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Digipack

Black Metal.

Official Compact disk version of the Studio Live LPs on HMSS. Killer sound.

WEREWOLF RECORDS is proud to present SATANIC WARMASTER's Revelation...of the Night on CD format for the first time ever. While each of SATANIC WARMASTER's five full-length albums serve as crucial (and rightfully classic) monuments in their own right, it is often the band's myriad EPs where their paradigmatic (and paradigm-influencing) aesthetic truly shines. As such, Revelation...of the Night compiles two crucial mini-albums: 2004's...Of the Night and 2007's Revelation. Both breathing the essence of the days when the black metal underground was still cloaked in shadows, both EPs foretell the full-length strikes to follow, with the melancholic majesty of ...Of the Night largely prefiguring the classic Carelian Satanist Madness LP a year later and Revelationsignaling a return to rotten pastures with 2010's eventual Nachzehrer. On their own, however, both short-lengths are endlessly satisfying and undiluted Finnish black metal for which SATANIC WARMASTER has made known the world over. Revelation...of the Night shall be presented on special gold disc for this first-time CD pressing.

New album 2010

DOUBLE CD

Compilation of all demos by Behexen and Lords of the Left Hand.

Disc 1:
- Tracks 1-4 from Reality is in Evil... (1995)
- Tracks 5-10 from Eternal Realm (1997)
Disc 2:
- Tracks 1-3 from Blessed Be the Darkness (1998)
- Tracks 4-9 from Promo '99 (1999), previously unreleased.

Black Vinyl

Abyss of Wrathful Deities is GRAVE MIASMA´s fifth release, the latest in a 19-year sonic exploration of the transcendental essence and nature of death. Nine tracks of pounding, dark Death Metal, rooted in the adoration of mysterious Tibetan burial rites and shamanic passages to other worlds. Trading a little of the cavernous atmospheres of previous releases for the traditional Metal currency of speed and aggression, ?Abyss of Wrathful Deities? still sounds immediately and inimitably like GRAVE MIASMA. Recorded mixed and mastered by Jamie Gomez Arellano at Orgone Studios (Paradise Lost, Primordial, Vltimas, Angel Witch) Experience the hellish descent towards otherworldly chasms through a thousand shades of death!

Per la prima volta in qualsiasi formato, la controversa visione di Pier Paolo Pasolini del 1975 dei “120 giorni di Sodoma” del Marchese de Sade, caratterizzata da composizioni classiche di grande bellezza e dissonanza, in netto contrasto con gli eventi scioccanti e crudeli che si svolgono sullo schermo. Tre settimane prima della scandalosa uscita di “Salò o i 120 giorni di Sodoma”, Pasolini fu brutalmente assassinato a Ostia, in Italia. Sulla scia della tragedia, il leggendario compositore Ennio Morricone scrisse “Addio a Pier Paolo Pasolini” per il defunto regista, inclusa nel montaggio finale. Seguendo la narrazione di uno dei momenti cinematografici più significativi di Pasolini, la colonna sonora si apre con “Son Tanto Triste” di Ennio Morricone, scende nei malinconici accordi minori di Bach, Chopin, Orff, Puccini e Graziosi, incorpora sinistre interpretazioni del cast e include il cupo tributo di Morricone al regista.