Back in stock

White double 12" vinyl with black splatters, cut at 45RPM for optimum fidelity, in gatefold sleeve.
Limited to 100 copies worldwide!

In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, WATAIN stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity.

These Satanic Swedes’ heavily sought after debut release "Rabid Death’s Curse" is finally available again! Initially released in a very limited quantity exclusively to the underground, the originals have been capturing large amounts at internet auctions.
The album has since been remastered with a bonus track!

For fans of DISSECTION, NACHTMYSTIUM, XASTHUR, MAYHEM

Black double 12" vinyl (33 rpm) in deluxe gatefold printed on unfinished, heavy card stock.
Twelfth pressing 250 copies worldwide.

“With the true spirit of Black Metal coursing through every incendiary riff on ‘Lawless Darkness’, Watain have been reborn with sharpened intent and blazing potency, creating an intense and enveloping paean that keeps the black flame burning." (Terrorizer)
“This is the new benchmark for epic, extreme Black Metal.” (Aardschok)
“A much-more-than-worthy follow-up from one of the most relevant Black Metal bands around. Up-to-date Bathory worhip with extra everything.” (Close-Up)
“Lawless Darkness’ is a new frontier for Black Metal.” (Metal Hammer)
“Majestic and complex, yet with a stunning drive and ferocious energy. The rebirth of darkness and evil. The grand return!” (Sweden Rock)

For fans of DISSECTION, MAYHEM, MARDUK, VALKYRJA.

"True to its name, Wolves In The Throne Room has always painted between the lines of barbaric and regal. For over a decade it has been this between-space that has driven WITTR's power; burning black-metal riffs communing with mystical folk and ambient music." - NPR

WOLVES IN THE THRONE ROOM celebrate two decades as one of the most evocative and unique bands in North American Black Metal with the anniversary release of their original 2005 Demo! Originally recorded in Olympia, Washington as a prelude to the band's landmark "Diadem of 12 Stars" full length, the 2005 Demo features the original versions of "Queen of the Borrowed Light", the exclusive track "Dagger of Amethyst Crystal", and "(A Shimmering Radiance) Diadem of Twelve Stars".

With 'White Noise and Black Metal', Sweden's CRAFT return to strength after a long hiatus. The forthcoming album combines the vitriolic virtues of 'Terror Propaganda' (2002) with an updated songwriting that is as mature and intelligent as it is razor-sharp. The fast and furious of extreme metal contrasts with dark and depressive passages with added undertones of black ‘n’ roll. Now CRAFT are ready to take a giant step in their career with the extremely strong 'White Noise and Black Metal'. This is misanthropic Swedish black metal honed to perfection.
 

Limited Edition to 150 Copies

Bloedmaan, another brainchild by the infamous Ronarg (also known from Ars Veneficium & Antzaat) presents its debut full length album «Castle Inside the Eclipse».
Those who are familiar with both mentioned bands know what to expect from this gentlemen and can even hear similarities, however, Bloedmaan stands completely on its own.

The music is as Melodic as Antzaat and as Violent as Ars Veneficium, yet, the approach is completely different.
Fast and complex guitar melodies wrapped in a harsh mid 90’s old school sound package with variated drum patterns and those nice low end basslines.
The vocals give you that haunted 90’s Vampyric feeling with a touch of depressive note without entering the suicidal atmosphere.

All in all, Bloedmaan delivers a Hell of a debut album that will take the Black Metal scene by storm without a doubt!

Recommended if you like: Ars Veneficium, Antzaat, Gorgoroth, Horna, Sargeist, Forteresse, Mgla, Azaghal, Spectral Wound.

The second chapter of the band's tetralogy examining the malign episodes of this past century.

'Render Unto Eden' is an altogether more somber record: here do Panzerfaust more fully work with light and shade, their darkness displaying far more hues than previously deemed imaginable. Whereas the five-song first chapter was taut 'n' terrorizing, The Suns of Perdition II likewise features five songs but in a more expansive 44-minute runtime. As such, massive vistas of molten melancholy unfold, the inexorable push-and-pull patient but persistent; layers upon layers of understanding are packed into each of these scintillating minutes. The violence is more carefully doled out, in kind, and the sum effect is nothing short of hypnotic. The Suns of Perdition II: Render Unto Eden echoes within the mind and spirit long after the record's over...

Produced and mixed by Greg Dawson at BWC Studios in Kingston, Ontario, Canada, the album was mastered by Sergei Lazar at CDM Records Studio in Moscow, Russia.

The track "Promethean Fire" features guest vocals from Maria Arkhipova of Russia's Arkona.

Throughout the "Suns of Perdition" tetralogy, Panzerfaust has managed to expand upon their distinct sound and infuse it with a clear vision and intensity. In the third act of the tetralogy, the band takes listeners on an incredibly immersive, yet harrowing journey to an outer darkness, documenting mankind's descent into collective madness and forcing listeners to face the mirror of a hideous reality, in all of its glorious terror, horror, and disgust.

The music contained on "The Astral Drain" is incredibly captivating and immediate, whilst retaining a strong sense of atmosphere. In particular, the intensity of the performances is truly something to behold. While many contemporaries may drift toward increased tempos in order to artificially create a sense of intensity, Panzerfaust have achieved songwriting brilliance in ensuring that every moment on "The Astral Drain" is filled with passion and purpose. This is all the more impressive as much of the material seems purposefully composed at a more mid-tempo, allowing for these songs to be embellished with stunning details in melody, primarily provided by guitars, vocal arrangements, effective ambient sections as well as incredibly precise and deep percussion work. Specifically, the drums manage to provide a solid foundation to these monolithic tracks, while offering stunning compositional diversity and creativity. Furthermore, the band's boldness in vocal performance and delivery enhances what would already be a captivating listening experience. As such, it is the fantastic compositional detail placed on each element throughout this record that elevates "The Astral Drain" to stand as Panzerfaust's most accomplished and ambitious work to this date, certainly warranting repeated listens.

The band's ability as songwriters are on full display here, as each song refuses to fall back on genre conventions, instead of allowing the music to develop organically, with movements in each song seeming to convulse and develop into new sections that drive the music forward. This is an impressive compositional achievement, as the shifts in musical form occur naturally, belying the fact that great effort was placed in the fluidity of the music, something that is often ignored in more "progressive" extreme metal.

As pertains to production, the band has managed to infuse these songs with depth and a strong sense of atmospherics that never drains out the main instruments. Produced by Greg Dawson at BWC Studios in Kingston, Ontario, and mastered by Sergei Lazar at CDM Records, Moscow, the sound of "The Astral Drain" is stunningly organic, whilst retaining clarity in all instrumental elements, an impressive accomplishment when considering the audible layers on display throughout the album. The production is warm and entrancing, perfectly fitting the compositions of the record.

Despite - or perhaps due to - this compositional and conceptual boldness, "The Astral Drain" is a profound black metal record, filled with sonic despair and darkness.

Canadian black metal fundamentalists PANZERFAUST are not taking their upcoming tetralogy The Suns of Perdition lightly. It is their most ambitious work to date and perhaps the band’s most extraordinarily violent. The first chapter War, Horrid War is OUT NOW on CD, LP 

CD in classic jewelcase with 8-page fold-out booklet and silver prints

Granted, while ODAL's melodicism here is much more on the melancholic side, there's a uniquely uplifting aspect to it. Perhaps that's due to the lyrical themes underpinning Welten Mutter: translating to "World's Mother" in English, they deal deeply with nature are dedicated to Nordic mythology, specifically with the creation of the world(s) on earth and for the gods. As such, Welten Mutter is arguably ODAL's most pagan-oriented album, but thankfully, their version of pagan black metal safely evades all the cliches usually associated with such an appellation.

At once authentically retro and uncompromisingly adventurous, Welten Mutter stands tall as ODAL's defining statement in a world too often fixated on the "new" and frequently too blurry about the past.

Medieval Neofolk / Industrial

Here is presented for the first time ever the first proper version of the “A New Soldier Follows The Path Of A New King”, a real masterpiece from 1995. Founded in Austria in 1993, “The Moon Lay Hidden Beneath A Cloud” was a medieval martial ambient project formed by musician Albin Julius (R.I.P.) and vocalist Alzbeth. The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

Medieval Neofolk / Industrial

Here is presented for the first time ever the first proper version of the “A New Soldier Follows The Path Of A New King”, a real masterpiece from 1995. Founded in Austria in 1993, “The Moon Lay Hidden Beneath A Cloud” was a medieval martial ambient project formed by musician Albin Julius (R.I.P.) and vocalist Alzbeth. The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

Here is presented for the first time ever the first proper version of the “The Smell Of Blood But Victory”, a real masterpiece from 1997. Founded in Austria in 1993, “The Moon Lay Hidden Beneath A Cloud” was a medieval martial ambient project formed by musician Albin Julius (R.I.P.) and vocalist Alzbeth. The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.