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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
The pale light that shines in a kingdom of darkness could be just another deadly lure...
After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.
Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.
With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.
THERIOMORPH is the ghost of what once was CORNIGR, a project by many considered as one of Terratur Possessions definitive highlights.
As CORNIGR was laid to rest, P.E. Packain(aka Vainaya) wanted to explore wider musical grounds when the highly recommended ADAESTUO project suddenly arose. A platform for exploring suddenly emerged and much of the originally planned THERIOMORPH material was used. The urge to make something new on his own grew once again and THERIOMORPH is a project largely based off ideas dating back to before CORNIGR's Funereal Harvest. Diabolical Bloodswords is an absolute accomplishment, an amazing feast from start to finish, an unique Black Metal album which never leaves the roots of the genre.
Endstille‘s Infektion 1813 is an absolute powerhouse of relentless black metal aggression. From the very first note, this album grips you with its unyielding intensity and refuses to let go. The razor-sharp riffs cut through like icy winds, while the thunderous drumming drives each track forward with a merciless precision.
Tracks like “When Kathaaria Falls” and “Endstille (Völkerschlächter)” showcase the band’s signature rawness, blending chaotic energy with cold, calculated atmosphere. The production strikes a perfect balance – gritty enough to maintain the genre’s authenticity yet clear enough to let every blistering guitar line and bone-crushing blast beat shine through.
Vocally, Zingultus delivers a savage performance, his voice a tortured growl that channels pure hatred and despair. Each track feels like a battlefield, evoking the album’s wartime themes with chilling effectiveness. Infektion 1813 stands as a testament to Endstille‘s ability to craft ferocious yet memorable black metal. For fans of extreme music seeking a sonic assault that leaves no survivors, this album is an essential listen.
Prepare to be overwhelmed.
This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.
Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers. Unlike the band's previous two releases, Tara is a concept album that principally deals with the harmony of strife, immortality, puissance and tyranny. It was immediately conceived after their 1998 release of In The Eyes Of Ioldánach when drummer/vocalist Proscriptor's frustration grew with the sinking intelligence in the extreme metal world – it was his calling to fully educate his audience. Therefore, the album features a lexicon (glossary) insert of pensive occult systems and mythological notations – to assist the listener with an enlightened, more comprehensive understanding. As always, Kris Verwimp infuses the gatefold with three sensational illustrations. (Full-color poster included).
Reprint, 500x clear black ice vinyl 2x12" (180g) in black poly-lined innerbags, printed insert on 220g, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.
"Monuments Anciens" is a collection of exclusive tracks along with instrumental demo recordings from Sorcier Des Glaces. Some of them were recorded back in 2001 on an old tape-recorder, which later versions of these songs ended-up on the third Sorcier Des Glaces album "The Puressence of Primitive Forests".
It also features exclusive tracks that were intentionally recorded with raw production in 2010/2011.
"Monuments Anciens" offers some of the rawest and very primitive Sorcier Des Glaces material, always picturing the black, cold & evil world SDG is known for".
Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.
200x heavyweight white with black marble effect 12" (180g) in a microtene innerbag, innersleeve full-color printed on 220g, download card, jacket full-color printed on 350g, all assembled in a plastic overbag.
"Reuniting together on one supreme release, the exclusive songs that originally appeared on the 2012 split album with Monarque, and the four epic tracks that graced the 2016 split release with French black metallers ENDE, originally know as "Le Puits Des Morts". The dark hymn "Le Puits Des Morts" is featuring important figures of the Métal Noir Québécois scene as guest vocalists, including Athros (Forteresse), Blanc Feu (Cantique Lépreux / Chasse-Gallerie), Monarque (Monarque / Sanctuaire), Nordet (Brume d'Automne). It also features I. Luciferia from ENDE with guest backing vocals.
"Sous La Lune Noire" present some of their darkest and evil material, but also have epic and highly atmospheric moments."
200x heavyweight marble (white/black) 12" (180g) in a microtene innerbag; printed innersleeve full-color printed on 220g; download card; jacket, full-color printed on 350g carton, all assembled in a plastic overbag.
Reprint, 500x A-side/B-side - sea blue/white 12" (180g) in a black poly-lined innersleeve; gatefold jacket full color + PMS and black flood inside, printed on 350g, all assembled in a plastic overbag.
Black 12" vinyl (33 rpm) in printed sleeve with printed inner sleeve.
Second pressing 200 copies worldwilde.
Since its inception in 1993, TSJUDER has always been delivering Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia.
As can be heard on the present reissue of their long sold-out and much sought after second album originally released in 2002, not a single note in their music has to be dyed black.
That’s simply because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR.
The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Jontho.
Available again on special price CD, this milestone of True Norwegian Black Metal are described by the band as "raw and uncompromising black metal".
No post, no progressive, no whatever!
Returning with their third scathing blast of profane black death metal, England’s Wode now join with 20 Buck Spin to unleash ‘Burn In Many Mirrors’, their most potently wild and predatory work yet. With six new tracks spanning 40 minutes of meticulously summoned infernal ferocity Wode scorch the landscape and drape it in the foul reek of death’s fog.
Double-disc edition of mayhem's early rehearsals from 1986, paving the way for the cult 'Pure Fucking Armageddon' demo recording.
Although 'Pale Folklore' stands as Agalloch`s debut record, it already embodies several elements that later became part of the band`s signature sound. Effortlessly picking up from their excellent demonstration cassette, it sees the band refining their sound even further. An audio amalgamation combining the profoundness of early Ulver, with the gloom of old Katatonia and the exalted boldness of Fields of the Nephilim, thus adding unique elements of nostalgia and atmosphere to their own melodic interplay of guitars and excellent musical framework. The album contains strong signs of a band that knew at a young age how to draw their canvas. Influenced by the landscapes of the American Pacific Northwest, and with an essence reminiscent of the Scandinavian wilderness, it firmly put Agalloch on the map and raised eyebrows about what a band from North America can be capable of.
As a person that grew up checking out records based on their cover artwork alone, this album was particularly notable - the wood grain cover with a gold emblazoned logo engraving was instantly enthralling. This is music that glorifies the night sky, envisions campfire magic, heralds nature over humans, arcane arts & poetry, and worships the beauty of a crackling fireplace. It could be the soundtrack for a lone wanderer striving through a wintry storm, only to end up knocking on a faded wooden door to find shelter in a desolate cabin. In many ways the sound of forlorn times.
If you are looking to fill your heart with woodsmoke and the fire of the mountain's spirit, look no further.
"Pale Folklore was a watershed moment in American heavy music, when a few young musicians with a shared love of underground death metal – and broad personal tastes beyond – turned their already virtuosic talents toward a fresh hybrid of metal and neofolk through a gothic lens." Daniel Lake / author of USBM: A Revolution of Identity in American Black Metal
