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*Chasm of Immurement, the Debut Full-Length from Clairvoyance, features six tracks of extremely rotten gut-wrenching Death / Doom Metal! Poland’s Clairvoyance was forged in late 2019 by vocalist Maciej Cesarczyk and guitarist Denis Didenko. Taking inspiration mostly from Finnish and American bands from the ‘90s, the duo eventually locked into a classic Death Metal sound, then rounded out their lineup by recruiting drummer Adrian Szczepański and bassist Jasiek Kraciuk. The quartet quickly conjured a three-song demo in May of 2020, which was received positively both locally and internationally, seeing a Cassette release through Caligari Records, while Behind The Mountain released the 7” vinyl edition. For the next two years Clairvoyance would gain notability within Warsaw’s Death Metal Underground, especially after the release of their Threshold Of Nothingness EP (Blood Harvest - 2022). Clairvoyance returned to the studio again in the Summer of 2024 to record their long overdue debut LP, “Chasm Of Immurement”. By upping the intensity and the aggressiveness of their sound, the band hopes to start a new chapter in their journey and to show their listeners what Clairvoyance was truly meant to be. “Chasm Of Immurement” was Recorded and Engineered by Clairvoyance guitarist Kacper Pawluk, Mixed by Pawluk and Piotrek Polak, and Mastered by Polak. Cover Artwork by Paolo Girardi (Bell Witch, Chthe’ilist, Noroth).

On “Crepuscular Dirge For The Blessed Ones”, sole mastermind Gabriele Garmaglia continues the COSMIC PUTREFACTION narrative begun on the previous album “The Horizons Towards Which Splendour Withers”, where the only survivor from an apocalyptic annihilation of a dying planet walks towards its withered horizons. On “Crepuscular Dirge…” this character ultimately finds an even more sorrowful truth at the end of his journey; one that shows the empyrean fall of man through the metaphysical world and the gods whom inhabit it.

Through “Crepuscular Dirge For The Blessed Ones”, Gramaglia establishes even more his own vision of death metal, this time enriching his multifaceted sound with widened atmospheres and a patina of omnipresent melancholy suggested by distant arpeggios, e-bow guitars and sometimes even synths organically blended with the relentless, ferocious riffs always present in this new effort. To cap off this layered effort, Gramaglia this time relied on drummer Giulio Galati (Nero di Marte, Hideous Divinity) to deliver an extremely powerful and dynamic performance behind the kit.

Pacific Northwest’s CAUSTIC WOUND (featuring members of MORTIFERUM, Cerebral Rot, Fetid, and Magrudergrind) play unrelenting and punishing brutal death-grind that captures the aesthetic and palpitations of the classic old-school era of the genre (not exceeding 1992). Their debut album, “Death Posture” (out April 10 on CD/LP/Digital) which follows their 2018 “Grinding Terror” demo, sounds like that foul relic that could have been produced somewhere around ‘88-91 while upholding a powerful, dark, murky yet unyielding production, all while eschewing and laying waste to the clinical, plastic and ornamental trappings of what comprises the majority of the grind scene today.

For fans of early/old-school Terrorizer, Napalm Death (88-90), and Carcass (88-91)

 The hauntingly grandiose new Hulder album Verses In Oath, created during the dreariest cold months of the Northwest winter, constitutes the most majestic, untamed manifestation thus far in the band’s journey of conquest, as new territory is put to flame and conquered by sword and shield.

• Majestic black metal from the colds of the Pacific Northwest

Celestite sees the band take a deeper excursion into the crystalline synthesizer-driven domains that have long intrigued them. With the aid of producer Randall Dunn, the band unearthed a hidden sounds cap that is only loosely tethered to their familiar sound, yet is still unmistakably the work of Wolves in the Throne Room.
Digipack with 16 page booklet .
 

Oklahoma’s Chat Pile have had an exciting 2022; they released their album God’s Country, toured the midwest and east coast in support of the album, announced their appearance at Roadburn Festival 2023, and while the band is working on LP2, they’re revealing details for their score for the indie film Tenkiller. While not a proper full-length album, the Tenkiller score was written and recorded in the winter of 2020, and it waxes and wanes from the signature Chat Pile sound but also ventures into new ones— including arena country music. The band comments, “The music we made for Tenkiller is quite a bit different than what you may come to expect from us. We were given the freedom to really experiment and explore territories that we’ve never done before.” They continue, “It’s not going to be for everyone, but we hope some of you connect with what we set out to do.” “Chat Pile bring a sense of dirt and squalor to the table.” —The FADER “Oklahoma City’s Chat Pile are the perfect people to expose the dark, seedy underbelly of American life.” —Paste Magazine “Cleansingly punishing.” —Stereogum “Harrowing.” —Pitchfork

• Follow up to 2020 collaboration album of death/doom metal titans and enigmatic PNW folk musician

• One of the doom metal triumphs of 2025

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Seventh studio album from Greek occult black metallers with ritual & 70's rock influences.

Acherontas stands at the forefront of the new wave of Greek black / occult metal scene, with strong dedication to spirituality, mysticism and magic, in both sound and image. As such, it is considered by its members as an otherworldly project; a medium, where Hellenic metal meets eastern philosophy and retro rock.
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Mysticism, magic, occult arts and rituals, all of which are driving factors behind ACHERONTAS, are also the most adequate words that can be used to describe the band's image, sound and lyrics. The band is considered as one of the leading representatives of the New Wave of Greek Black Metal, heavily influenced by the original Hellenic metal scene, retro rock (especially the 70's rock) and eastern philosophy.