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With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.

• Highly anticipated fourth album from Italian Lucio Fulci death metal fanatics, based on his film The New York Ripper

• Full US Devastation in the Nation Tour in November / December 2024 with Morbid Angel, Suffocation, Mortiferum and more

• For fans of Cannibal Corpse, early Madball, Merauder, Mortician, Goblin, Giorgio Moroder, Slayer, Bolt Thrower

An underground brutal death metal demo grail finally unearthed after twenty-five years rotting, 20 Buck Spin presents Prelude To Obscurity! Hailing from Wisconsin in the shadow of the Milwaukee Metal Fest, Embalm formed in 1995 while in high school in the era of Ablated Records, Frozen Dawn CD compilations and IllNoiz Death Fest to name a few. Embalm created truly memorable grooves of mid-paced, catchy, and brutal-as-hell Midwest death metal, also including the customary influence of Swedish death metal and even touches of Dissection-style harmony, setting this demo apart from any forced retro nostalgia. Despite staying local, Embalm was a part of a larger network and held their own supporting bands like Rotted, Internal Bleeding and Incantation. While this collection focuses on the masterwork and tragic final demo aptly titled Prelude To Obscurity, sicko freaks will be treated to the literally impossible to obtain first Demo ’95 as well, showing the most evil and grim basement necro recordings that, while primitive and cruel, still hold minimalistic memory of true underground demo cassette culture. Also included in a rare find are the two final live tracks that sadly never made it to the studio, written after Prelude and showing the band’s insane dual vocal / multi-lingual genius for darkness, slam and tortured leads. Painstakingly remastered from original DAT and cassette tapes by Arthur Rizk, the collection includes a massive time capsule booklet of flyers, ephemera, zine reviews, and live photos from the bygone glory days of true brutal death metal! A guidepost for any new band looking for a glimpse of time tested ‘brutal stuff’. A first time co-release between two modern underground titans, 20 Buck Spin and Hospital Productions.

• Reissue of obscure Midwestern demo brutality from the ‘90s
• Includes massive 24-page booklet of flyers, old artwork, zine reviews etc
• Remastered by Arthur Rizk
• Includes a bandcamp download card
• First time co-release between 20 Buck Spin and Hospital Productions
• For fans of Fleshgrind, Deaden, Broken Hope, Dissection, Witch Vomit, Torture Rack

Like solitarily gazing at the downtown lights of the city at night from the window of a darkened room, “Secret Grief” features the guest talents of vocalist Phil Swanson and Leila Abdul-Rauf on trumpet. The tranquil interlude of “Murmur Of Voices” gives way to the evocative “Unrequited” that begins with a lonely solo guitar before transitioning into a drifting daze of afternoon reverie and subconscious meditation.

Finally comes the album’s epic bookend, sixteen minute closer “Ecstatic Reign.” It features perhaps the album’s heaviest straight doom moments along with the return of Tide Turns Eternal featured guest voices McKenna Rae and Richard Poe. Tomb Mold drummer / throat Max Klebanoff also appears for a shattering back and forth vocal tradeoff with DeTore. The album’s cinematic vision and painstaking colorful detail are fully encompassed bringing this enthralling journey to its enduring peak.

With the new second album ‘Dreaming The Strife For Love’, Italy’s Bedsore have jumped headfirst into the progressive warmth and obscure atmospheres of the 1970s. Inspired by the mysterious renaissance-era book ‘Hypnerotomachia Poliphili’, the album musically weaves the concepts of love as a battlefield, where desire and devotion are tested through trials and spiritual awakenings, with visions of pagan temples, mystical gardens, and arcane symbols. An aspirational and operatic aura envelops ‘Dreaming The Strife For Love’, from the longer compositions and spacious production to the extravagant and diverse instrumentation that includes 12 string guitar, copious use of synthesizers, mellotron and organs, fretless bass, percussion and horns; the dynamic range of the album embracing the most crucial elements of prog rock’s lofty imagination.

Death metal, atmospheric dissonance, tech brutality and much more from Vancouver band

Follow up to the successful full length debut Apexapien from 2021

For fans of Ulcerate, Suffocation, Gorguts, Afterbirth, Dying Fetus, Decapitated

The idiosyncratic methodology of Portland’s Ænigmatum is instantly apparent from the whip-start blast of “Forged From Bedlam”, the opening track of their second album Deconsecrate. While the pace is frenetic, speed is never a crutch to be relied upon, but rather one deliberate device in a sprawling collection of melodically precise and technically riveting fragmented death shards. The eight songs on Deconsecrate constitute a labyrinthian structure of twisting nuanced complexity and intricate explosive chaos. Blood-freezing and incandescently beautiful at once, Ænigmatum temper their withering elaborate intensity with astonishingly elegant melodic passages carved into the mind, like towering marble hallucinations. Immersing in this album, one might be forgiven assuming they’d stumbled upon a lost obscurity of mid-90s Gothenburg, the dark harmonies, the dual guitars, the staggering rhythm section; but in fact Ænigmatum have bequeathed a startlingly ambitious paragon of mystifying esoteric death metal magnificence.

Ascended Dead return like abyss winds surging skyward from the ninth circle of Hell. New album Evenfall Of The Apocalypse heralds the dawn of the final march to extermination via barely-controlled death metal chaos and form-destroying necromancy.

Ascended Dead play death metal the ancient way with an intrinsically malign pedigree and methodical cruelty scarcely heard nowadays. Flesh-peeling intensity at warp-speed, technically-frenzied leads that cut straight through bone and a relentless annihilating force that rarely ceases long enough to take a breath. Yet amidst this fiery conflagration a wholly deliberate and fanatical attention to detail and craft remain undeniable, allowing the pandemonium a distinct structure and memorability.

While the band has more than enough skill and ability to perform a darkly acoustic piece like “Passage To Eternity,” a rare moment of respite, repeated spins through Evenfall Of The Apocalypse only serve to perpetuate Ascended Dead’s inexorable place at the vanguard of violent real death metal, carrying the banner into the future.

2014 edition on Misanthropic Spirit Records