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CD in deluxe 6-panel Digipak with a shape cut in the packaging and gold Pantone print with 16-page booklet.

VLTIMAS have been legends since the dawn of metal. Flo Mounier has been drumming for Cryptopsy since their earliest exhumations of the Canadian underground. Rune Eriksen took hold of axe-wielding duties for the second coming of Mayhem. And who could forget David Vincent, the larger-than-life vocalist for Morbid Angel.
But these devils weren’t content with living amongst the gods. Instead, they’ve joined forces as the legendary heroes of the underworld. Their first album as VLTIMAS was greeted with a rapturous procession of devil horns. 2019’s ‘Something Wicked Marches In’ was voted “album of the year” by Zero Tolerance Magazine and BangerTV. “Likely to knock listeners asses to the ground with outlandish brute force”, praised Blabbermouth.
With new album ‘Epic’, VLTIMAS ascend to even greater Satanic heights. “Miserere” howls across a blackened sky, blistered by tremolo picking that’s more piercing than a siren’s call. True to its name, “Scorcher” is primed for face-melting, with blasts that blaze than a forest fire. “Undefeated, we are sure to remain”, Vincent bellows with ghoulish bravado over the constantly building “Invictus”.

Hin helga kvöl (The Holy Suffering) is a profound exploration of raw emotion and stark beauty, deeply inspired by Sólstafir’s cultural heritage and Iceland's breathtaking landscapes. Sólstafir, meaning "crepuscular rays" in Icelandic, refers to sunlight piercing through dark clouds at dusk, capturing the essence of Hin helga kvöl, a beacon of hope shining through the heaviest of times. Sólstafir confronts inner demons and transcends rock and roll decadence, creating music that resonates with the universal struggle and triumph over hardship. Recorded at Flóki Studios in the remote Skagafjörður, Iceland, the change of scenery has profoundly influenced the album's atmosphere. Hin helga kvöl features eight tracks blending Sólstafir's signature melancholic sound with elements from their past, merging black metal roots with tuneful, anthemic rock. Reflecting on the album's title, Tryggvason shares: "We all suffer in life, and even nature suffers. It can be found in religion and spirituality as well. Hin helga kvöl means 'The Holy Suffering,' representing the struggle we all face." The album’s stunning cover art by Rowan E Cassidy, featuring charcoal shadows, perfectly illustrates the emotional depth and breathtaking altitudes of Hin helga kvöl. Tryggvason describes the music with one word: "alone," capturing the essence of Sólstafir's unfiltered and ardently emotional sound. Sólstafir’s music is shaped by diverse influences, including Black Metal, Classic Rock, Post-Rock, Punk, and the stark beauty of Icelandic nature, crafting a unique sound all of their own. Hin helga kvöl promises to be a bright, shining milestone in Sólstafir’s illustrious career, illuminating the path from darkness to light. This November, let that undiluted haunting beauty and spiritual raw power of Hin helga kvöl run free in your mind. Suffering has never felt this enlightening. The album is available as: Ltd. CD Box Set, Ltd. CD Digipak, black LP, Ltd. Gatefold red LP & Art print, Digital Album

Collectors edition, one off pressing, digipak CD with booklet

Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.

Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”

Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.
 

New press, 2022 edition, exclusive vinyl color in gatefold cover 

Black Blood was recorded in an old mental hospital by members from Dissection, Eternal Darkness back in ´92. Dedicated to Jon Nödtveidt.

Gruppo australiano di FUNERAL DOOM, lento, pesante,
ma anche melodico ed emozionante. “Concrescence Of The Sophia”
contiene 2 brani per oltre 30 minuti di DOOM lentissimo alla Evoken,
Esoteric, Thergothon, Unholy e While Heaven Wept.
 

Doom goth, Finland

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

digipack Cd

"V - Oceans", is the new incredible album of the Belgian Atmospheric Funeral Doom project SLOW, probably the heaviest thing to come out this year both in terms of sheer mass and the astounding emotional momentum it carries. Drowning in the colossal waves of the sea has never been so breathtakingly majestic