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Osmose Productions in cooperation with Blooddawn Productions are proud to present the reissue of Marduk's classic live album Germania! Recorded back in 1996 and being one if the first extreme metal live album being done!
Original released in 1997 and since long sold out and out of print. When released creating havoc with its intense power and ferocity!
Now brought for in a Nov 2019 re-mastered version ready to be available again on digital forum as well as on cd and lp! Death to peace!

Info : Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel comes on 180 gram vinyl in a Gatefold sleeve and will also include a 16-page LP booklet. The CDs will be released as a limited jewelcase.

Re-issue, jewelcase edition with 32 page booklet.

Digipack

jewelcase edition

2014 CD Digipak re-issue.
Includes bonus track "Many Moons Ago (Live In Bochum 2012) " and extended booklet.
 

reissue 2014
 

Although it had a very troubled birth, all detailed in the liner notes included with those different versions here, CRADLE OF FILTH almost-album-length 1996 EP V Empire, Or Dark Faerytales In Phallustein proved to be a superb triumph over adversity.

Despite all their legal problems, line-up changes and insane pressure after the gigantic success of their debut album, the Brits nevertheless managed to write and record a slab of new even grander songs, next to a new version of the already classic ‘The Forest Whispers My Name’, some would argue even bettering their debut in the process.

Another undeniable 90s symphonic black metal masterpiece, available again for the first time officially since 2017!

Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

Remastered from the original 1996 DAT by Patrick W. Engel at TEMPLE OF DISHARMONY in January 2025.

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

2 X Black Vinyl

Elegies of the Stellar Wind" marks the 5th full-length for Poland's epic one-man Black Metal outfit Evilfeast. On the successor to 2011`s lauded, 'Wintermoon Enchantment,' sole member GrimSpirit hasn`t changed much on the band`s majestic formula. Sprawling, epic keyboard arrangements paired with cold and harsh walls of guitars and dedicated vocals whispering of old times and solitarity. Unfolding its layers track by track, the album unlocks a dripping atmosphere. At times freezing in solitude, at others resolute melodic with choral pillars. Enhanced like never before, these elegies reach an almost monumental peak.
 

The second chapter of the band's tetralogy examining the malign episodes of this past century.

'Render Unto Eden' is an altogether more somber record: here do Panzerfaust more fully work with light and shade, their darkness displaying far more hues than previously deemed imaginable. Whereas the five-song first chapter was taut 'n' terrorizing, The Suns of Perdition II likewise features five songs but in a more expansive 44-minute runtime. As such, massive vistas of molten melancholy unfold, the inexorable push-and-pull patient but persistent; layers upon layers of understanding are packed into each of these scintillating minutes. The violence is more carefully doled out, in kind, and the sum effect is nothing short of hypnotic. The Suns of Perdition II: Render Unto Eden echoes within the mind and spirit long after the record's over...

Produced and mixed by Greg Dawson at BWC Studios in Kingston, Ontario, Canada, the album was mastered by Sergei Lazar at CDM Records Studio in Moscow, Russia.

The track "Promethean Fire" features guest vocals from Maria Arkhipova of Russia's Arkona.