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Back in stock - musica Black Metal e Dark estrema
Abyss of Wrathful Deities is GRAVE MIASMA´s fifth release, the latest in a 19-year sonic exploration of the transcendental essence and nature of death. Nine tracks of pounding, dark Death Metal, rooted in the adoration of mysterious Tibetan burial rites and shamanic passages to other worlds. Trading a little of the cavernous atmospheres of previous releases for the traditional Metal currency of speed and aggression, ?Abyss of Wrathful Deities? still sounds immediately and inimitably like GRAVE MIASMA. Recorded mixed and mastered by Jamie Gomez Arellano at Orgone Studios (Paradise Lost, Primordial, Vltimas, Angel Witch) Experience the hellish descent towards otherworldly chasms through a thousand shades of death!
Per la prima volta in qualsiasi formato, la controversa visione di Pier Paolo Pasolini del 1975 dei “120 giorni di Sodoma” del Marchese de Sade, caratterizzata da composizioni classiche di grande bellezza e dissonanza, in netto contrasto con gli eventi scioccanti e crudeli che si svolgono sullo schermo. Tre settimane prima della scandalosa uscita di “Salò o i 120 giorni di Sodoma”, Pasolini fu brutalmente assassinato a Ostia, in Italia. Sulla scia della tragedia, il leggendario compositore Ennio Morricone scrisse “Addio a Pier Paolo Pasolini” per il defunto regista, inclusa nel montaggio finale. Seguendo la narrazione di uno dei momenti cinematografici più significativi di Pasolini, la colonna sonora si apre con “Son Tanto Triste” di Ennio Morricone, scende nei malinconici accordi minori di Bach, Chopin, Orff, Puccini e Graziosi, incorpora sinistre interpretazioni del cast e include il cupo tributo di Morricone al regista.
Official rerelease
1. Black Metal Hell 04:01
2. Once More Against The Light (For Satan) 05:22
3. Witchcraft And Blood 03:17
4. Tower Of Flies 04:29
5. The Hammer Of The Lord Satan 03:24
6. Desecration 04:41
7. Angelreaper 03:44
8. The End Of All Life 04:12
Remastered double CD in jewel case with 8-pages folded booklet
UK doom cult ESOTERIC quickly gained a following after they formed in 1992. The band invented a new musical formula that consists of psychedelic elements mixed with classical doom death metal, a path that no other band in the genre dared to walk before. ESOTERIC's sixth record ‘Paragon of Dissonance’ is another crushing monument in the band's celebrated discography. This new 2-CD edition is fully remastered by Greg Chandler at Priory Recording Studios (FEN, WODENSTHRONE, MOURNING BELOVETH). Get ready for a sonic ride through the heart of Doom!
For fans of EVOKEN, THERGOTHON, MOURNFUL CONGREGATION
With the new album "They Often See Dreams About the Spring" DRUDKH's traditional black metal sweeps in like a cold wind from the East. Timeless frozen melodies adorn an uncompromising attack, creating yet another epic work from one of the genre's most important bands.
a new opus has been invoked in the ritual chambers of Daemonicreation studio, mixed and mastered once again by George Emanuel in Pentagram Studio, Athens, Greece.
The quintessence of this work is drawn from the divine feminine sexuality, the liberated woman as a initiatress, in Mystical Union with Chaos. She raises high her Chalice and offers her blood, the Elixir of Ecstasy. Bestiality, pushed to the limit, manifests itself in its pure glory, then metamorphoses into psychedelic layers of ambience, progressive low frequencies and sacerdotal chants, to form the scrolls on which are inscribed the visions and complex formulas of a Satanic Charnel Esotericism.
2020 saw the construction of “Apocatastase,” recorded and mixed by George Emanuel (Rotting Christ, Lucifer’s Child) with cover artwork from Khaos Diktator Design, the band’s most ambitious and grandiose project to date. The nakedness of black metal reflected in the mirror of the Devil. The ritual is undressed in the intense sophistication of a journey outside the reality of appearances.
"Ukrainian blackened death/doom metal offensive 1914 continue to reflect the gruesome tales of World War I, its soldiers’ fate, their death, fear and feats to be never forgotten, and unleash their new opus, Where Fear and Weapons Meet, on October 22nd, via Napalm Records. Its eleven tracks of pure historic harshness follow up to the band’s sophomore full-length, The Blind Leading the Blilnd (2018), and debut, Eschatology of War (2015), both highly acclaimed amongst critics, and create a sophisticated variety of massively brutal blackened death metal accented by dramatic and realistic audio soundscapes and disquieting melodies spiced with the approach of sludge and doom!
