumentally expressed by the use of hammered dulcimer, zither and alphorn.
Vocalist and Bavarian poet Grant views "Zeitlang" as his personal musical legacy. Join the singer and GRÀB on their equally intimate and forceful quest into the dark and stark places of the human mind and Alpine nature where there are no safe spaces.
A deeply introspective work, the 2023 “The Rime of Memory” is the second chapter in Panopticon’s trilogy exploring ageing, grief, and the emotional fallout of environmental collapse. Expanding on the themes introduced in “...And Again into the Light”, this album leads listeners into colder, more cinematic territory – weaving Appalachian folk, symphonic grandeur, and searing metal into a single, immersive journey.
With sweeping orchestral movements, a global choir, and collaborations in both sound and visual art, “The Rime of Memory” stands as one of Austin Lunn’s most expansive statements to date. Shifting between moments of crushing intensity and quiet contemplation, it draws the listener into a world shaped by memory, sorrow, and a fragile sense of hope.