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2xLP (Black Vinyl)

Pentagrammaton was recorded under miserable conditions in genuine affliction, torment and chaos above all in Necromorbus Studio anno 2005. Mixed and mastered originally & remixed and remastered in 2020 by Tore Stjerna. Track 3 written by Atum. Track 7 written by Chivah. All other tracks written by Belfagor. All lyrics written by Belfagor, except “Unfolding Paradox in Final Redemption” which was written by Moloch.

On this recording session Ofermod was:
Belfagor: Guitars
Moloch: Vocals
Tehom: Bass
Chivah: Drums

Mephorash hailing from Sweden with members of Malign, ex Ofermod. 42 minutes of extraordinary Black Art deeply rooted in the occult pathways.
Each track of the album features additional vocals from the vocalists of Malign, Hetroertzen, Embrace of Thorns and Fides Inversa.

-Noble gatefold printed on 350gsm paper
-Gold hot-foil printed cover
-limited to 400 units on black vinyl

Swedish black metal, 3 track ep on digipak CD. 
 

-double LP (black vinyl)

-sturdy gatefold printed on 350gsm paper

-gatefold housed in a vinyl slipcase WITH gold hotfoil print

-24-page LP sized booklet

-black vinyl version

Cold Meat Industry has vomited dark blasphemies into unsuspecting minds since its inception more than 20 years ago. Now from dark corners of the metal underground, some of the seeds from this morbid poison pay tribute. A parish of death fanatics gather to chant six zealous hymns of worship to the Cold Meat Industry

Sinistrous Diabolus - Sacrifice (Aghast)
Spire - Death, Just Only Death... (In Slaughter Natives)
Temple Nightside - Winds of a Lost Soul (Arcana)
Grave Upheaval - Necrose Evangelicum (Brighter Death Now)
Antediluvian - Sephiroth (raison d'être)
Vassafor - Infernal Affairs II Doom Legion Ultra (MZ.412)

NEAR MINT / NEAR MINT

new reissue, in A5 digipak format

US cosmic black metal (Void Omnia) meets raging Cascadian black metal inspired by black metal from Greece (Insanity Cult).

For the last two decades, Portuguese Black Metal have been carving its unhallowed dagger in the heart of the Underground with a myriad of entities devoted to the darkest, most ignominious edges of such Sacred Art. One of the most emblematic and infamous hordes spawned from that cluster of void were satanic mercenaries Infernüs. Handling its heinous path for almost 20 years, the group have summoned an array of demos dating back to the early 2000s, vicious onslaughts that hatched a cult status to the band and left a trail of chaos and destruction in the cauldron of the Underground of said times. After a last 2007 recording and a series of memorable live rites, Infernüs vanished towards an unfathomable slumber, a silence which left a cloud of uncertainty on the minds of devotees of the group’s malignant fire and one which in 2016 ceased to persist after an astounding return, on a special occasion. Emerging from the infernal pits of Hell, Infernüs engraved its trail of blood and putrid flesh at the Invicta Requiem Mass I, a distinct ritual with fellow Portuguese nefarious ensemble Mons Veneris. Recorded for posterity, the ceremony cast on a bleak October night in 2016 was a memorable primeval assault which presented the band in full strength with its imperial blast of madness and diabolical fervor for delight of a pack of rabid adherents under the spell of its infernal hounds. During the 45-minute strike, the Portuguese titans have gathered a roast of new anthems of satanic fanaticism and dreadful hymns from the dark past that painted the walls in blood and brought forth the fire and death worship of pure unprecedented sacrilegious might. The blast of every expelled word endorsed a frenzy of devilish and chaotic possession from the blazing crowd, a reaction and assent that attested the charisma of the arrangements, combined with a rhythmic display of power and skill, the dynamic backbone to such psalms’ strain and potent edge and one which is here captured with outright power and vibrancy. The ungodly hymn Cristo em Chamas stands as a highlight of an infernal performance and evening of boundless, blasphemous Black Metal, a profane sermon attesting the strength and craft of the Portuguese scenery and one of its most charismatic forces. Released on a joint conspiracy between Harvest of Death and Purodium Rekords on a 12” LP edition, limited to 300 copies (100 white vinyl, 200 black vinyl), Live at Requiem Mass I stands as an uncanny testament to the revenge of the bloodlust behemoth Infernüs, a night of absolute worship to the Black Arts, carved for the next thousand years of darkness and ruin.

Horror-aficionados HOUSE BY THE CEMETARY are rousing the undead once again with the sophomore album “The Mortuary Hauntings”!

With a tried-and-true formula of pummeling riffs and mid-paced Death Metal that throbs to herd a wall of zombies, Rogga Johansson (Paganizer, ex-Bone Gnawer, Massacre, etc) and Mike Hrubovcak (ex-Monstrosity, Azure Emote, ex-Vile, etc) cleverly disintegrate and reconstruct their love for Metal and old horror films; fortifying the two genres into an unwavering subculture hallmark but with a stylistic departure on their debut. “The Mortuary Hauntings” continues with the endearing worship of retro-Death Metal and the timeless devotion to cult horror-flicks.

Recorded by HOUSE BY THE CEMETARY with mixing duties shared between Ronnie Björnström at EAP Productions and Håkan Stuvemark at Necrotic Audio Productions with mastering also handled by Håkan Stuvemark. Evocative cover artwork by Columbian illustrator Felipe Mora (Critical Defiance, Consumption, Mortify, etc).

credits

releases May 31, 2024