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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
Brand new 2023 reissue of the 1994 Demo, “War Funeral March” by french entity VLAD TEPES distills the essence of misanthropic hate that was worldwide spread by the Black Legions almost 30 years ago.
In this 5 tracks album, Wlad Drakksteim managed to mix crunchy and surprisingly groovy guitar riffs with weird and vicious growling vocals. Tracks like “Returning To My Old Battlegrounds” or “War Funeral March” are definitely a perfect example of VLAD TEPES‘s various and prolific discography.
For Fans of Les Legions Noires productions, Mütiilation, Torgeist or Belkètre
Comes in a standard jewel CD case with a 4 pages booklet and a b&w printed CD. 2023 Drakkar Productions release
Collector's Edition in 8-panel Digipack, limited to 1000 copies.
The new album shows Nasheim from a more matured and contemplative side. The harsh Black Metal outbreaks are not altogether gone but they do leave more room for quieter parts where violin, cello and even the occasional clean vocals are allowed to take center stage. Still, the music is immediately recognizable as Nasheim, so unique has the sound become at the very least since "Solens Vemod".
Joined by eon[0] from Progenie Terrestre Pura the band unleashes a new opus of unpredictable music showing off its best album to date; musical extremism merges with the band’s inborn avantgardish attitude in a new mind blowing sonic identity.
Under the visionary artistic direction of FRANCESCO GEMELLLI, produced and mastered at 322Studio and with special guest Greg Chandler from ESOTERIC, URNA marks the borders of madness in music.
ATMF is going once again to support the band producing its third full length album and an artistic new beginning in doom, URNA was a founder band for this label and will continue in shaping dark art under this artistically independent banner.
After the acclaimed debut, THE NEGATIVE BIAS are ready to introduce the listeners to a deeper understanding of their unique musical vision, one that transcends the common idea of music as a mere sum of instruments dealing with melodies and patterns.
“Narcissus” has a visionary and majestic inspiration that prominently flows though the strings and the synth lines.
The evocative force of this new chapter is an exciting merging of 90’s Black Metal echoes and a genuine atmospheric attitude dealing with the dark side of the cosmos, where extreme vibrations are channeled into a vast world of emotions.
Someone may recall Limbonic Art’s early works, but the Wagnerian orchestral symbiosis takes distance from this immanent parallelism by crossing the genres’ borders and propitiating the co-existence of ambient and soundtrack-inspired layers.
Staying within the meaning of epic like a state of mind, opposed to the traditional understanding of this term, the time pattern moves towards a dimension where the fear to trespass the human point of view is a key factor.
Listening to “Narcissus” is like closing your eyes and mind-traveling through new forms of existence and the cruel perceptions that no human philosophy may affect.
Hailing from Chile, Lascar is back with their sophomore release, “Saudade”, an album that moves exactly along the lines of its illustrious predecessor (“Absence”, 2016), underlining once again the band’s naturalistic approach and marking a perfect syncretism of those feelings of loss, fragility and desperation that have always been LASCAR’s trademark.
Their emotional post-black metal offers a unique interpretation of the apparent conflict on the naturalistic experience. The “Saudade” implies a sense of abandon and a nostalgic mourning manifested within an artistic environment.
4 panel digipak edition.
The sole definition of Depressive Black Metal doesn't fit anymore to Falaise.
With their second effort the italian duo is ready to further cross the boundries of this genre to involve the expanding vision of post-rock and indie tunes.
This defragmented vanishing flux of emotions is well shifted on the cover, the mind and the feelings are like swallowed into the infinity of cosmos.
A tribute to Amesoeurs is performed with the cover song "Les Ruches Malades" providing a possible chance of comparision. If "As Time Goes Bye" was already an impressive and coherent collection of emotionally heart wrenching songs maturity has been achieved with "My Endless Immensity", where the different chapters seems like part of a bigger scenario.
On the ninth full-length with the tell-tale title of "Subject to Change", XASTHUR took a musical leap of faith: Mastermind, multi-instrumentalist, and singer Scott Conner abandoned black metal as a form of musical expression for the time being, and turned to something stylistically rather comparable to acid folk and neofolk instead. Keeping the minimalistic approach of his previous albums, but embarking on a long journey through the dark underbelly of the American dream, Conner created his own brand of dark Americana. XASTHUR were originally conceived by Scott Conner in California, USA in the year 1995. The project started out in the vein of bleak black metal in the tradition of the Nordic second wave. Over the course of nine albums and a host of split-singles, EPs, and occasional demos, XASTHUR's individual, particularly depressive style became highly regarded within the extreme genre. In 2010, Scott announced the end of XASTHUR and returned with an acoustic dark folk project under the banner of NOCTURNAL POISONING. In 2015, the American artist returned to the name XASTHUR, but insisted that his black metal days were over. On his so far latest album, "Inevitably Dark", XASTHUR have partly lifted the self-imposed ban on black metal, simply because Conner simply did like he felt.
