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Reprint, 330x 140g 12"LP vinyl ultra clear with silver marble effect in a black paper sleeve, full color printed insert, all assembled in a PVC overbag.

transparent blue/black galaxy

300x white with cyan blue marble

Reprint, 500x white with black marble effect 12" (180g) in a microtene innerbag, printed innersleeve full color, on 220g, download card, jacket full-color, black flood inside on 350g, all assembled in a PVC overbag.

Re-issue, 500 x heavyweight bloodred marble 12" (180g), full-color innersleeve on 220g, full-color jacket on 350g,all assembled in a PVC overbag.
 

Reprint, 500x heavyweight marble (orange crush/black) 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, jacket, full-color printed on 350g, all assembled in a plastic overbag.

gatefold jacket, inside colored

black poly-innersleeves

dinA2 poster

plastic protection sleeve

large booklet wth lyrics, impressions and info

Gold Vinyl

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

Issued in a jewel case with a transparent tray. Comes with a fold-out 6-page booklet.

Track 1-12 is a hidden bonus track (not mentioned on the back cover or in the booklet).
Tracks 2-1 to 2-8 recorded in Le Zenith Hall, Paris, March 23-23, 2009.

Digipak with 20-page booklet

t has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of NIGHTFALL, but now the band is plotting a triumphant return with ‘At Night We Prey’, the darkest and latest chapter of NIGHTFALL’s already storied career.

‘At Night We Prey’ is a very dark and personal effort, tackling the topic of frontma, Efthimis Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads,” Karadimas laments. “This is the least I can offer now to the big fight against depression. If we don’t stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”