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With their new EP "Til Nord" (Eng.: "Northward") legendary Norwegian folk rockers Gåte achieve a stunning transformation. The band from Trøndelag, the area surrounding the ancient harbour city of Trondheim, is delivering an emotive, epic collection of tracks revisiting some of their own classics and adding a new track as a taste of great things to come.

What Gåte have done to their songs is both breathtakingly bold and amazing to hear. The first single and opening track 'Kjærleik' is the perfect example of how they have reimagined their sound. Taking away keyboards, electric guitar, and rock drumming, Gåte have added an archaic percussion style and used acoustic instrumentation. Gunnhild Sundli, has stripped some of the technical complexity from her singing style and placed emphasis upon folk attitude and expression. In stylistic terms, we see a shift from their energetic folk rock to a darker, more down to earth, Norse-atmospheric folk expression.

Gåte were founded in 1999 by violin player and keyboardist Sveinung Sundli, recruiting his sister Gunnhild as singer. Sveinung's violin and Gunnhild’s folk song technique “kveding” brought to the sound a firm base in traditional music, which was complemented and contrasted by modern bass, drums, and electric guitars. The resulting folk rock blows both minds and ears!

Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON's "30 Years Of Darkness Tour"

12" GATEFOLD DLP TRANSPARENT

Official reissue of both legendary demo’s from the Swedish 80s black/thrash metal undergound legends MEFISTO.

1986: Next to mighty BATHORY, MERCILESS, OBSCURITY and later MORBID and NIHILIST, MEFISTO were one of the first bands, which proudly hold high the flag of extreme metal underground in Sweden. Although they never made it out of the underground, these two demos are a testament to how vibrant and active the scene was in the 80’s. A scene that would cause a sensation, especially in Sweden, just a short time later…

Double LP in solid silver vinyl - 100 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

A deluxe 2CD DIGIBOOK; including a 20 page booklet with lyrics, artwork by Ketola (Watain, Kaamos), introduction by Metalion (Slayer magazine), liner notes by the band, old flyer designs and more. The set also includes a previously unreleased track, “Priest of Mendes”.

A deluxe 3LP set housed in luxurious casewrapped slipcase; including a 20 page booklet with lyrics, artwork by Ketola (Watain, Kaamos), introduction by Metalion (Slayer magazine), liner notes by the band, old flyer designs and more. The set also includes a previously unreleased track, “Priest of Mendes”.

Info : Morguiliath was born in the south of France by Rats in 2004, offering multiple concerts and performances.
Two demos have been released and distributed independently.
The first album "Age of Misanthropia Human Blood and Chaos" was released in 2020 by Vacuum Tehiru Productions, as a very dark album dealing with occultism, demonology, Chaos and the annihilation of Monotheistic beliefs and all forms of religious cults.
Only one active member in this project, Rats who is also involved in two other projects: "Suicide Circle" with the illustrious boss of French Black Metal, Meyhnach, produced and distributed by Osmose productions and Dhärnürgh which remains an independent alternative project.
The new album "Occult Sins, New Unholy Dimension" follows the path of Morguiliath and respects the ethics of Black Metal 80/90's, associating Thrash / Black Metal riffs without forgetting an unhealthy and abysmal atmosphere.
Many influences are present there, such as Bathory, Venom, Darkthrone, Nëhëmäh, Hell Militia, Mütiilation and others...

297x black 12" (140g) in a microtene innerbag, printed innersleeve on 220g, download card, jacket with black flood inside 350g, all assembled in a PVC overbag.

Since 2011, ÚLFARR have stood for uncompromising, antisocial UK black metal - or, under their own banner of Cumbrian Black Metal. Helmed by Dominus, AKA Hrafn - who counts the equally prolific THY DYING LIGHT amongst his activities, as well as fellow labelmates NEFARIOUS DUSK and MORTE LUNE - ÚLFARR released a handful of demos, a couple splits, and most uniquely, a couple live albums before their debut mini-album, Hate & Terror - The Rise of Pure Evil, in 2019 and then another mini-album, The Ruins of Human Failure, two years later. Most recently, they released a split album with fellow UK horde MALFEITOR. Across these caustic recordings, ÚLFARR stoked the fires of old - namely, classic Craft, Darkthrone, Mayhem, One Head One Tail, and Death Cult.

Now ÚLFARR return with a revamped lineup and a revamped sound on their long-awaited debut album, Orlegsceaft. Joining Dominus here are erstwhile Exvoidxist / Forvitnast vocalist Játvarðr, HELVELLYN's Burns on bass, and MALFEITOR maiman Nosdrahcir on drums. As no doubt forecasted by its title, Orlegsceaft is written almost entirely in Old English, and most suitably do ÚLFARR shift gears toward a grim & ancient style of black metal. Whereas their sound of yore spit forth a hateful primitivism both punkish and headbanging, this older & bolder ÚLFARR take that hate toward more desolate and hypnotic ends; atmosphere is heightened, ghoulish and GRIM in aspect. In effect, Orlegsceaft undeniably sounds OLD(e), like a long-lost recording from 1995 given undead life through ghostly means. It's still recognizably ÚLFARR, but their attack cruises more cooly here and the vocals of Játvarðr raise the hackles with full-throated terror. And fucking RIFFS forever!

Against the modern world, more than ever, ÚLFARR take UKBM back to the dark ages with Orlegsceaft.

A newcomer hailing from Norway, SOLUS GRIEF is the work of one Peregrinus, who handles all instruments, vocals, and mixing & mastering. And where so many "one-man black metal bands" sound as much (or worse), SOLUS GRIEF buck that trend with a righteously robust sound and fully in-the-moment style of execution. In other words, Peregrinus sounds more like an actual band than many "bands" do.

With a Last Exhale is the evocatively titled debut of SOLUS GRIEF, self-released digitally late last year - and so entranced by its rigid-yet-unique style of black metal, PURITY THROUGH FIRE is now rightfully releasing the album on two physical formats. It would not be incorrect to assume a four-song/41-minute black metal record recorded by one man would be of the depressive/suicidal variety, and to some degree, both those appellations could be applied to SOLUS GRIEF. However, as Peregrinus soon displays, With a Last Exhale moves many, MANY places - and many of them quite surprising, despite remaining steadfastly within BLACK METAL - and with a jaw-dropping fluidity; this is NOT one-riff minimalism/"hypnosis" nor an expression living/dying on "atmosphere" alone. Indeed, with plenty of atmosphere to spare, Peregrinus' compositional skills astoundingly span the full reach of extreme metal, subtly (and tastefully) touching such boundaries as '90s melodic death metal, '80s epic doom, or even just proper heavy metal...but the expression is resolutely a black metal one, the emotions intense and inward, as befitting a title like With a Last Exhale. And the bass guitar here is something that must be experienced.

Hailing from Norway, KVAD indeed performs black metal exclusively in the ancient Nordic tradition. The band is yet another project of the ever-prolific Peregrinus, who numbers the likes of UNHOLY CRAFT, SOLUS GRIEF, Hjemsøkt, Darkest Bethlehem, and Praefuro among his current endeavors. Then a duo, in 2022, KVAD released the Invocations EP and Cold & Dark, As Life debut album in quick succession, and now Peregrinus continues to strike while the burning church is hot with their second album, So Old.

On one hand, So Old is aptly titled: the album begins with a desolate melancholy of what once was, and then the blizzard of distortion leads into a cryogenic grimness not unlike mid-'90s Gorgoroth, particularly the hackle-raising, Hat-esque screams of Peregrinus. And so KVAD follows this trajectory for a good deal of the album...but their songwriting unfolds, fever-dreaming into strange shapes not found among the ashes of those churches. While never dissonant per se, that blizzard of riffing soon compounds into a fury/flurry backed by Peregrinus' brisk-yet-building drums; it's a howling hysteria that's not altogether untuneful, and its slipstreaming vortex suggests the superlative late '90s psychedelia of Svest and Weakling. But, much as he does with his other projects, Peregrinus is not one to be (exclusively) pinned down to one specific style, and possesses the songwriting nous to turn these classics-minded creations into ones respectably modern. So Old, and yet so alive!