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“Mortal Coil” is Dödsrit's third full-length, featured on a yet short career though wholly filled with soul drenching moments. Featuring four tracks, Dödsrit's "Mortail Coil" hails the smothering ashes of purgatory's flames by forging a wall of soultearing riffing, blistering belligerence conjoining melody with aggression, a genuine blaze of cacophony and heart wrenching melancholy.

Consuming all in its path, this relentless maelstrom of grief finds its vision on the thunderous production - utterly powerful and blisteringly organic in all its dynamism. Such sonic virtues get sheerly enhanced by the lively rhythmic section and uncompromised ferocity. Whether on blastbeating outbreaks, D-beat infused vigour or further atmospheric escapades, pulsing impulses carry an expression and sense of craftsmanship that amazingly translate emotions into cataclysmic beats.

Drenched in anguish, a scourged narrator of tragedies spews every single word with the blood and fiery distress of a heart burdened by the weight of our sorrowed existence, a shivering performance of a tongue absorbed in the (dis)comfort of eternal grief.

Album preview at this link

“Shrouded in Gyllbergen’s mist, and the sentient essence of the nocturnal fire burning within, the hiking metalpunk hordes Dödsrit hereby unveils its fourth beckoning! Restless and visceral, these unhallowed tomes beckon the mournful chants from its resonant harmonious introduction to the victorious dagger in the very core of the cosmos under the celestial will of heroic bloodshed”
- FFO: Dissection, Vanum, Wolfbrigade

Mortem was originally known as the Norwegian cult band which preceded Arcturus. Formed by Marius Vold and Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted & brutal 'Slow Death' demo, with Euronymous and Dead of Mayhem acting as producer and cover artist respectively (whilst also featuring Hellhammer on session drums). After the release of 'Slow Death', the band was laid to rest, with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.

It wasn’t until 2019, when Mortem’s studio debut 'Ravnsvart' was released, and the magic of old undoubtedly returned with that same spirit and brutality of the original incarnation, whilst injecting new elements to form an opus of ferocious yet atmospheric horror. This was followed soon after by the fully re-recorded and re-worked ‘Slow Death’ tracks.

And now Mortem returns with new ode to the dark, ‘Mørketid’. The album presents an expansion and marked progression over the debut, with brooding mid-paced monumental riffs interspersed with periods of hyperspeed black metal. The album presents eight tracks of savage yet eerie and also often epic Black Metal of the highest order, adorned with the indomitable keyboard textures of Sverd, along with Hellhammer’s unmistakable percussive prowess, and the returning vicious snarls of vocalist Marius Vold.

reissue 2014
 

The re-release of a startling album

Vemod from Trondheim/Norway are one of the most promising and visionary bands of the vibrant, eclectic contemporary metal underground and have already made quite an impact in well-informed circles. Combining such diverse influences as Ulver, Dead Can Dance, Brian Eno and Paysage d'Hiver, the three musicians pursue a unique musical and aesthetical approach, thus reaching a distinct expression and atmosphere at an early stage of their career.
Vemod's first full length album "Venter På Stormene" (English: "waiting for the storms") was originally released in 2012 and is now reissued by Prophecy on a larger scale. Separated into the two parts "Over jord, vandrende" ("throughout the earth, wandering") and "Over himmel, flammende" ("throughout the heavens, flaming"), the album is conceived as a twofold manifestation of inner movements and a rising star, a contemplation upon the yet-again-sacred. The marriage of dark ethereal metal and atmospheric ambient soundscapes celebrates and cultivates the Vemodian essence within the realms of deep feeling: the result after years of slow but steady maturation and a bridge towards the future. Beyond sun and moon, we are born anew.

This is where it all began, the 1994 debut which shook the European Black Metal scene upon its foundations.
Originally released on cult imprint Cacophonous Records, CRADLE OF FILTH first album is now available for the first time over a decade on noble vinyl but also on picture vinyl, digibook-CD and tape.

While still bearing few traces of their Death Metal roots, The Principle Of Evil Made Flesh remains an unique sounding album to this day, drenched in gothic atmospheres and vampiric themes. A true masterpiece which immediately spawned many imitators, although none managed to match their intensity and undeniable British flair.

Pure cult!

Luxurious hardcover digibook-CD with 20-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook double-CD including the complete demo-recordings of “Malice”.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet

Released one year after their demo Black Seared Heart, it was First Spell that put GEHENNA on the map for real.
Originally released in 1994 by Metalion`s legendary label ‘Head Not Found’, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?
Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboardplayer extraordinaire Sarcana.
First Spell is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan`s collection.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

CD Digisleeve "Sentimentale"

One has to be a decided connoisseur of alternative music culture to associate the title "Sentimentale Jugend" (sentimental youth) with the short-lived experimental noise act of the same name, founded by Alexander Hacke (Einstürzende Neubauten) and his then significant other Christiane Flescherinow (also known as Christiane F. from the bestselling non-fiction book "We Children From Bahnhof Zoo") in the early 1980s. However, it is for a reason that Italian indie rock flagship Klimt 1918 names its latest double album after this footnote of pop history, namely a conscious hint at the underlying mood of the songs.

One has to be a decided connoisseur of alternative music culture to associate the title "Sentimentale Jugend" (sentimental youth) with the short-lived experimental noise act of the same name, founded by Alexander Hacke (Einstürzende Neubauten) and his then significant other Christiane Flescherinow (also known as Christiane F. from the bestselling non-fiction book "We Children From Bahnhof Zoo") in the early 1980s. However, it is for a reason that Italian indie rock flagship Klimt 1918 names its latest double album after this footnote of pop history, namely a conscious hint at the underlying mood of the songs. "Sentimentale Jugend" captures West Berlin in its pulsating, nihilistic glory during the late 70s - just as David Bowie did with his Berlin Trilogy of the albums "Low", "Heroes" and "Lodger" - and processes notions from Florian Henckel von Donnersmarck's award-winning movie "The Lives Of Others", be it the foggy winter atmosphere in East Berlin during the early 80s or the female protagonist's melancholy.

Limited to 500 copies worldwide.
Includes poster and mp3 download card.
Gatefold cover.