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Back in stock - musica Black Metal e Dark estrema
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Nota: questo ep faceva parte del set "The cursed Singles"
Non era in vendita singolarmente.
Copertina: VG+ Vinile: mai ascoltato ma con qualche macchia di polvere
Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl.
Originally recorded in 2013 during the "Kriegserklärung" sessions and released in 2017 as a split with Kommandant. These tracks convey the aftermath of the Great War in early 1919 by covering the brutal street fighting of factions in the early Weimar Republic. Some of the fastest and most intense songs of the band's early period are here, as well as the first experimentation with neofolk.
200x heavyweight milky clear 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag. Specially remastered for vinyl with a complete new artwork and layout.
Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.
Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.
Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums.
As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.
Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.
Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter
Reprint, 1000x bloodred with black marble effect 2x12" (140g) in a black poly-lined innerbag, 4 pages booklet on 180g offset paper, gatefold jacket on 350g uncoated (matte) with UV spot lacquer, all assembled in a PVC overbag.
First time ever on vinyl, gatefold cover, limited edition silver vinyl.
8th studio album from this legendary Spanish Death Metal band. Despite their big change in line-up, they sound better, more brutal, heavier and intense than ever!! 100% AVULSED, a stunning album!!
Although 'Pale Folklore' stands as Agalloch`s debut record, it already embodies several elements that later became part of the band`s signature sound. Effortlessly picking up from their excellent demonstration cassette, it sees the band refining their sound even further. An audio amalgamation combining the profoundness of early Ulver, with the gloom of old Katatonia and the exalted boldness of Fields of the Nephilim, thus adding unique elements of nostalgia and atmosphere to their own melodic interplay of guitars and excellent musical framework. The album contains strong signs of a band that knew at a young age how to draw their canvas. Influenced by the landscapes of the American Pacific Northwest, and with an essence reminiscent of the Scandinavian wilderness, it firmly put Agalloch on the map and raised eyebrows about what a band from North America can be capable of.
As a person that grew up checking out records based on their cover artwork alone, this album was particularly notable - the wood grain cover with a gold emblazoned logo engraving was instantly enthralling. This is music that glorifies the night sky, envisions campfire magic, heralds nature over humans, arcane arts & poetry, and worships the beauty of a crackling fireplace. It could be the soundtrack for a lone wanderer striving through a wintry storm, only to end up knocking on a faded wooden door to find shelter in a desolate cabin. In many ways the sound of forlorn times.
If you are looking to fill your heart with woodsmoke and the fire of the mountain's spirit, look no further.
"Pale Folklore was a watershed moment in American heavy music, when a few young musicians with a shared love of underground death metal – and broad personal tastes beyond – turned their already virtuosic talents toward a fresh hybrid of metal and neofolk through a gothic lens." Daniel Lake / author of USBM: A Revolution of Identity in American Black Metal
