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Spikes. Leather. Over-the-top attitude. Broken English lyrics full of swear words. And manic speed/thrash riffing. Shitloads of it. It may sound like a crude and a tad too cliché description yet it fits MAGNUS like a glove. To say that one of Poland most famous extreme metal pioneers had to face insane struggle and obstacles in their early days while the Iron Curtain was just starting to crumble and soon to collapse would be quite a wild understatement.

Spikes. Leather. Over-the-top attitude. Broken English lyrics full of swear words. And manic speed/thrash riffing. Shitloads of it. It may sound like a crude and a tad too cliché description yet it fits MAGNUS like a glove. To say that one of Poland most famous extreme metal pioneers had to face insane struggle and obstacles in their early days while the Iron Curtain was just starting to crumble and soon to collapse would be quite a wild understatement.

Green, white and black marbled 12" double vinyl (33rpm) in deluxe gatefold with spot gloss and 30cm x 60cm poster.
Limited to 350 copies worldwide!

Hailing from the mist-clad highlands of Scotland, SAOR is a band that breathes life into history with their majestic blend of black metal intensity and Celtic folk melodies. Guided by the spirit of Caledonia, SAOR's music transcends time, echoing the ancient tales of their homeland.
Amidst the melancholy ruins and the grandeur of nature, their new album, ‘Amidst the Ruins’, majestically intertwines the past with the present. From the haunting echoes of “Glen of Sorrow” that recounts the betrayal of the Massacre of Glencoe, to the forest's whispered secrets in “The Sylvan Embrace” featuring cellist Jo Quail, each track is a portal to Scotland’s rich heritage. With “Echoes of the Ancient Land” and “Rebirth”, listeners are invited on a journey through weathered glens and ethereal hills, where each melody reveals a narrative of strength, sorrow, and renewal.
This album is a tribute to the timeless landscapes and ancestral spirits, capturing the soul of a nation in every note.

Size XL

Concept album: a path through our being. The journey of an introspective oneironaut and through the oobe. The ancestral visions, the expansion of human perception through the astral travel. Sounds and experiences that cross the mind and the body of the astral traveler. The sound experience brings the listener to cross the astral portal. The cosmic nebulose cross our mind. Through the light everyone can perform his journey, its life, its rebirth and its eternal astral journey.

On their fourth full-length album, Italian post-black metal duo Falaise keep exploring introverted feelings of isolation and loneliness, conducted through waves of raging black metal and dreamy melodies devoted to the greatest luminaries of post-rock and blackgaze. "After All This Time" is an album of primal intensity, a research on intimate alienation by a band at the peak of their craft.

As the bloated corpse of black metal continues to be picked apart by Myspace “friends” and post-whatever posers, it’s up to scene veterans like SARGEIST to “Let the Devil In”. Featuring the six-string sorcery of HORNA songwriter Shatraug as well as the vile throat and cruel battery of BEHEXEN, Finland’s finest SARGEIST here display that black metalled orthodoxy need not spell creative death, that occult mysticism is still ripe for exploration if the words match the deeds – and especially if you have the songs to back them up. One anthem to the horned one after another, “Let the Devil In” masterfully balances raw, bloodcurdling passion with poised, steely-eyed professionalism: a new classic of traditional black metal is born!